Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84131171 | Play | Car Passing at Night, Country Road in Maine | 00:00 Tools | |
84131172 | Play | Ogive I | 00:00 Tools | |
84131173 | Play | Ogive II | 00:00 Tools | |
84131174 | Play | Ogive III | 00:00 Tools | |
84131178 | Play | Ogive IV | 00:00 Tools | |
84131177 | Play | The Feast Given By The Norman Knights To Honour A Young Girl | 00:00 Tools | |
84131175 | Play | Gamelan | 00:00 Tools | |
84131176 | Play | Short Piano Piece XIII | 00:00 Tools | |
84131179 | Play | First Gymnopédie | 00:00 Tools | |
84131180 | Play | Gnossienne No.1 | 00:00 Tools | |
84131182 | Play | First Prelude of the Nazarene | 00:00 Tools | |
84131181 | Play | The Barcelona Cathedral, 1st | 00:00 Tools | |
84131183 | Play | Second Prelude of the Nazarene | 00:00 Tools | |
84131185 | Play | The Gothic Dances | 00:00 Tools | |
84131186 | Play | Third Gymnopédie | 00:00 Tools | |
84131187 | Play | Second Gymnopédie | 00:00 Tools | |
84131184 | Play | 7 Joyous Flashes | 00:00 Tools | |
84131189 | Play | First Fanfare of the Rose+Cross - Air Of The Order | 00:00 Tools | |
84131190 | Play | Chorales | 00:00 Tools | |
84131191 | Play | Third Fanfare of the Rose+Cross - Air Of The Head Prior | 00:00 Tools | |
84131192 | Play | Second Fanfare of the Rose+Cross - Air Of The Grand Master | 00:00 Tools | |
84131193 | Play | Empire's Diva | 00:00 Tools | |
84131188 | Play | Belum | 00:00 Tools | |
84131194 | Play | Concerto For Housekeeper | 00:00 Tools | |
84131195 | Play | Short Piano Piece IX | 00:00 Tools | |
84131196 | Play | Short Piano Piece IV | 00:00 Tools | |
84131197 | Play | Flux And Form No. 2 (Solo) | 00:00 Tools | |
90295519 | Play | wHoly Trinitye, a duality ov duos - first (2016) | 00:00 Tools | |
84131210 | Play | Sonata No. 2 For Cello And Piano | 00:00 Tools | |
90295520 | Play | 2 Extreemizms (2015) | 00:00 Tools | |
84131198 | Play | Flus And Form No. 2 (Three Versions Mixed) | 00:00 Tools | |
84131202 | Play | Gnossienne No. 1 | 00:00 Tools | |
84131199 | Play | Pulse: A 'Keyboard Dance' / C Major Chord | 00:00 Tools | |
90295521 | Play | wHoly Trinitye, another Duet, just-one (2016) | 00:00 Tools | |
84131200 | Play | Carrot Chew Performance | 00:00 Tools | |
84131201 | Play | Satie's Rose Cross As A Revelation | 00:00 Tools | |
90295522 | Play | wHoly Trinitye, for a “free-togethering” (2016) | 00:00 Tools | |
90295523 | Play | wHoly Trinitye, a duality ov duos - second (2016) | 00:00 Tools | |
84131204 | Play | Perfect (On The Strings) | 00:00 Tools | |
84131203 | Play | Side A | 00:00 Tools | |
90295524 | Play | Two-part Monologue No°2 (1958) | 00:00 Tools | |
84131205 | Play | Gong! | 00:00 Tools | |
90295525 | Play | Two-part Monologue No°1 (1958) | 00:00 Tools | |
90295526 | Play | FINALE - violin, cello, piano (1958) | 00:00 Tools | |
84131208 | Play | Metal Meditations with Listening Center | 00:00 Tools | |
84131206 | Play | Vocalise | 00:00 Tools | |
84131207 | Play | air effect | 00:00 Tools | |
84131209 | Play | Ear Wave | 00:00 Tools | |
84131211 | Play | Pulse Polyphony | 00:00 Tools | |
84131213 | Play | Memories: Performances | 00:00 Tools | |
84131212 | Play | Through the Mysterious Barricade with Paulette | 00:00 Tools | |
90295527 | Play | Two-part monologue No°3 (1958) | 00:00 Tools | |
84131215 | Play | From Thaïs | 00:00 Tools | |
84131214 | Play | Gong / Ear | 00:00 Tools | |
90295528 | Play | Two-part Monologue No.2 (1958) | 00:00 Tools | |
84131218 | Play | Flares - the electronic element | 00:00 Tools | |
