Pastorita Huaracina

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Quisiera olvidarte 00:00 Tools
Quisiera Quererte 00:00 Tools
A Los Filos De Un Cuchillo 00:00 Tools
Tu Boda 00:00 Tools
La cervecita 00:00 Tools
En el cielo las estrellas 00:00 Tools
Río Santa 00:00 Tools
Malvacina 00:00 Tools
Mujer Andina 00:00 Tools
Suspiros Al Aire 00:00 Tools
No quiero corona 00:00 Tools
Aguita De Curayacu 00:00 Tools
Capitalina 00:00 Tools
Rio santa 00:00 Tools
El Perfume De Una Rosa 00:00 Tools
a las montañas me voy 00:00 Tools
Cholo Huaracino 00:00 Tools
Tu presencia 00:00 Tools
Canteño de mis amores 00:00 Tools
El Borracho 00:00 Tools
Vidita Me Has De Pagar 00:00 Tools
El Paria 00:00 Tools
El Obrero 00:00 Tools
Ay Zorro Zorro 00:00 Tools
Callejon De Huaylas 00:00 Tools
El Aborrecido 00:00 Tools
Gotitas de Lluvia 00:00 Tools
callejón de huaylas 00:00 Tools
Mi Soledad 00:00 Tools
Malvas 00:00 Tools
Cordillera de los andes 00:00 Tools
Zorzalito 00:00 Tools
Ambas Cordilleras 00:00 Tools
el huerfanito 00:00 Tools
Lunes Carnaval 00:00 Tools
Piquito de oro 00:00 Tools
Camino Carretero 00:00 Tools
Alba Naciente 00:00 Tools
CINCO FLORES 00:00 Tools
Quisiera Olividarte 00:00 Tools
Como quisiera tenerte 00:00 Tools
Paloma de Verdad 00:00 Tools
Porocsha Huayata 00:00 Tools
borracho 00:00 Tools
Desden 00:00 Tools
Huaripampa 00:00 Tools
El Precio De Un Cariño 00:00 Tools
El Barrio de Centenario 00:00 Tools
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Pastorita Huaracina (December 19, 1930 - May 2001) born María Alvarado Trujillo, was a Peruvian singer who strongly identified with the traditions of the rural Andes. Her career began in the era of 78 rpm records and lasted into that of compact discs. In the 1950s she recorded 4 songs a month and sold more records in Peru than the Beatles. Her success established her reputation as the diva of Andean song and she won every award that pertained to her type of music. She toured extensively in Europe, Asia, and the Americas. Pastorita Huaracina was born in the Malvas district of Aija Province, Ancash region. Reportedly, even as a young child tending the flocks, she already loved to sing. Raised speaking Quechua, upon the death of her mother she came to Lima at the age of 8, with no luggage or money and no one to meet her, and speaking very little Spanish. She debuted as a performer on her 12th birthday. She began as a performer of Andean dances but later became a singer and composer of songs. She developed a reputation as disciplined trouper, always the first to arrive at a rehearsal or performance; this continued even once she became a star. She always advocated for authenticity in the performance of Andean music and dance, including the use of traditional outfits: "typical dress is not a costume, it is part of our identity, something we must assume with honor and pride, being conscious of whom we represent..." Her singing became a symbol of liberty and of a demand for the rights of the serranos, the people of the high Andes, expressing beauty but also bearing the people's demand for opportunity and conditions for their development. On her program on Radio Santa Rosa, Canta el Perú Profundo she openly expressed her opposition to the dictatorship of Alberto Fujimori and Vladimiro Montesinos, and she was a longtime defender of the validity of the Quechua language. Loyal to her principles, she refused significant sums of money from politicians who solicited her for their electoral campaigns and from businesses which she felt unfairly exploited the people. Towards the end of her life, only one week after an operation and in delicate health, she voted in the Peruvian presidential election of 2001. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.