Second Layer

Trackimage Playbut Trackname Playbut Trackname
Fixation 04:03 Tools
Definition of Honour 00:00 Tools
In Bits 03:09 Tools
Save Our Souls 03:32 Tools
Distortion 03:24 Tools
Zero 04:34 Tools
Black Flowers 04:22 Tools
Underneath The Gloss 06:49 Tools
Japanese Headset 02:02 Tools
Metal Sheet 01:18 Tools
Germany 08:10 Tools
State of Emergency 04:33 Tools
Skylon 03:45 Tools
I Need Noise 02:19 Tools
Courts of War 03:49 Tools
The Cutting Motion 01:48 Tools
Definition Of Honor 04:24 Tools
Court or Wars 04:04 Tools
Courts of wars 00:00 Tools
Second Layer - Fixation 04:04 Tools
Split Screen 05:27 Tools
Deadly Norwegian Attack 05:27 Tools
Intro 05:27 Tools
Death Process 05:27 Tools
The Telephone Call... 03:19 Tools
Second Layer - In Bits 04:04 Tools
Second Layer - Save Our Souls 03:45 Tools
Second Layer - Skylon 03:45 Tools
Second Layer - Japanese Headset 03:45 Tools
Second Layer - Zero 03:45 Tools
Second Layer - Distortion 03:19 Tools
Second Layer/Courts Or Wars 03:19 Tools
04-second layer-courts or wars 03:19 Tools
03-second layer-cutting motion 01:43 Tools
Second Layer - Black Flowers 01:43 Tools
Second Layer - Underneath The Gloss 01:43 Tools
06-second layer-germany 05:27 Tools
01-second layer-state of emergency 05:27 Tools
02-second layer-i need noise 05:27 Tools
05-second layer-metal sheet 05:27 Tools
Second Layer - State Of Emergency 05:27 Tools
World of Rubber 05:27 Tools
Distortion (Edit) 01:32 Tools
second layer 06 - germany 05:27 Tools
02 - I Need Noise 01:32 Tools
second layer 05 - metal sheet 01:32 Tools
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Second Layer was an electronic-based outlet for The Sound's Adrian Borland and Graham Bailey. Borland supplied guitars and vocals while Bailey provided keyboards, bass, and drum programming. The full length album World of Rubber was issued in 1981, after two EPs "Flesh as Property" (1979) and "State of Emergency" (1980). Since the duo was central to The Sound's sound, their side project retained some of that feel, albeit in a slightly detached fashion that's to be expected when synths and drum machines replace more human elements. Borland's song writing wasn't much less personal here than his writing for the Sound. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.

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