84131217 | Play | Vox | 00:00 Tools | |
84131216 | Play | Satie: First Gymnopédie | 00:00 Tools | |
84131219 | Play | Side B | 00:00 Tools | |
84131220 | Play | Big Trombone | 00:00 Tools | |
84131222 | Play | Breath: Rubbing Rock | 00:00 Tools | |
84131223 | Play | Passionate Expanse Of The Law | 00:00 Tools | |
84131221 | Play | Gong (Cymbal) - Ear in the desert | 00:00 Tools | |
90295529 | Play | Two-part monologue No.3 (1958) | 00:00 Tools | |
90295530 | Play | Two-part Monologue No.1 (1958) | 00:00 Tools | |
84131227 | Play | Boiling Water | 00:00 Tools | |
84131228 | Play | Terra Cotta (heated stone) | 00:00 Tools | |
84131224 | Play | Round Sound | 00:00 Tools | |
84131230 | Play | bev's circus tape | 00:00 Tools | |
84131226 | Play | Oracle, an electronic cantata on images of war: strike week version - Black Hole | 00:00 Tools | |
90295531 | Play | FINALE - violin, cello, piano (1958)° | 00:00 Tools | |
84131261 | Play | PoorManMusic | 00:00 Tools | |
90295532 | Play | Two-part Monologue No. 1 (1958) | 00:00 Tools | |
84131243 | Play | At Merce Cunningham Studio | 00:00 Tools | |
84131235 | Play | Lucinda's Pastime 1 | 00:00 Tools | |
84131225 | Play | lovely music | 00:00 Tools | |
84131233 | Play | Through The Mysteriously "Beat-Up" Barricade | 00:00 Tools | |
84131239 | Play | First Gymnopédie | 00:00 Tools | |
84131231 | Play | For 2 Trombones No. 2 | 00:00 Tools | |
84131232 | Play | Gongs | 00:00 Tools | |
84131236 | Play | Oracle, an electronic cantata on images of war: strike week version - War Is Hell | 00:00 Tools | |
84131229 | Play | Gong/Ear | 00:00 Tools | |
84131238 | Play | Oracle, an electronic cantata on images of war: strike week version - Sound-Off and March | 00:00 Tools | |
84131255 | Play | Second Gymnopédie | 00:00 Tools | |
84131252 | Play | At Charlie Morrow Studio | 00:00 Tools | |
84131234 | Play | Big Trombone (1963) | 00:00 Tools | |
84131241 | Play | Lucinda's Pastime 2 "Andante Cantabile" | 00:00 Tools | |
84131253 | Play | At Cavriago, R.E. | 00:00 Tools | |
84131237 | Play | Calling! OM | 00:00 Tools | |
84131242 | Play | Lucinda's Pastime 3 | 00:00 Tools | |
84131245 | Play | Oracle, an electronic cantata on images of war: strike week version - Cried Silence | 00:00 Tools | |
84131248 | Play | Just Another 12-Tone Piece | 00:00 Tools | |
84131264 | Play | Third Gymnopédie | 00:00 Tools | |
84131251 | Play | with Claude Cossette NY April 6, 1989 | 00:00 Tools | |
84131259 | Play | At Cambridge, MA | 00:00 Tools | |
84131247 | Play | One Note More Than Once (A) | 00:00 Tools | |
84131249 | Play | Earth Breath | 00:00 Tools | |
84131244 | Play | "Perfect" (On The Strings) | 00:00 Tools | |
84131240 | Play | Sang-Teh, Movement III | 00:00 Tools | |
84131246 | Play | One Note More Than Once (B) | 00:00 Tools | |
84131254 | Play | Gamelan (1975) | 00:00 Tools | |
84131250 | Play | I respiri/The Breaths | 00:00 Tools | |
84131276 | Play | Preludes: The Feast Given by the Norman Knights to Honour a Young Girl | 00:00 Tools | |
84131271 | Play | An Earth Breath Trilogy - II | 00:00 Tools | |
84131263 | Play | Frame Master (Radio Boredcast Day 9) | 00:00 Tools | |
84131266 | Play | Ogives: Ogive I | 00:00 Tools | |
84131256 | Play | chopin prelude II | 00:00 Tools | |
84131267 | Play | Gymnopédies: First Gymnopédie | 00:00 Tools | |
84131257 | Play | Air of the Order | 00:00 Tools | |
84131258 | Play | avec valentine - a gong/ear in grenoble ii | 00:00 Tools | |
84131260 | Play | Attempting Whiteness | 00:00 Tools | |
