Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
83669349 | Play | Summertime | 00:00 Tools | |
83669350 | Play | "Quando m'en vo" | 00:00 Tools | |
83669351 | Play | "Depuis le jour" | 00:00 Tools | |
83669352 | Play | Puccini: La Bohème / Act 2 - "Quando m'en vo" | 00:00 Tools | |
83669353 | Play | Depuis Le Jour | 00:00 Tools | |
83669368 | Play | La Bohème / Act 2 : "Quando m'en vo" | 00:00 Tools | |
83669354 | Play | "Ohè, là, le guardie!" - "Aprite!" | 00:00 Tools | |
83669355 | Play | Les Filles De Cadix | 00:00 Tools | |
83669356 | Play | Chi Il Bel Sogno Di Doretta | 00:00 Tools | |
83669358 | Play | "Chi il bel sogno di Doretta" | 00:00 Tools | |
83669357 | Play | "C'è Mimì..." | 00:00 Tools | |
83669359 | Play | Oh, I'm a-goin' out to the Blackfish Banks | 00:00 Tools | |
83669360 | Play | One of dese mornin's...Oh, dere's somebody knockin' at de do' | 00:00 Tools | |
83669362 | Play | "Ah, je veux vivre dans ce reve" | 00:00 Tools | |
83669361 | Play | "What a Curse for a Woman is a Timid Man" | 00:00 Tools | |
83669363 | Play | "Dieu! Quel frisson court dans mes veines" | 00:00 Tools | |
83669364 | Play | Puccini: La Bohème / Act 3 - "Ohè, là, le guardie!" - "Aprite!" | 00:00 Tools | |
83669366 | Play | Gershwin: Porgy and Bess / Act 1 - Summertime | 00:00 Tools | |
83669365 | Play | Dey's a Buckra comin' | 00:00 Tools | |
83669367 | Play | Why you been out on that wharf so long, Clara? | 00:00 Tools | |
83669369 | Play | Puccini: La Bohème / Act 4 - "C'è Mimì..." | 00:00 Tools | |
83669370 | Play | "Les belles fleures...Entre l'amour et le devoir" | 00:00 Tools | |
83669371 | Play | "Oh! mio babbino caro" | 00:00 Tools | |
83669373 | Play | Quando me n'vo (La Boheme) | 00:00 Tools | |
83669372 | Play | Puccini: La Rondine / Act 1 - "Chi il bel sogno di Doretta" | 00:00 Tools | |
83669374 | Play | Puccini: La Bohème / Act 4 - "Che ha detto il medico?" (Live At Gasteig, München / 2007) | 00:00 Tools | |
83669375 | Play | Ah! Je Veux Vivre | 00:00 Tools | |
83669376 | Play | O mio babbino caro | 00:00 Tools | |
83669379 | Play | "How can I cherish my man in such days?" | 00:00 Tools | |
83669377 | Play | Quel guardo di cavaliere ... So anch'io la virtù magica | 00:00 Tools | |
83669378 | Play | Puccini: "Quando m'en vo" - "Quando m'en vo" | 00:00 Tools | |
88595632 | Play | La Bohème / Act 3 : "Ohè, là, le guardie!" - "Aprite!" | 00:00 Tools | |
83669380 | Play | Un grand sommeil noir | 00:00 Tools | |
83669393 | Play | Versailles | 00:00 Tools | |
83669385 | Play | Puccini: La Bohème / Act 2 - "Chi l'ha richiesto?...Caro! - Fuori il danaro!" | 00:00 Tools | |
88595633 | Play | La Bohème / Act 4 : "C'è Mimì..." | 00:00 Tools | |
83669381 | Play | Depuis Le Jour (Louise) | 00:00 Tools | |
83669382 | Play | What a curse for a woman is a timid man! | 00:00 Tools | |
83669383 | Play | Eccomi in lieta vesta | 00:00 Tools | |
83669384 | Play | Ah, je veux vivre (Roméo et Juliette) | 00:00 Tools | |
83669394 | Play | Gounod: Roméo et Juliette / Act 4 - "Dieu! Quel frisson court dans mes veines" | 00:00 Tools | |
83669386 | Play | Tippett: A Child of our Time / Part 1 - "How can I cherish my man in such days?" | 00:00 Tools | |
83669387 | Play | G. Charpentier: Louise / Act 3 - "Depuis le jour" | 00:00 Tools | |
90272629 | Play | La Bohème / Act 2 : "Quando m'en vo" (Live) | 00:00 Tools | |
83669388 | Play | Depuis le jour ou je me suis donnee | 00:00 Tools | |
83669389 | Play | Quando me n'vo | 00:00 Tools | |
83669390 | Play | Chi il bel sogno di Doretta (La Rondine) | 00:00 Tools | |
83669391 | Play | What a curse for a women is a timid man! ... Steal me, sweet thief (The Old Maid and the Thief) | 00:00 Tools | |
83669392 | Play | Porgy and Bess / Act 1: Summertime | 00:00 Tools | |
90272630 | Play | No. 1. Chanson d'avril | 00:00 Tools | |
