Mah Damba

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Sounafi 07:41 Tools
Jarabi 07:24 Tools
Koulan Kouman 07:00 Tools
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Joni massa dio 03:49 Tools
Sira jan koro 05:48 Tools
Mali 06:56 Tools
Jugu tè maa la 04:44 Tools
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Jolen 05:23 Tools
Kulo bè bo 03:52 Tools
Taama bannen 06:30 Tools
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Mibésira 09:23 Tools
Ni i ye n sonnin fo 02:53 Tools
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Baba 03:48 Tools
Kalitex 08:57 Tools
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Simbla Kone 04:30 Tools
Djiguiba 04:32 Tools
Sogoma 03:56 Tools
Mah Damba: Sounafi [Live] 03:48 Tools
Jarabi [Live] 03:48 Tools
lahidou 09:23 Tools
Dodjanbe 13:34 Tools
Layidou Moko 08:57 Tools
Barani saba (Débé) 04:55 Tools
Anana barola 09:23 Tools
Taba 09:23 Tools
Tounoundé 09:35 Tools
Bolikana 09:35 Tools
Koumbe 09:35 Tools
Dakali 09:35 Tools
Kulo bè bo 09:23 Tools
den niale 09:35 Tools
Haousa Balla 04:46 Tools
nyarela 06:50 Tools
Noumou Mana 04:46 Tools
Kounady la beno 06:50 Tools
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Mah Damba (born Mah Sissoko in Bamako, Mali, 1965) is a traditional griot singer. She comes from a family of griots: her father, Djeli Baba Sissoko (not to be confused with the younger musician Baba Sissoko), was a griot and her aunt, Fanta Damba, is also considered a top vocalist. Early in her career, she was part of Kassemady Diabaté's ensemble, and later was part of Mandé Foli. She recorded two solo albums, Nyarela (Buda/Musique du Monde) in 1997 and Djelimousso, Mali: The Voice of the Mande (Trema/Sony) in 2000, as contributed three tracks to The Divas from Mali (World Network) in 1998. In 1999, she contributed vocals to one track on composer Jonathan Elias' international choral project, The Prayer Cycle. Her band is composed of traditional instruments, such as the ngoni (played by her husband Mamaye Kouyaté), kora (played by Djeli Moussa Diawara) and bala (played by Lansiné Kouyaté). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.