| Trackimage | Playbut | Trackname | Playbut | Trackname |
|---|---|---|---|---|
| 84735941 | Play | 籠 | 00:00 Tools | |
| 84735942 | Play | ニダイ | 00:00 Tools | |
| 84735943 | Play | 鳴り行く雨 | 00:00 Tools | |
| 84735944 | Play | きいろ結え | 00:00 Tools | |
| 84735945 | Play | 詩箋の上の日本猫 | 00:00 Tools | |
| 84735946 | Play | 美娼 | 00:00 Tools | |
| 84735947 | Play | 陽時計と日々記 | 00:00 Tools | |
| 84735948 | Play | 枳殻という家 | 00:00 Tools | |
| 84735949 | Play | 蜃気楼 | 00:00 Tools | |
| 84735950 | Play | He stood in a field where barley grows | 00:00 Tools | |
| 84735951 | Play | No imagination | 00:00 Tools | |
| 84735952 | Play | Race dance | 00:00 Tools | |
| 84735953 | Play | Concrete hole | 00:00 Tools | |
| 84735954 | Play | 錆のついた銀のスプーン | 00:00 Tools | |
| 84735955 | Play | 鎖のついた銀のスプーン | 00:00 Tools | |
| 84735956 | Play | 朧 | 00:00 Tools | |
| 84735958 | Play | 説法 | 00:00 Tools | |
| 84735957 | Play | Endless 2 (Haujobb RMX) | 00:00 Tools | |
| 84735960 | Play | 宴 | 00:00 Tools | |
| 84735959 | Play | 警告 | 00:00 Tools | |
| 84735961 | Play | 陽時計と日々日記 | 00:00 Tools | |
| 84735962 | Play | 何様 | 00:00 Tools | |
| 84735963 | Play | ［C］bed heaven | 00:00 Tools | |
| 84735965 | Play | 詩戔の上の日本猫 | 00:00 Tools | |
| 84735964 | Play | Kago | 00:00 Tools | |
| 84735966 | Play | 簪と化粧を落として | 00:00 Tools | |
| 84735967 | Play | Cheeky girl | 00:00 Tools | |
| 84735968 | Play | Dare To Speak | 00:00 Tools | |
| 84735969 | Play | Up And Down | 00:00 Tools | |
| 84735970 | Play | 声 | 00:00 Tools |
-
- 20,920
- plays
-
- 341
- listners
-
- 20920
- top track count
There are three different Japanese bands with that name, please tag them accordingly to avoid confusion: 1) SCARE CROW were active in the early 90's PLEASE USE THIS PAGE FOR THAT BAND! Discography & Member Info Wikipedia Japan 2) Ｓｃａｒｅ Ｃｒｏｗ Discography & Member Info Official Site previous band of Natsuki and Aki from -OZ- / －OZ－, were active 2003-2004 3) ＳＣＡＲＥＣＲＯＷ with ex.ICEMAN members / started activities in 2005 Official Homepage Wikipedia Japan Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.