84131284 | Play | An Earth Breath Trilogy - I | 00:00 Tools | |
84131285 | Play | An Earth Breath Trilogy - III | 00:00 Tools | |
84131262 | Play | passionate expanse excerpt | 00:00 Tools | |
84131274 | Play | Ogives: II. — | 00:00 Tools | |
90295533 | Play | Ogives: I. — | 00:00 Tools | |
84131265 | Play | Untitled | 00:00 Tools | |
84131277 | Play | Lucinda's Pastime | 00:00 Tools | |
84131278 | Play | Ogives: Ogive II | 00:00 Tools | |
84131297 | Play | With Elisabetta Vittoni NY April 13, 1989 | 00:00 Tools | |
84131281 | Play | Zen OM | 00:00 Tools | |
84131268 | Play | Cried Silence | 00:00 Tools | |
84131269 | Play | la cloche aux bois ii | 00:00 Tools | |
84131270 | Play | Black Hole | 00:00 Tools | |
84131287 | Play | Part 2 | 00:00 Tools | |
84131272 | Play | Gnossienne No I | 00:00 Tools | |
84131291 | Play | Gnossienne #1 | 00:00 Tools | |
84131292 | Play | Satie: Ogive #1 | 00:00 Tools | |
88616419 | Play | Gnossiennes: I. Lent | 00:00 Tools | |
88616422 | Play | Satie: Preludes - Second Prelude Of The Nazarene | 00:00 Tools | |
84131279 | Play | Short Piece Piece Xiii | 00:00 Tools | |
84131301 | Play | Gymnopédies: Second Gymnopédie | 00:00 Tools | |
84131303 | Play | Fanfares of the Rose+Cross: Second, Air of the Grand Master | 00:00 Tools | |
84131280 | Play | avec valentine - a gong/ear in grenoble i | 00:00 Tools | |
84131300 | Play | Fanfares of the Rose+Cross: First, Air of the Order | 00:00 Tools | |
84131302 | Play | Gymnopédies: Third Gymnopédie | 00:00 Tools | |
84131282 | Play | Sound-Off and March | 00:00 Tools | |
84131283 | Play | Gamelan (exc) | 00:00 Tools | |
88616426 | Play | Lucinda's Pastime (1962) - 1 | 00:00 Tools | |
84131286 | Play | The Gymnopedies - First | 00:00 Tools | |
84131288 | Play | Short Piece Piece IV | 00:00 Tools | |
84131289 | Play | OM emerging | 00:00 Tools | |
84131290 | Play | Passionate Expanse Of The Law (1959) | 00:00 Tools | |
84131273 | Play | Strings Master (Radio Boredcast Day 9) | 00:00 Tools | |
90295534 | Play | Satie: 3 Gymnopédies - 1. Lent Et Douloureux | 00:00 Tools | |
88616416 | Play | Gymnopédies: I. Lent et douloureux | 00:00 Tools | |
88616417 | Play | Ogives: III. — | 00:00 Tools | |
90295535 | Play | Satie: Ogive #2 | 00:00 Tools | |
88616418 | Play | Ogives: IV. — | 00:00 Tools | |
84131293 | Play | First Gymnopйdie | 00:00 Tools | |
90295536 | Play | Satie: Preludes - First Prelude Of The Nazarene | 00:00 Tools | |
88616420 | Play | Fanfares of the Rose+Croix: I. Air of the Order | 00:00 Tools | |
88616421 | Play | Ogives: Ogive III | 00:00 Tools | |
84131294 | Play | Pulse: A 'Keyboard Dance'/C Major Chord | 00:00 Tools | |
84131295 | Play | la cloche aux bois i | 00:00 Tools | |
90295537 | Play | wHoly Trinitye, for a "free-togethering" (2016) | 00:00 Tools | |
84131296 | Play | The Gold Stone | 00:00 Tools | |
88616423 | Play | Gymnopédies: II. Lent et triste | 00:00 Tools | |
88616424 | Play | Fanfares of the Rose+Cross: Third, Air of the Head Prior | 00:00 Tools | |
90295538 | Play | Ogives: Ogive IV | 00:00 Tools | |
90295539 | Play | Two-Part Monologue No. 3 (1958) | 00:00 Tools | |
88616425 | Play | Preludes: First Prelude of the Nazarene | 00:00 Tools | |
84131298 | Play | When They Pull The Plug - I | 00:00 Tools | |
84131299 | Play | Two in Thailand | 00:00 Tools | |
90295540 | Play | Piece for String Instrument #5 | 00:00 Tools | |
90295541 | Play | Apothéose | 00:00 Tools | |
90295542 | Play | Lucinda's Pastime (1962) - 2 - Andante Cantabile | 00:00 Tools | |
