Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
37235528 | Play | Monolithe I | 00:00 Tools | |
37235529 | Play | Monolithe II | 00:00 Tools | |
37235530 | Play | Edges | 00:00 Tools | |
37235531 | Play | Monolithe III | 00:00 Tools | |
37235532 | Play | Monolithic Pillars | 00:00 Tools | |
37235533 | Play | Monolithe IV | 00:00 Tools | |
37235534 | Play | Synoecist | 00:00 Tools | |
37235539 | Play | Ecumenopolis | 00:00 Tools | |
37235537 | Play | TMA-0 | 00:00 Tools | |
88195518 | Play | Anechoic Aberration | 00:00 Tools | |
37235538 | Play | Everlasting Sentry | 00:00 Tools | |
37235535 | Play | Harmony of Null Matter - Section 1 | 00:00 Tools | |
37235540 | Play | TMA-1 | 00:00 Tools | |
88195519 | Play | Coil Shaped Volutions | 00:00 Tools | |
37235541 | Play | The Barren Depths | 00:00 Tools | |
37235536 | Play | Harmony of Null Matter - Section 2 | 00:00 Tools | |
88195520 | Play | Delta scuti | 00:00 Tools | |
88195521 | Play | Engineering the Rip | 00:00 Tools | |
88195522 | Play | Fathom the Deep | 00:00 Tools | |
88195523 | Play | Gravity Flood | 00:00 Tools | |
37235542 | Play | Also Sprach Zarathustra | 00:00 Tools | |
88195525 | Play | Burst in the Event Horizon | 00:00 Tools | |
88195524 | Play | Burst in the Event | 00:00 Tools | |
37235543 | Play | Harmony of null matter | 00:00 Tools | |
37235544 | Play | I | 00:00 Tools | |
89919439 | Play | Onset of the Eighth Cycle | 00:00 Tools | |
89919440 | Play | Dissonant Occurrence | 00:00 Tools | |
89919441 | Play | The Great Debacle | 00:00 Tools | |
37235545 | Play | II | 00:00 Tools | |
89919442 | Play | Disrupted Firmament | 00:00 Tools | |
89919443 | Play | Okta Khora (Part 1) | 00:00 Tools | |
89919444 | Play | Onset of the Eigth Cycle | 00:00 Tools | |
89919445 | Play | Ignite the Heavens (Part 1) | 00:00 Tools | |
89919446 | Play | Ignite The Heavens (Part 2) | 00:00 Tools | |
89919447 | Play | Okta Khora (Part 2) | 00:00 Tools | |
37235546 | Play | Monolithe III (excerpt) | 00:00 Tools | |
89919448 | Play | Okta Khora - Part 1 | 00:00 Tools | |
37235547 | Play | Edges (Skepticism cover) | 00:00 Tools | |
89919449 | Play | Ignite the Heavens - Part 1 | 00:00 Tools | |
37235548 | Play | Monolithe | 00:00 Tools | |
89919450 | Play | Ignite the Heavens - Part 2 | 00:00 Tools | |
89919451 | Play | Okta Khora - Part 2 | 00:00 Tools | |
37235549 | Play | Harmony of Null Matter, Section 1 | 00:00 Tools | |
37235550 | Play | Harmony of Null Matter, Section 2 | 00:00 Tools | |
37235551 | Play | Sample 01 | 00:00 Tools | |
37235552 | Play | Monolithe II Sample | 00:00 Tools | |
37235559 | Play | Monolithe Zero - Harmony Of Null Matter (35:59) | 00:00 Tools | |
37235553 | Play | Interlude Premier | 00:00 Tools | |
37235554 | Play | Beaten, Loved And Eaten | 00:00 Tools | |
37235562 | Play | Monolithe III - Monolithe III (Part 2) (12:08) | 00:00 Tools | |
37235556 | Play | Excerpt from Monolithe III | 00:00 Tools | |
37235555 | Play | Monolithe 2 (Extract) | 00:00 Tools | |
89919452 | Play | Intro | 00:00 Tools | |
37235564 | Play | Monolithe Zero - Monolithic Pillars (19:35) | 00:00 Tools | |
37235558 | Play | Harmony Of Null Matter - Part I | 00:00 Tools | |
37235557 | Play | Sample 02 | 00:00 Tools | |
