Muzzy Marcellino

Trackimage Playbut Trackname Playbut Trackname
Willow Weep for Me 02:01 Tools
Heap Big Chief 02:06 Tools
Barcarolle 02:29 Tools
Time For The Kids 02:19 Tools
Heap Big Chief (1996 Digital Remaster) 02:06 Tools
Willow Weep For Me - 1996 Digital Remaster 02:04 Tools
Heap Big Chief - 1996 Digital Remaster 02:07 Tools
Willow Weep For Me (1996 Digital Remaster) 02:03 Tools
The Whistler 01:47 Tools
I'm on My Way 03:28 Tools
Heap Big Chief - Remastered 03:28 Tools
The Wedding of the Painted Doll 02:35 Tools
Call of the Birdwatchers 02:08 Tools
Street Scene 02:38 Tools
Pavanne 02:17 Tools
The High and the Mighty 00:00 Tools
On the Wing 01:19 Tools
Four-Twenty, A.M. 01:50 Tools
Love Is The Sweetest Thing 03:21 Tools
This Is Romance 03:11 Tools
Hawaiian War Chant 02:08 Tools
If I Had You 02:17 Tools
Whistler's Lullaby 02:05 Tools
Sunrise Serenade 02:03 Tools
The Hukilau Song 02:10 Tools
Buckin' The Wind 03:08 Tools
Lassie Main and End Theme (Whistle) 00:53 Tools
ON THE BEACH AT WAIKIKI 02:02 Tools
Freeway Jam 03:08 Tools
I'd Be Telling A Lie 03:25 Tools
Whistlin' Dixie 03:08 Tools
Hilo March 03:08 Tools
Hawaiian Calypso 03:25 Tools
Beyond the Reef 03:25 Tools
At The Bottom Of The Hill 03:25 Tools
Bob's Blues 03:25 Tools
Get Happy 03:25 Tools
The Hawaiian Wedding Song 03:25 Tools
Forevermore 03:25 Tools
Silhouette Hula 03:25 Tools
Mine 03:25 Tools
My Tani 03:25 Tools
Anitra's Dance 03:25 Tools
The Continental 03:25 Tools
  • 21,049
    plays
  • 7,039
    listners
  • 21049
    top track count

Maurice "Muzzy" Marcellino (November 27, 1912 – June 11, 1997) was an American singer and musician, known primarily for his clear, melodious style of whistling. Marcellino's whistling was featured in many TV and movie soundtracks, such as The Mickey Mouse Club and Lassie. His contributions can also be heard on the soundtrack to the 1954 film The High and the Mighty and on Hugo Montenegro's 1968 hit version of the main theme to the film The Good, the Bad and the Ugly. He was also the musical director of the CBS daytime show, Art Linkletter's House Party. The great whistler of the space-age pop era. Marcellino's strong yet mellifluous whistling was employed to distinctive effect on hit recordings from the theme from The High and the Mighty to Hugo Montenegro's cover of Morricone's theme to The Good, the Bad, and the Ugly. Esquivel used Marcellino on his Stereo Action album, Latin-esque and was struck by his very precise pitch. If you hear whistling featured on a Hollywood studio recording from the 1950s or 1960s, chances are, you're hearing Muzzy Marcellino. Marcellino actually started out as a guitar player and singer. Around 1932, he joined the Lofner-Harris orchestra, which was the house band at San Francisco's classy St. Francis Hotel. Several years later, he was hired by Ted Fio Rito, with whom he appeared in several now-forgotten Hollywood musicals, including "The Sweetheart of Sigma Chi" and "Broadway Gondolier." He returned to San Francisco in 1938 and started his own band, which had steady but unexceptional success. The band was best known for Marcellino's own smooth baritone voice--his whistling was, if anything, just a novelty tossed in from time to time. Marcellino finally folded the band in 1948, when he went to work on Dick Powell's radio show. Later, Marcellino was hired by television personality Art Linkletter to lead a small on-air combo featured on Linkletter's talk cum variety show, "House Party." He stayed as musical director for 19 years, until Linkletter ended the show in 1969 following his daughter's suicide. Marcellino recorded an album for Capitol with the "House Party" band, and one lively cut, "Big Chief," is included on Capitol's "Ultra-Lounge" CD series. Eventually, Marcellino's whistling talents became well enough known among studio musical directors that he had a steady series of studio jobs in addition to his work on "House Party." During the heyday of Disney's "Mickey Mouse Club" television series, Marcellino collaborated with songwriter Jimmy Dodd on original musical numbers written for the show. Disney also hired him to record the bird calls for the legendary Tiki Room at Disneyland. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.