Seyyan Hanim

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Mazi 00:00 Tools
Siyah Gözlere 00:00 Tools
Bir Martı Gibi 00:00 Tools
Mehtapli Bir Gece 00:00 Tools
Ask Kerpeteni 00:00 Tools
Çapkın 00:00 Tools
Suna 00:00 Tools
Hicran 00:00 Tools
Ne Tatlı Bir An 00:00 Tools
Çalıkuşu 00:00 Tools
Deli Gönül 00:00 Tools
Hayat (Gülerken Aglatir) 00:00 Tools
Hayat (Gülerken Ağlatır) 00:00 Tools
Aşk Kerpeteni 00:00 Tools
gönlüm sensiz olmaz (fokstrot) 00:00 Tools
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Özleyis 00:00 Tools
Gönlüm Sensiz Olmaz 00:00 Tools
Gelmez Oldu Hiç Sesin (Rumba) 00:00 Tools
Aşk Mevsimi 00:00 Tools
sen kuzu gibi (fokstrot) 00:00 Tools
Hayat Gülerken Ağlatır 00:00 Tools
Gelmez Oldu Hiç Sesin 00:00 Tools
Aşk Mevsimi (fantazi) 00:00 Tools
Çalıkusu 00:00 Tools
Daktilo 00:00 Tools
Şen Kuzu Gibi 00:00 Tools
Sen Kuzu Gibi 00:00 Tools
Ask Mevsimi (Fantazi) 00:00 Tools
Bas Basa 00:00 Tools
Baş Başa 00:00 Tools
Calikusu 00:00 Tools
Mehtaplı Gece 00:00 Tools
Mazi Kalbimde Bir Yaradır 00:00 Tools
Ask Mevsimi 00:00 Tools
Gelmez Oldu Hic Sesin 00:00 Tools
Yillar... Cok Uzakta Bir Ilkbahar Gecesinde Sevgiyi Buldum Onun Sesinde 00:00 Tools
Ne tatli bir an (Turkey) 00:00 Tools
Seyyan Hanım 00:00 Tools
Gelme Oldu Hiç Sesin 00:00 Tools
Hayat 00:00 Tools
Hayat gulerken aglatir 00:00 Tools
Çapkin (rasgar) (Turkey) 00:00 Tools
şen Kuzu Gibi (fokstrot) 00:00 Tools
Mâzi kalbimde bir yaradır 00:00 Tools
Mehtapli bir gece (Turkey) 00:00 Tools
Yıllar... Çok Uzakta Bir İlkbahar Gecesinde Sevgiyi Buldum Onun Sesinde 00:00 Tools
Hasret (Turkey) 00:00 Tools
Çok Uzaklarda Biri Var 00:00 Tools
Siyah Gzlere 00:00 Tools
Hasret Türküsü / tubabuyukustun.net - gonulcelendizisi.net 00:00 Tools
Sevdim Bir Genç Kadını 00:00 Tools
Daktilo - Seyyan Hanim 00:00 Tools
Hasret Türküsü 00:00 Tools
Gündüzüm Gecem Oldu 00:00 Tools
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Seyyan Oskay (born 1913, İstanbul - died 16 May 1989, İstanbul) was a Turkish tango singer. In the Ottoman Empire the public appearance of Muslim Turkish women was unthinkable. Actresses and singers were invariably Jewish, Armenian, Greek or Levantines; on no account would they be Muslim. This only began to change after Atatürk instigated his revolution separating religion and state. The very first Turkish woman who, because of these new circumstances, dared to appear on a stage was a Tango singer called Seyyan Hanim. She was a protegé of Kemal Atatürk himself, who seeing that her career symbolized a new openness to the west, vigorously supported her. Though on account of her success she became an important figure for the emancipation of women in Turkey, a tragic irony was to occur: she married an army officer and was to spend the next twenty years of her life in an obscure east Anatolian garrison. Once every year, with her husband being one of the few people who knew about it, she would make the long journey from her secluded home to Istanbul, where she appeared on stage and made recordings. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.