Raimon de Miraval

Trackimage Playbut Trackname Playbut Trackname
Bel m'es qu'ieu chant 00:00 Tools
Chansoneta farai vencut 00:00 Tools
Selh que non vol 00:00 Tools
Lonc tems ai - Lo ferm vole (arr. S. Bergeron) 00:00 Tools
Aissi cum es genser pascors 00:00 Tools
Estat ai en greu cossirier 00:00 Tools
Bel M' Es Q'ieu Chant E Coindei 00:00 Tools
Cel que no volh auzir chanssos 00:00 Tools
Ar ab la forsa dels freys 00:00 Tools
Bèl M'es Q'ieu Chant 00:00 Tools
Cel que no vol auzir chansos 00:00 Tools
Selh que no vol auzir chansos 00:00 Tools
Hesperion XX/Savall 00:00 Tools
Vai, hugonet, ses bistensa 00:00 Tools
Apenas sai don m'apreing 00:00 Tools
Si ai perdut mon saber 00:00 Tools
Ar'ab la forsa del freis 00:00 Tools
Si'm fos de mon chantar parven 00:00 Tools
Ben aja l messatgiers 00:00 Tools
Bel m'es qu'ieu chant e coindei 00:00 Tools
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Raimon de Miraval(h) (c. 1135/1160 – c. 1220) was a troubadour (fl. 1180–1220) and, according to his vida, "a poor knight from Carcassonne who owned less than a quarter of the castle of Miraval [Mireval]."[1] Favoured by Raymond VI of Toulouse, he was also later associated with Peter II of Aragon and Alfonso VIII of Castile. His nom de plume was Audiart. Raimon has been identified with a person of the same name who undersigned a charter of 1151, which led some to place his birth date as early as c. 1135,[2] while others reject the identification with the Raimon de Miraval of the charter and estimate his birth date at 1160 based on the height of his career c. 1200. That Raimon owned only a quarter of his family's ancestral castle is an indication either of partible inheritance or clan structure. Miraval was captured by Simon de Montfort during the Albigensian Crusade. After the Battle of Muret in 1213 Raimon probably fled to Spain, after swearing never to sing again until he had regained his castle. At some point he separated from his wife, Gaudairença (or Caudairenga), herself the author of the (now lost) song Coblas e dansas, for uncourtly behaviour. Of Raimon's works 45 remain, of which 22 have melodies: one of the highest survival rates among troubadours.[4] Most of these works are of the trobar leu style. Raimon addressed many works to one named "Pastoret", but the identification of this person has been problematic, though he is usually identified as Raymond Roger Trencavel.[1][5] Raimon was admired by contemporaries and by most poets of later generations and he is famous for his handling of the subject of courtly love.[4] Raimon represents a move away from the traditional cansos celebrating the jois d'amor ("joys of love") or amor de lonh ("love from afar"), but rather emphasising courtliness, honour, and reputation.[6] The highest virtue is faithfulness, but this hinges on courtliness (pretz e valor). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.