90295543 | Play | Belum (1991) | 00:00 Tools | |
84131304 | Play | Flux & Form No.2 (Three Versions Mixed) | 00:00 Tools | |
90295544 | Play | Lucinda's Pastime (1962) - 3 | 00:00 Tools | |
90295545 | Play | Memories:Performances (1963) | 00:00 Tools | |
84131305 | Play | Short Piece Piece IX | 00:00 Tools | |
90295546 | Play | Bev's Circus Tape (extract) | 00:00 Tools | |
84131306 | Play | the gymnopedies | 00:00 Tools | |
84131307 | Play | Expressions In Parallel | 00:00 Tools |
Philip Corner (born April 10, 1933) is an American composer, trombonist, vocalist, and pianist. Biography Philip Corner studied at Columbia University with Otto Luening and Henry Cowell, later with Olivier Messiaen at the Paris Conservatoire and privately with Dorothy Taubman in New York. He taught at the New Lincoln School in New York from 1966-1972, the New School for Social Research from 1967-1970 and Rutgers University from 1972-1992, after which point he moved to Reggio Emilia, Italy with his wife, the dancer and choreographer Phoebe Neville. He has been associated with Fluxus since 1961, was a resident composer and musician with the Judson Dance Theatre from 1962-1964 and later with the Experimental Intermedia Foundation. He co-founded with Malcolm Goldstein and James Tenney the Tone Roads Chamber Ensemble in 1963 (active until 1970), with Julie Winter Sounds Out of Silent Spaces in 1972 (active until 1979) and with Barbara Benary and Daniel Goode, Gamelan Son of Lion in 1976 (still active). Works Corner became interested in calligraphy during military service in Korea in 1960-1961 and studied it with Ki-sung Kim; it is often incorporated into his scores. While there he became enamored with Korean traditional music, particularly the jeongak composition Sujecheon, which he describes as "the most beautiful piece of music in the history of the world."[1] Many of his scores are open-ended in that some elements are specified, but others are left partially or entirely to the discretion of the performers. Some employ standard notation, whereas others are graphic scores, text scores, etc. His music also frequently explores unintentional sound, chance activities, minimalism, and non-Western instruments and tuning systems. Contact with artists in other media, especially dance and the visual arts, as well as a long-standing interest in Eastern religions such as Buddhism and study of the music of composers from the Baroque and Pre-Baroque eras has likewise impacted his music. Representative works include the ensemble pieces Passionate Expanse of the Law, Sang-teh/Situations and Through the Mysterious Barricade, among many others. Also in his incredibly large oeuvre are piano pieces (perfect, Pictures of Pictures from Pictures of Pictures), choral works (Peace, be still), electronic music (the war cantata Oracle), and more than 400 works in the Gamelan series, to mention only some of his catalogue. He divides his output into five periods, each one reflective of his attitudes at the time: Culture, 1950s The World, 1960s and 1970s Mind, 1970s and 1980s Body, 1980s and 1990s Spirit; Soul, 1999 - present Non-musical activities In addition to his work as a composer and musician, he has created numerous assemblages, calligraphy, collages, drawings, and paintings, many of which have been exhibited internationally. He has also written much poetry, which like some of his music, has occasionally appeared under his Korean pseudonym Gwan Pok, meaning "Contemplating Waterfall". Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.