Keri Leigh

Trackimage Playbut Trackname Playbut Trackname
I Ain'T Got Nobody (For Real) 00:00 Tools
Here's Your Mop Mr. Johnson 00:00 Tools
Hobo Train 02:59 Tools
New Thang 00:00 Tools
It's the Last Time 00:00 Tools
Something's Got A Hold On Me 00:00 Tools
Check Your Sources 00:00 Tools
Don't Keep Me Wondering 00:00 Tools
Get Up 00:00 Tools
Voodoo Woman 00:00 Tools
Florida Sunset 00:00 Tools
King Biscuit Time (Intro)/Use What You Got 00:00 Tools
In the Mood 00:00 Tools
Here's Your Mop Mr Johnson 00:00 Tools
King Biscuit Time/Use What You Got 00:00 Tools
Georgia Crawl 00:00 Tools
If You Love Me 00:00 Tools
Stone Cold in Love 00:00 Tools
Tell Mama 00:00 Tools
Locomotive Blues 00:00 Tools
I Was Just Thinking 00:00 Tools
Tryin' to Get to You 00:00 Tools
No Beginner at the Blues 00:00 Tools
I'm Ready 00:00 Tools
Use What You Got 00:00 Tools
Train Don't Roll 00:00 Tools
Got Love If You Want It 00:00 Tools
Preachin' Blues 00:00 Tools
Terraplane 00:00 Tools
On My Way (Goin' Home) 00:00 Tools
Full Moon Blues 00:00 Tools
Green River 00:00 Tools
Don't Tease Me 00:00 Tools
Wild Women Don't Get the Blues 00:00 Tools
All Aboard 00:00 Tools
Roll And Tumble Blues 00:00 Tools
I Be's Troubled 00:00 Tools
Lightning Strikes the Ground 00:00 Tools
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Vocalist, songwriter, record producer, journalist, and author Keri Leigh is one of these multi-talented, accomplished individuals who the blues music world can't seem to get enough of. And the fact that she's barely 30 years old ensures that she'll be around, pursuing her number one passion -- singing the blues -- for a long time. Her latest album, Arrival, (1995), for the Jackson, Mississippi-based Malaco Records label, isn't with her usual backing band, the Blue Devils, but it was recorded at Muscle Shoals Studios (which Malaco owns), and Leigh and her husband acted as co-producers of the record. Leigh moved to Austin from her native Oklahoma with her guitarist/husband Mark Lyon in 1990. Fortunately, they were welcomed (for the most part) with open arms by the Austin blues community, and certainly by Clifford Antone, owner of Antone's blues nightclub, who booked them into his place every week for about a year. Within a year of so of her moving to Austin, she began work on her first book, Stevie Ray: Soul to Soul, (Taylor Books, Dallas), a passionate account of the ups and downs of the late guitarist's all-too-short life. Leigh first met Vaughan when she interviewed him in 1986, and after several interviews, they became friends. In May 1990, they began work on what was to be his autobiography, but in August of that year, Vaughan was killed in a helicopter accident in Wisconsin. Leigh's recordings all have a Joplin-esque quality to them, and one way to describe her singing style is as a Janis Joplin for the '90s; in fact, some critics have described her as the greatest voice to come out of Texas since Joplin. Leigh has used her background as a radio and newspaper journalist to get publicity for the Blue Devils, and a glance at her overflowing press-clips folder shows what a hustler she is. But Leigh and her band work as hard as any of the other touring blues musicians around the U.S., and they spend upwards of 150 nights a year on the road. Leigh's husband Lyon is one of the most naturally gifted slide guitarists you'll ever hear, and the ease with which he handles the instrument makes it look deceptively simple. In fact, good blues guitar is very difficult to play, but Lyon has all the moves down pat. Leigh and her Blue Devils have two releases out on Amazing Records (a now-defunct label), No Beginner (1993) and Blue Devil Blues, their debut (1991), in addition to their latest Malaco album. Arrival, consisting of one-half originals and one-half cover tunes, is certainly the most accessible of her recordings. Leigh and her group have many more good years ahead of them; wherever they go, their affable ways earn them new friends and fans in the blues world. They also have a knack for making new blues converts out of rock & rollers. (AMG) Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.