Sambalanço Trio

Trackimage Playbut Trackname Playbut Trackname
Samblues 03:57 Tools
Sam Blues 00:00 Tools
Sambinha 00:00 Tools
Berimbau 00:00 Tools
Improviso Negro 00:00 Tools
Homenagem A Clifford Brown 00:00 Tools
P'ra Que Chorar 00:00 Tools
O Amor Que Acabou 00:00 Tools
Marisa 00:00 Tools
Balanco Zona Sul 00:00 Tools
O Morro Nao Tem Vez 00:00 Tools
Nos E O Mar 00:00 Tools
Consolacao 00:00 Tools
cangaceiro 00:00 Tools
Reza 00:00 Tools
Roda De Samba 00:00 Tools
Deixa 00:00 Tools
Jacqueline K 00:00 Tools
Balanço Zona Sul 00:00 Tools
Estamos Ai 00:00 Tools
''Jacqueline K'' 00:00 Tools
samba pro pedrinho 00:00 Tools
O Morro Não Tem Vez 00:00 Tools
Lenda 00:00 Tools
Voce 00:00 Tools
Consolação 00:00 Tools
Nós E O Mar 00:00 Tools
Step Right Up 00:00 Tools
Deus Brasileiro 00:00 Tools
Manhã de Nós Dois 00:00 Tools
Cancao Que Veio De Dentro Do Azul 00:00 Tools
Pra Machucar Meu Coração 00:00 Tools
Preciso Aprender A Ser So 00:00 Tools
Nana (Coisa No. 5) 00:00 Tools
Tensão 00:00 Tools
Razão de Viver 00:00 Tools
Nana 00:00 Tools
Deixa Pra Lá 00:00 Tools
Samblues [1964] 00:00 Tools
Samba De Verao 00:00 Tools
Só... Pela Noite 00:00 Tools
deus brasileiro (brazilian god) 00:00 Tools
tensao 00:00 Tools
summer samba (samba de verao) 00:00 Tools
Samba Prô Pedrinho 00:00 Tools
deixa pra la 00:00 Tools
razao de viver 00:00 Tools
Samblues - Sambinha - O Amor Que Acabou - Nanã - Pra Que Chorar - O Morro Não Tem Vez - Roda de Samba - Samblues 00:00 Tools
Nanã 00:00 Tools
Preciso Aprender a Ser Só 00:00 Tools
Você 00:00 Tools
Estamos Aí 00:00 Tools
Samba De Verão 00:00 Tools
Canção Que Veio De Dentro Do Azul 00:00 Tools
(medley) 00:00 Tools
Naña 00:00 Tools
So...pela noite 00:00 Tools
Medlley 00:00 Tools
So pela Noite 00:00 Tools
Preciso Aprender A Ser So) 00:00 Tools
Samblues - Sambinha - Amor que acabou - Nanã - Pra que chorar - O morro não tem vez - Roda de samba - Samblues 00:00 Tools
Pra Machucar Meu Coracao 00:00 Tools
"Jacqueline K" 00:00 Tools
Pot-Pourri: Samblues / Sambinha / O Amor Que Acabou / Nanã / Pra Que Chorar? / O Morro Não Tem Vez / Roda De Samba 00:00 Tools
Pout-Pourri 00:00 Tools
Sam Blues-Sambalanca Trio 00:00 Tools
Nana (Coisa No 5) 00:00 Tools
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Sambalanço Trio is a Brazilian samba-jazz group formed by César Camargo Mariano (piano), Humberto Clayber (bass) and Airto Moreira (drums). The band started to play in 1964 and lasted for about two years. However, its albums are considered some of the most important works of that period and influenced many other groups of samba and jazz. The group was created in 1964, in São Paulo, Brazil. They played in the opening show of João Sebastião Bar, one of the foremost Bossa Nova nightclubs in the city, where they became the favourite attraction. In this same nightclub, the group met the American dancer Lennie Dale, a future collaborator. The Sambalanço Trio offered a fusion of Bossa Nova and Jazz, which became a cornerstone of Brazilian popular music of the period. In the same year the band was formed, it released two albums: the first was named Sambalanço Trio; the second, Samblues. In 1965, they joined musician Raul de Souza and recorded À vontade mesmo. Still in 1965, the group recorded its fourth album, Reencontro com Sambalanço Trio. In 1965, Sambalanço Trio with Lennie Dale collaborated in a theatrical presentation performed in Rio de Janeiro and São Paulo for eight months.This work was recorded later and released as Lennie Dale & Sambalanço Trio no Zum Zum, earning awards by Jornal do Brasil as Best Album and Best Show. Sambalanço Trio went their separate ways in 1965. Immediately after, Airto Moreira founded the Quarteto Novo with Hermeto Pascoal and later moved to the United States with his wife and singer Flora Purim, starting a successful solo career. Cesar Camargo Mariano became a member of Som Três and an arranger for singers Wilson Simonal and Elis Regina. Humberto Clayber continued playing in other samba-jazz bands. Sambalanço Trio's members also played together in other bands. Moreira and Clayber played in Sambrasa Trio around 1965. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.