Luna Park Ensemble

Trackimage Playbut Trackname Playbut Trackname
Scramble Suite 00:00 Tools
Watashi No Takaramono 00:00 Tools
Mori No Nukemichi 00:00 Tools
Aozora Rakka 00:00 Tools
The Scramble Suite 00:00 Tools
Scramble Suits 00:00 Tools
Budoh No Tsuru 00:00 Tools
Mushi Kui Mandala 00:00 Tools
Kon-ya Miru Yume 00:00 Tools
Mushikui Mandara 00:00 Tools
Pretty My Doppelgenger 00:00 Tools
Konya Miru Yume 00:00 Tools
Takibiga Kieta 00:00 Tools
Takibi Ga Kieta 00:00 Tools
Kasa Too Bentou 00:00 Tools
The Crystal Palace 00:00 Tools
The Necker's Waltz 00:00 Tools
The Panorama Island 00:00 Tools
The "Oh No!" Waltz 00:00 Tools
Koi no Chuudoku 00:00 Tools
Budou no Tsuru 00:00 Tools
Koi No chyu-doku 00:00 Tools
Untitled 00:00 Tools
Suishou Kyuuden 00:00 Tools
Kawaii Watashi no Doppleganger 00:00 Tools
Warutsu (aa, dameda) 00:00 Tools
Kou-utsu Zumi 00:00 Tools
Aragau Tsu Sumi 00:00 Tools
Nekkazu Waltz 00:00 Tools
Kasa To Obentou 00:00 Tools
Mudai 00:00 Tools
たきびが消えた 00:00 Tools
Panorama Shima 00:00 Tools
虫喰いマンダラ 00:00 Tools
傘とお弁当 00:00 Tools
今夜視る夢 00:00 Tools
恋の中毒 00:00 Tools
森の抜け道 00:00 Tools
わたしの宝物 00:00 Tools
可愛い私のドッペルゲンガー 00:00 Tools
抗うつ済 00:00 Tools
水晶宮殿 00:00 Tools
パノラマ島 00:00 Tools
ネッカーズ・ワルツ 00:00 Tools
青空落下 00:00 Tools
無題 00:00 Tools
スクランブルスーツ 00:00 Tools
葡萄の蔓 (ぶどうのつる) 00:00 Tools
スクランブル・スーツ 00:00 Tools
ワルツ (ああ, だめだ) 00:00 Tools
葡萄の蔓 00:00 Tools
Scramble suit 00:00 Tools
ワルツ(ああ,だめだ) 00:00 Tools
Mushi-kui Mandala 00:00 Tools
Mushikui Mandala 00:00 Tools
Scrambled Suite 00:00 Tools
Kawaii Watashi No Doppelganger 00:00 Tools
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In early 1980s, Tetsuto KOYAMA (bass) came across a pop-punk singer named RORIE on the stage of an old rock cafe Muon in Yokohama. Her loud voices could ring his bell soon and plant a strong intention to form a duo with her in his heart. On the other hand, Takashi Satoh, the owner of Pinakotheca Records, called Tetsuto for recording a solo single of Wataru OHKUMA (guitars, keyboards; ex-Zettai Reido) in 1982. Tetsuto got so immersed in Wataru's avantgarde guitar solo or performance that he finally got determined to form a rock quartet. In the autumn of 1982, LUNAPARK ENSEMBLE were formed as a four-piece rock band and released their debut EP via Cragale Records, Muon's independent label. (This EP was included in the latter of their reissued album.) Although sadly Tetsuto resigned from this outfit for the reason of discrepancy of soundscape among the members in the following year, they could get more avantgarde and create works of originality around Wataru OHKUMA and RORIE. In the summer of 1984 LUNAPARK ENSEMBLE released a 7-inch single 'Kawaii Watashi No Doppelgänger (Pretty My Doppelgänger)', featuring the brass & horn section or some junk instruments, in collaboration with some session musicians like Tori Kudo (trombone) or Masami Shinoda (saxophone). Recruiting the third LUNAPARKer Shin'ya KIMURA (drums, guitar,saxophone), they intentionally deviated from the 'as-it-is-said' normal style of rock band and broke an accepted theory in rock scene. In the meantime they released one and only mini LP 'Mushi-kui Mandala' (1986), that is even now much talked about as a masterpiece of Japanese Avantgarde Rock scene. In the late 1980s LUNAPARK ENSEMBLE came back as a typical rock band but could not keep their activity for long and were disbanded in 1989. RORIE left the music scene soon but Wataru is still active as a session multi-player, sometimes gigging with Tetsuto in his band A-Musik. Their mini LP 'Mushi-kui Mandala' was reissued in 1998 featuring an EP in their early days and some extra unreleased tracks via a Japanese independent label Wax Records. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.