Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84374485 | Play | Corenti e Balletti, Op. 4: Ciaconna | 00:00 Tools | |
84374486 | Play | Ciaccona (I) | 00:00 Tools | |
84374487 | Play | Alemana detta la Ghisalardi | 00:00 Tools | |
84374488 | Play | Ballo delle Ombre | 00:00 Tools | |
84374489 | Play | Trattenimento per camera d'arie, correnti, e balletti, Op. 22: Passacaglia | 00:00 Tools | |
84374490 | Play | Ciaccona | 00:00 Tools | |
84374494 | Play | Regina coeli | 00:00 Tools | |
84374491 | Play | Sounate, Op. 18: Sonata Settima la Rossella, Op. 18 | 00:00 Tools | |
88624243 | Play | Balletto Quarto: Adaggio | 00:00 Tools | |
84374492 | Play | Folia Variations (for harp solo) | 00:00 Tools | |
84374496 | Play | Giga detta la Bargelina | 00:00 Tools | |
84374493 | Play | Improvisation II (on the Folia bass) | 00:00 Tools | |
84374520 | Play | Gagliarda detta La Magnani | 00:00 Tools | |
84374497 | Play | Capriccio Sopra Sette Note | 00:00 Tools | |
84374512 | Play | Ciaccona, Op. 23 | 00:00 Tools | |
84374495 | Play | Ciaccona, Pt. 1 | 00:00 Tools | |
84374499 | Play | Passacaglia | 00:00 Tools | |
84374498 | Play | Capriccio sopra 12 Notte | 00:00 Tools | |
84374504 | Play | La Canossa No.8 en la majeur | 00:00 Tools | |
84374500 | Play | La Bulgarina | 00:00 Tools | |
84374502 | Play | Sonate a 2 istromenti, Op. 55: La Gaetana | 00:00 Tools | |
84374505 | Play | La Martinenga No.9 en ré mineur | 00:00 Tools | |
84374501 | Play | Corenti e Balletti, Op. 4: Corenti e Balletti, Op. 4: Ciaconna | 00:00 Tools | |
84374511 | Play | Ciaconna | 00:00 Tools | |
84374503 | Play | Ave Maris Stella | 00:00 Tools | |
84374519 | Play | Messa Concertata à 5, due Canti, Alto, Tenor e Basso con quattro Istromenti e tre parti di Ripieno: I. Ritornello | 00:00 Tools | |
84374513 | Play | La Calcagnina No.4 en mi mineur | 00:00 Tools | |
84374506 | Play | Capriccio detto Il Bovio | 00:00 Tools | |
84374516 | Play | Passacaglio | 00:00 Tools | |
84374507 | Play | Corrente francese detta La Grassa | 00:00 Tools | |
84374508 | Play | Allemanda detta La Ghisilardi | 00:00 Tools | |
84374509 | Play | Trattenimento per camera d'arie, correnti, e balletti, Op. 22 | 00:00 Tools | |
90305440 | Play | Sonata à 5 "La Bianchina": 2. Vivace | 00:00 Tools | |
84374510 | Play | Plaudite (Motetto Per Un Sancto) | 00:00 Tools | |
90305441 | Play | Amor costante | 00:00 Tools | |
90305442 | Play | La Bulgarina No.3 en ré mineur | 00:00 Tools | |
84374518 | Play | La Varana No.2 en sol mineur | 00:00 Tools | |
88624246 | Play | La Bentivoglia No.10 en ré majeur | 00:00 Tools | |
84374514 | Play | Capriccio detto Il Fantuzzi | 00:00 Tools | |
84374515 | Play | Capriccio detto Il Cospi | 00:00 Tools | |
90305443 | Play | Plaudite | 00:00 Tools | |
90305444 | Play | Sonate à 2 istromenti, Op. 55: III. Presto - Prestissimo | 00:00 Tools | |
88624244 | Play | Cantate absalone: Mortali | 00:00 Tools | |
90305445 | Play | Alma redemptoris mater | 00:00 Tools | |
90305446 | Play | Sonate à 2 istromenti, Op. 55: I. Largo e vivace | 00:00 Tools | |
88624245 | Play | Cantate absalone: Qui nel fiore | 00:00 Tools | |
90305447 | Play | La Strozza No.12 en do majeur | 00:00 Tools | |
84374517 | Play | Trattenimento per camera d'arie, correnti, e balletti, Op. 22: No. 13. Passacaglio | 00:00 Tools | |
90305448 | Play | La Giralda No.6 en la mineur | 00:00 Tools | |
88624247 | Play | Giga detta La Marsiglia | 00:00 Tools | |
84374521 | Play | Three Melodies | 00:00 Tools |
Maurizio Cazzati (March 1616 – 28 September 1678) was a northern Italian composer of the seventeenth century. Cazzati was born in Luzzara, Duchy of Mantua. In spite of being almost unknown today, during his lifetime he served as a successful music director in many cities near his birthplace, including Mantua, Bozzolo, Ferrara and Bergamo. He was so well-thought-of that in 1657 he was invited to take the position of Maestro di Cappella in S. Petronio in Bologna, without needing to apply for it. Immediately after his appointment, he made some radical reforms that won him a general hostility from the musical community, and led to personal conflicts with other members of the cappella. In particular, he was bitterly criticized by Lorenzo Perti and Giulio Cesare Arresti, who questioned his capability as maestro. Likely, as Cazzati later declared, they were just jealous of his position. In 1671, he left this position, and returned to Mantua, where he served the Duchess Isabella as Maestro di Cappella da Camera until his death. While being only a small portion of his enormous printed output (66 printed volumes), his instrumental music is nowadays considered the most important and influential part. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.