90272631 | Play | Delibes: Les Filles De Cadix | 00:00 Tools | |
90272632 | Play | Le beau navire | 00:00 Tools | |
88595634 | Play | Puccini: La Bohème / Act 4 - "Che ha detto il medico?" | 00:00 Tools | |
83669395 | Play | A Child of our Time / Part 1: "How can I cherish my man in such days?" | 00:00 Tools | |
83669396 | Play | what a curse for a woman is a timid man | 00:00 Tools |
Nicole Cabell (born October 17, 1977), is an American opera singer. She is presently best known as the 2005 winner of the BBC Cardiff Singer of the World Competition. Cabell was born in Panorama City, California. Her grandfather, Luther Lanier, was the first African American Chief in the Sheriff's Department in Los Angeles. She is of African American, Korean and Caucasian ancestry, and was brought up in the California beach town of Ventura. As a child, she did not listen to classical music, but she did play the flute in her junior high school band. She and a classmate used to play basketball together and would "imitate opera singers". Her mother encouraged her to join the school choir and she tried out for a school musical and was a success After winning the BBC Cardiff Singer of the World competition in June 2005, Cabell made her London début on August 2, 2006 at The Proms, singing Benjamin Britten's Les Illuminations, with Sir Andrew Davis conducting the BBC Symphony Orchestra. She made her Royal Opera House début at the Barbican as Princesse Eudoxie in a concert performance of Halévy's La Juive, on September 19, 2006, conducted by Daniel Oren. She also sang the role of Adina in L'elisir d'amore in Montpellier. She was planning to make her debut at the Deutsche Oper in Berlin in mid-December 2006, but due to the last-minute indisposition of soprano Angela Gheorghiu, Cabell was asked to step in, and her debut took place somewhat earlier - on 7 December - as Juliette in Gounod's Roméo et Juliette alongside Neil Shicoff. She had previously sung the role at the Spoleto Festival USA in May 2006. Cabell made her debut with the Metropolitan Opera on December 22, 2008, singing the role of Pamina in The Magic Flute. In 2007, she gave her first solo recital at St John's Smith Square in London, sang the title role in Donizetti's Imelda de' Lambertazzi at the Queen Elizabeth Hall, and Musetta in La bohème in Munich; during the Santa Fe Opera's 2006 summer festival season; at the Washington National Opera; and at the Lyric Opera of Chicago. Cabell's repertoire includes Pamina (Die Zauberflöte), Juliette (Roméo et Juliette), The Countess (Le nozze di Figaro), Adina (L'elisir d'amore), The Vixen (The Cunning Little Vixen), Musetta (La bohème), Lauretta and La Ciesca (Gianni Schicchi), Clara (Porgy and Bess), La Princesse in Ravel's L'enfant et les sortilèges, La Femme in Poulenc's La voix humaine, Miss Jessel in The Turn of the Screw and Arsamenes in Xerxes. She has recently added the role of Ilia in Mozart's Idomeneo and will be performing the role of Micaëla in "Carmen" at the Chicago Lyric Opera in the 2010–2011 season. Her concert repertoire includes Mahler's Symphonies No. 2 and 4, Poulenc's Gloria, Orff's Carmina Burana, Beethoven's Symphony No. 9, Tippett's A Child of Our Time, André Previn's Honey and Rue and Henryk Górecki's Symphony of Sorrowful Songs. Nicole Cabell has collaborated with major conductors such as Sir Andrew Davis, James Conlon, Daniel Barenboim, Antonio Pappano, André Previn and Sir Raymond Leppard. In 2011 she sang Donna Elvira in Klon and Berlin, and was invited to be a commentator on the 2011 Cardiff Singer of the World competition. During the 2012 festival season at the Santa Fe Opera, Ms. Cabell will sing the role of Leila in Georges Bizet's The Pearl Fishers Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.