Monâjât Yultchieva

Trackimage Playbut Trackname Playbut Trackname
Monâjât 00:00 Tools
Tanâvar 00:00 Tools
Kim avval kim ilgari 00:00 Tools
Girya 00:00 Tools
Ushshâq 00:00 Tools
Dogâh-Hosayni 00:00 Tools
Aylading 00:00 Tools
Dasht-i navâ 00:00 Tools
Shâm u saharlarda 00:00 Tools
Chârgâh 00:00 Tools
Saqinâme-i Bayât 00:00 Tools
Tanâvar (Instrumental) 00:00 Tools
Sham U Saharlarda 00:00 Tools
Chargah 00:00 Tools
Saqinâme-î-Bayât 00:00 Tools
Tanâvar instrumental 00:00 Tools
Kelmady 00:00 Tools
Bachor 00:00 Tools
Yer - Yer 00:00 Tools
02 Tanavar 00:00 Tools
Guncha Yanglik 00:00 Tools
01 Monajat 00:00 Tools
Ajam Taronalary 00:00 Tools
07 Chargah 00:00 Tools
05 Kim Avval Kim Ilgari 00:00 Tools
Savt-I Dugah 00:00 Tools
Ranolan Masun 00:00 Tools
04 Sham U Saharlarda 00:00 Tools
06 Tanavar (instrumental) 00:00 Tools
The Beseecher 00:00 Tools
Ey, dilbary djononim 00:00 Tools
Omony Yer 00:00 Tools
Laly Yaman 00:00 Tools
03 Girya 00:00 Tools
Ey, Gil 00:00 Tools
08 Ushshaq 00:00 Tools
09 Saqiname-i Bayat 00:00 Tools
11 Aylading 00:00 Tools
10 Dasht-i Nava 00:00 Tools
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Monâjât Yultchieva (born 1960), also known under her name Munadjat Yulchieva, is the leading performer of classical Uzbek music and its Persian-language cousin Shashmaqâm. She is famous for the unique quality of her voice and her natural charisma. Yultchieva was born in 1960 in the Ferghâna valley near Tashkent, and from an early age it was obvious she had a great gift as a singer. This nearly resulted in her being channelled into a career as an opera singer, but she was inexorably drawn towards the slow, aching music of her own ancient culture, something that seemed almost pre-ordained by her name, which means 'ascent to God' or simply 'prayer'. She is always accompanied by her master, the famous rubab player, Shawqat Mirzaev. Her repertoire includes many of his compositions, and she usually performs with his ensemble. Typically the group use local instruments such as the dutar (two stringed lute), the tanbur (3-stinged lute), a gidjak spike fiddle, doira frame drum, ney flute and at times the chang zither. Those lucky enough to attend one of her rare concerts abroad will witness a sumptuously dressed performer of startling gravitas and charisma, with long pigtails trailing down to her waist. In 2005, she performed at the Austrian Music Festival Glatt und Verkehrt. Only two recordings of her music are widely available - the first for the French label Ocora (1994) and the most recent (1997) on Germany's Network label, which has the subtitle A Haunting Voice. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.