Roland Kayn

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Etoral 00:00 Tools
Tarego I 00:00 Tools
Rhenit 00:00 Tools
Tarego II 00:00 Tools
Tarego III 00:00 Tools
Amarun I 00:00 Tools
Monostabile 00:00 Tools
Cybernetics III 00:00 Tools
Invarianten 00:00 Tools
Matrix 00:00 Tools
Logatome 00:00 Tools
Czerial 00:00 Tools
Tanar - Part1 00:00 Tools
Nastie 00:00 Tools
Apeiron 00:00 Tools
Tanar - Part2 00:00 Tools
Tanar - part 1 00:00 Tools
Xattax 00:00 Tools
Khyra - part1 00:00 Tools
Khyra - part2 00:00 Tools
Tanar I 00:00 Tools
Isotrope 1 (1. Teil) 00:00 Tools
Somitoh 00:00 Tools
Khyra I 00:00 Tools
Tanar - Part 2 00:00 Tools
Cybernetics 1 00:00 Tools
Ykties 00:00 Tools
Isotrope (2. Teil) 00:00 Tools
Khyra - part3 00:00 Tools
Amarun II - Part 1 00:00 Tools
Tanar II 00:00 Tools
Formantes 1 00:00 Tools
Monades 00:00 Tools
Khyra Ii 00:00 Tools
Eon 00:00 Tools
Khyra Iii 00:00 Tools
Naaps 00:00 Tools
Rosonic 00:00 Tools
Formantes 2 00:00 Tools
Amarun II - Part 2 00:00 Tools
Randoms 1 00:00 Tools
Entropy PE 31 (1. Teil) 00:00 Tools
Randoms 2 00:00 Tools
Tanar, 1. Teil 00:00 Tools
Ecerit I 00:00 Tools
Ilay 00:00 Tools
Aseral 00:00 Tools
Sources Egrodiques (1. Teil) 00:00 Tools
Entropy PE 31 (2. Teil) 00:00 Tools
Amarun II - part1 00:00 Tools
Khyra - Part 1 00:00 Tools
Amarun II - part2 00:00 Tools
Ecerit III 00:00 Tools
Radox 00:00 Tools
Ractil 00:00 Tools
Zearid 00:00 Tools
Sonagram 00:00 Tools
Sources Ergodiques, Part 2 00:00 Tools
Sources Ergodiques, Part 1 00:00 Tools
Tachys 00:00 Tools
Tanar, 2. Teil 00:00 Tools
Ecerit II 00:00 Tools
Hatho 00:00 Tools
Khyra - Part 2 00:00 Tools
Khyra - Part 3 00:00 Tools
Cybernetic Serendipity 00:00 Tools
Nomogram 00:00 Tools
Qyrials II 00:00 Tools
Qyrials I 00:00 Tools
Sources Ergodiques (2. Teil) 00:00 Tools
Prahoxx 00:00 Tools
Khyra, 2. Teil 00:00 Tools
Khyra, 1. Teil 00:00 Tools
Khyra, 3. Teil 00:00 Tools
Ritaces 00:00 Tools
Arasa 00:00 Tools
Icursim 00:00 Tools
Side One 00:00 Tools
Quanten 00:00 Tools
Polygram 00:00 Tools
Makro II 00:00 Tools
Syntropie 00:00 Tools
Side Two 00:00 Tools
Makro III 00:00 Tools
Monostabile - 24-bit 00:00 Tools
Cycloids I 00:00 Tools
Sources Ergodiques, Part 1 - 24-bit 00:00 Tools
Transfluxion 00:00 Tools
Vectors I 00:00 Tools
Side Three 00:00 Tools
Amarun II, 1. Teil 00:00 Tools
Anisotropic Modulations I 00:00 Tools
Cycloids II 00:00 Tools
Amarun II, 2. Teil 00:00 Tools
Anarun I 00:00 Tools
Cybernetics III (1969) 00:00 Tools
decollage 00:00 Tools
Collage 00:00 Tools
Sequenzen 00:00 Tools
Cybernetics I 00:00 Tools
Tanar, Part 1 00:00 Tools
Side Six 00:00 Tools
Anarun II - part 2 00:00 Tools
Anarun II - part 1 00:00 Tools
Sources Ergodiques, Part 2 - 24-bit 00:00 Tools
Side Four 00:00 Tools
Formantes I 00:00 Tools
Side Five 00:00 Tools
Anisotropic Modulations III 00:00 Tools
Anisotropic Modulations II 00:00 Tools
An artificial Acoustic Environment 00:00 Tools
Anisotropic Modulations V 24:48 Tools
Anisotropic Modulations IV 30:43 Tools
Matrix - 24-bit 00:00 Tools
Randoms I 00:00 Tools
ready made I 00:00 Tools
Logatome - 24-bit 00:00 Tools
Formantes II 00:00 Tools
Isotrope, 1. Teil 00:00 Tools
Randoms II 00:00 Tools
Sources Ergodiques Teil 1 00:00 Tools
Khyra 1 00:00 Tools
taner 00:00 Tools
Tarego 2 00:00 Tools
Tanar, Part 2 00:00 Tools
Khyra, Part 1 00:00 Tools
Array 00:00 Tools
Networks III 00:00 Tools
