Marianne Oswald

Trackimage Playbut Trackname Playbut Trackname
Embrasse-Moi 00:00 Tools
Chasse à l'enfant 00:00 Tools
Jeu de massacre 00:00 Tools
La Grasse Matinée 00:00 Tools
Toute Seule 00:00 Tools
Chasse a l'enfant 00:00 Tools
Mes soeurs n'aimez pas les marins 00:00 Tools
Le chant des canons 00:00 Tools
Les Bruits De La Nuit 00:00 Tools
Le bateau ivre 00:00 Tools
Mon oncle a tout repeint 00:00 Tools
Le jeu de massacre 00:00 Tools
Anna la bonne 00:00 Tools
Évidemment Bien Sûr 00:00 Tools
Pour m'avoir dit je t'aime 00:00 Tools
En m'en foutant 00:00 Tools
La complainte de kesoubah 00:00 Tools
La grasse matinee 00:00 Tools
Liliom 00:00 Tools
Surabaya johnny 00:00 Tools
Sans repentir 00:00 Tools
Embrasse moi 00:00 Tools
Appel 00:00 Tools
Le grand etang 00:00 Tools
Surabaya-Johnny 00:00 Tools
Les boules de neige 00:00 Tools
Evidemment bien sur 00:00 Tools
Viens Gosse De Gosse 00:00 Tools
Em m'en foutant 00:00 Tools
La dame de monte carlo 00:00 Tools
Les soutiers 00:00 Tools
Mes soeurs, n'aimez pas les marins 00:00 Tools
Complainte de Kesoubah 00:00 Tools
Dejeuner Du Matin 00:00 Tools
L'emigrante 00:00 Tools
Le Grand Étang 00:00 Tools
Die Dreigroschenoper (The Threepenny Opera), Act I: Chant des canons (Cannon Song) (Macheath, Brown 00:00 Tools
La chasse à l'enfant 00:00 Tools
Evidemment bien sûr 00:00 Tools
La lavandiere 00:00 Tools
Sourabaya-Johnny 00:00 Tools
L'émigrante 00:00 Tools
La lavandière 00:00 Tools
Toute seule (tout seul) 00:00 Tools
La dame de Monte-Carlo 00:00 Tools
Happy End: Surabaya-Johnny 00:00 Tools
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Marianne Oswald, whose real name Alice Bloch-Colin, was a singer and actress born on 9 January 1901 in Reichsland in Alsace-Lorraine (Germany) to Jewish parents who had emigrated from Poland. She died on 25 February 1985 at Limeil-Brévannes in the Val-de-Marne. Marianne Oswald began her singing career in 1920 in the cabarets of Berlin. In 1930 or 1931, because of the rising Nazi party and the threat it posed, she exiled herself to Paris, where she introduced the song in French techniques to German Expressionism. It seduces with its peculiar diction, her "spoken-sung" Brechtian-- her voice raw and tender. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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