Padma Talwalkar

Trackimage Playbut Trackname Playbut Trackname
Raga Durga: Tana Derena Dere Dere - tarana, drut Tintal 04:21 Tools
Raga Bihag: Kaise Sukha Sove - khyal, vilambit Ektal 20:43 Tools
Raga Bhoop 16:20 Tools
Raga Basant: Derna Derna Tana Dere Na - tarana, drut Tintal 05:58 Tools
Raga Basant: Phagavaa Brija Dekhana Ko - khyal, drut Tintal 09:36 Tools
Raga Durga: Sahki Mori Ramajhuma - khyal, madhyalaya Jhaptal 12:46 Tools
Raga Nawakauns 12:14 Tools
Raga Kedar Khayal (Vocal) 15:21 Tools
Raga Gaud Sarang (Vocal) 14:53 Tools
Raga Jaunpuri (Vocal) 30:03 Tools
Raga Hamir (Vocal) 15:10 Tools
Raga Bhairavi (Vocal) 15:13 Tools
Raga Adana 11:48 Tools
Raga Lalit 15:13 Tools
Raga Des 11:48 Tools
Raga Shuddh Kalyan (Vocal) 28:58 Tools
Raga Bihag: Re Moraa Re - khyal, drut Tintal 06:46 Tools
Dadra: Koyaliyaa Mata Kar Pukaara 12:33 Tools
Raga Gaud Sarang 14:53 Tools
Raga Kedar - Raga Kedar - Jhap Taal 28:58 Tools
Raga Kedar 15:21 Tools
Raga Durga: Tana Derena Dere Dere 28:58 Tools
Raga Jaunpuri 15:21 Tools
Raga Hamir 15:21 Tools
Raga Shuddh Kalyan 28:58 Tools
Gaud Sarang 15:21 Tools
Bhairavi 28:58 Tools
Kedar 15:21 Tools
Raga Bhairavi 28:58 Tools
Jaunpuri 28:58 Tools
Hamir 28:58 Tools
Shuddh Kalyan 28:58 Tools
Raga Desh 28:58 Tools
Aum Pam Padmavatyayi Mantra 28:58 Tools
Raga Bihag: Re Moraa Re 28:58 Tools
Dadra - Koyaliyaa Mata Kar Pukaara 28:58 Tools
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Padma Talwalkar has acquired training in Khayal Gayaki in three main styles or Gharanas, Gwalior, Kirana and Jaipur. Today she leads a new generation of vocalists in an era when the distinction between Gharanas is not as marked as in earlier years because of an environment that fosters the cross-fertilization of ideas from different Gharanas. Her music represents a unique blend of the best of various Gharanas, embellished with her own touch. Padma Talwalkar was initiated into Hindustani classical music by Pandit Gangadhar Pimpalkhare, followed by some years of careful training with Moghubai Kurdikar, the celebrated doyen of the Jaipur Gharana. During this period, Moghubai's illustrious daughter, Kishori Amonkar, contributed in no small measure toward Padma Talwalkar's artistic development. Then came years of guidance and learning under the guidance of Pandit Gajananrao Joshi, an acknowledged master of the Agra, Jaipur and Gwalior gharanas. In the course of shaping her early musical career, Padma Talwalkar has been a recipient of two prestigious honors. One, a five year scholarship from the Bhulabhai Memorial Trust and the other, a two year fellowship from the National Center for the Performing Arts, issued in memory of the late Kesarbai Kerkar. As a performing artist, Padma is well known all over India and her tours abroad have brought her recognition as one of the premier female vocalists of India. She has recorded several CDs. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.