Aggregate 00:00 Tools
Anisotropic Modulations VI 00:00 Tools
Khyra, Part 3 00:00 Tools
Khyra, Part 2 00:00 Tools
Invarianten - 24-bit 00:00 Tools
Networks I 00:00 Tools
Equivalence Sonore 00:00 Tools
Electronic Symphony I 00:00 Tools
Etoile Du Nord, Part II 00:00 Tools
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Isotrope, 2. Teil 00:00 Tools
Ready Made II 00:00 Tools
Syzygy dynamical Units 00:00 Tools
Assemblage 00:00 Tools
Khyra 2 00:00 Tools
Sources Ergodiques Teil 2 00:00 Tools
Tarego 3 00:00 Tools
Amarun II, Part 1 00:00 Tools
Radi 00:00 Tools
Intermodulation 00:00 Tools
Scanned Modulation 00:00 Tools
Electronic Symphony II 00:00 Tools
Isotrope 00:00 Tools
Counter Radi 00:00 Tools
Allotropic Radi 00:00 Tools
Cybernetics III (1969/1977) 00:00 Tools
Equivalence Sonore II 00:00 Tools
Signals 00:00 Tools
Amarun 1 00:00 Tools
Networks V 00:00 Tools
Ready-Made I 00:00 Tools
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syzygy dynamical 00:00 Tools
Invisible Music, Part I 00:00 Tools
Networks IV 00:00 Tools
Inverted Spaces 00:00 Tools
a1 - cybernetic serendipity 00:00 Tools
Electronic Symphony III 00:00 Tools
taner 2 00:00 Tools
Makro I, Teil 1 00:00 Tools
Khyra 3 00:00 Tools
Khyra 00:00 Tools
Tanar: part 1 00:00 Tools
Entropy PE 31, Teil 2 00:00 Tools
Equivalence Sonore III 00:00 Tools
Formantes 00:00 Tools
Allotropie 00:00 Tools
Equivalence Sonor I 00:00 Tools
Refractions 00:00 Tools
Makro I, Teil 3 00:00 Tools
Makro I, Teil 4 00:00 Tools
Makro I, Teil 2 00:00 Tools
Tarego, Part 3 00:00 Tools
Tarego, Part 1 00:00 Tools
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Frottage 00:00 Tools
An Artificial Acoustic 00:00 Tools
Sources Ergodiques 00:00 Tools
Anisotropic Modulations VI (Part 1) 00:00 Tools
Entropy PE 31, Teil 1 00:00 Tools
Tanar pt2 00:00 Tools
Vectors II 00:00 Tools
Phasen 00:00 Tools
Abschnitt 1 00:00 Tools
Anisotropic Modulations VI (Part 2) 00:00 Tools
Tanar: part 2 00:00 Tools
Tanar pt 1 00:00 Tools
Tanar - Part I 00:00 Tools
a2 - transfluxion 00:00 Tools
Isotrope (1. Teil) 00:00 Tools
Ultra 00:00 Tools
Engramme 00:00 Tools
Invisible Music, Part II 00:00 Tools
Amarun 2 00:00 Tools
Amarun 3 00:00 Tools
Amarun II, Part 2 00:00 Tools
Cybernetics II 00:00 Tools
01. electronic symphony I 00:00 Tools
Frottage II 00:00 Tools
Randoms 00:00 Tools
Entropy PE 31 00:00 Tools
Makro I - Teil 4 00:00 Tools
01. assemblage 00:00 Tools
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Roland Kayn (3rd September 1933 in Reutlingen, Germany - 6th January 2011) was a composer of electro-acoustic music. Kayn studied in Stuttgart and Esslingen. He was also was a student of Boris Blacher in Berlin, Josef Rufer, Fritz Winckel, and Oskar Sala. In 1960 he was awarded the "Rompreis", after that he lived in Rome & Venice. In 1970 he started to work for the Goethe-Institute in Amsterdam. From 1995 until his death, he lived in a remote country house in the Netherlands. Besides composing for instruments (mainly the organ and the piano), he worked mostly on electronic and tape music, which he called "cybernetic music", based on programming long format compositions on early computer systems. He is regarded as a pioneer of this genre of modern music. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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