37235567 | Play | Harmony Of Null Mater | 00:00 Tools | |
89919453 | Play | Monolithe I (Edit) | 00:00 Tools | |
89919454 | Play | Ecumenopolis (edit) | 00:00 Tools | |
37235566 | Play | Monolithe III - Monolithe III (Part 4) (9:39) | 00:00 Tools | |
88195528 | Play | Nebula Septem (New) | 00:00 Tools | |
89919455 | Play | Dissonant Occurence | 00:00 Tools | |
88195526 | Play | The Barren Depths (edit) | 00:00 Tools | |
37235560 | Play | Monolithe III - Monolithe III (Part 1) (14:28) | 00:00 Tools | |
37235565 | Play | Monolithe III - Monolithe III (Part 3) (6:12) | 00:00 Tools | |
37235561 | Play | III | 00:00 Tools | |
37235568 | Play | Monolithe II (Extract) | 00:00 Tools | |
37235571 | Play | Epsilon Aurigae - Synoecist (15:00) | 00:00 Tools | |
37235563 | Play | Monolithe Zero - Edges (Skepticism Cover) (6:44) | 00:00 Tools | |
89919456 | Play | Okta Khora (Part 1) (High Dynamic Range) | 00:00 Tools | |
37235572 | Play | IV | 00:00 Tools | |
88195527 | Play | Epsilon Aurigae - Tma-0 (15:00) | 00:00 Tools | |
89919457 | Play | Enter the Worm(hole)s | 00:00 Tools | |
37235573 | Play | So Sprach Zarathustra | 00:00 Tools | |
88195529 | Play | Epsilon Aurigae | 00:00 Tools | |
89919458 | Play | Ignite The Heavens (Part 2) (High Dynamic Range) | 00:00 Tools | |
89919459 | Play | Onset Of The Eighth Cycle (High Dynamic Range) | 00:00 Tools | |
37235569 | Play | Excerpt From Monlithe III | 00:00 Tools | |
89919460 | Play | Also Sprach Zarathustra (Sunrise) | 00:00 Tools | |
37235570 | Play | Monolithe II [Extract] | 00:00 Tools | |
89919461 | Play | TMA - 0 | 00:00 Tools | |
89919462 | Play | Disrupted Firmament (High Dynamic Range) | 00:00 Tools | |
89919463 | Play | The Great Debacle (High Dynamic Range) | 00:00 Tools | |
89919464 | Play | Dissonant Occurrence (High Dynamic Range) | 00:00 Tools | |
89919465 | Play | Okta Khora (Part 2) (High Dynamic Range) | 00:00 Tools | |
89919466 | Play | TMA - 1 | 00:00 Tools |
Monolithe is, contrary to popular belief, a one-man project with multiple side musicians. Sylvain Bégot, the mastermind behind Monolithe is involved in the epic doom metal band Anthemon. Monolithe strays from the eclectic atmosphere that Anthemon presents, and dishes an absolutely demented, depressive soundscape. Such, the band is infamous for making both their first releases, I, II, III and IV, in one long, desperate song. Both exceed 50 minutes in length and, even while possessing this length, never begin to sound monotonous. Some keyboards and on Monolithe II, accordions meet their funeral doom songs. In late 2015, Monolithe released the first in what was planned as a two-part album : Epsilon Aurigae. Instead of one hour long track, the record featured three 15 minute pieces. About 7 months later, the band is unleashing the follow up, and second part of this new era of Monolithe, entitled Zeta Reticuli. Being similar to its predecessor as far as artwork, track lengths and overall approach, the record still manages to feel different and is yet another strong entry in the Monolithe catalogue. More information can be found at their official website, listed below. http://monolithedoom.tumblr.com/ Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.