Simon Shaheen

Trackimage Playbut Trackname Playbut Trackname
Saraab 04:33 Tools
Bashraf Farahfaza 00:00 Tools
Sama'i Kurd 00:00 Tools
Longa Farahfaza 00:00 Tools
Taqasim on Violin 00:00 Tools
Tahmilah Suznak 00:00 Tools
Taqasim On The Beat 00:00 Tools
Taqasim On Nay 00:00 Tools
Bashraf Kurd 00:00 Tools
Sama'i Farahfaza 00:00 Tools
Dawn - Rag Kirwani/Maqam Nahawand 00:00 Tools
Sama'i Nahawand 00:00 Tools
Theme And Variations 07:41 Tools
Sittel Habayeb 00:00 Tools
Al Hinna 00:00 Tools
Ibnil Balad 00:00 Tools
Hanil Widd 00:00 Tools
Taqsim on Nay 00:00 Tools
Theme & Variations 00:00 Tools
Bortuqal 00:00 Tools
Mudnaka 00:00 Tools
Saltanah - Rag Bagashri/Maqam 'Ajam Mu'addal 00:00 Tools
Blue Flame 00:00 Tools
Dance Mediterranea 00:00 Tools
Ghazal - Rag Vasant Mukhari/Maqam Hijaz 00:00 Tools
Tea in the Sahara 00:00 Tools
Waving Sands 00:00 Tools
Silk Tears 00:00 Tools
Olive Harvest 04:19 Tools
Al-Qantara 00:00 Tools
Mists - Rag Pahari/Maqam 'Ajam 00:00 Tools
Dance Mediterrania 00:00 Tools
Bosphorus Scenes Under the Moonlight 00:00 Tools
Dusk - Rag Bhairavi/Maqam Kurd 00:00 Tools
Fantasie for Oud and String Quartet 00:00 Tools
Breeze of Bisaan 00:00 Tools
Tea In Sahara 00:00 Tools
Taqasim: God Rest Ye 00:00 Tools
Dawn 00:00 Tools
God Rest Ye Merry Gentlemen 00:00 Tools
Bashraf Kurd (Asdik Aga) 00:00 Tools
Breeze In Bisaan 00:00 Tools
Sama'i Kurd (Simon Shaheen) 00:00 Tools
Taqasim On Nay (Faruk Tekbilek) 00:00 Tools
Sama'i Nahawand (Mas'ud Jamil) 00:00 Tools
Mists 00:00 Tools
Fantasie for Oud & String Quartet 00:00 Tools
Taqasim: Three Kings of the Orient 00:00 Tools
Saltanah 00:00 Tools
Longa Farahfaza (Riyad al-Sinbati) 00:00 Tools
Al Qantara 00:00 Tools
Taqasim on Violin (Simon Shaheen) 00:00 Tools
Bortugal 00:00 Tools
Ghazal 00:00 Tools
Dusk 00:00 Tools
We Three Kings of Orient Are 00:00 Tools
Taqasim on Violin (Simon Shahe 00:00 Tools
Fantasie 4 Ud & String Quartet 00:00 Tools
Bashraf Farahfaza (Isma'il Haqqi) 00:00 Tools
Bashraf Farahfaza (Isma'il Haq 00:00 Tools
Bosphorus Scenes Under Moon... 00:00 Tools
Maqam Kurd 00:00 Tools
Dikrayati 00:00 Tools
Taqasim: Kings of the Orient 00:00 Tools
Taqasim on Nay (Faruk Tekbilek 00:00 Tools
Sama'i Farahfaza (Tanburi Jamil) 00:00 Tools
Sama'i Nahawand (Ali Jihad Racy) 00:00 Tools
Maqam Nahawand 00:00 Tools
Longa Farahfaza (Riyad al-Sinb 00:00 Tools
Theme And Variations - Simon Shaheen 00:00 Tools
Bashraf Farahfaza (Isma`il Haqqi) 00:00 Tools
Sama'i Nahawand (Ali Jihad Rac 00:00 Tools
Boshporous Under The Moonlight 00:00 Tools
Multiple Tracks 00:00 Tools
Maqam Bayyati 00:00 Tools
Bosphorus Schenes Under the Moonlight 00:00 Tools
Taqasim on the Beat (Simon Sha 00:00 Tools
Dance Mediterranea - Palestine 00:00 Tools
Oud - Blue Flame 00:00 Tools
Fantasie for Oud 00:00 Tools
القنطره 00:00 Tools
سراب 00:00 Tools
Oud 00:00 Tools
Taqasim On The Beat (Simon Shaheen/Samir Khalil) 00:00 Tools
Sama`i Farahfaza (Tanburi Jamil) 00:00 Tools
Dawn (Rãg Kirwãni/Nahawand) 00:00 Tools
رمال متماوجه 00:00 Tools
رقص متوسطي 00:00 Tools
دمعات حرير 00:00 Tools
تصور للعود والوتر الرباعي 00:00 Tools
Track 4 00:00 Tools
Track 3 00:00 Tools
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Shaheen is a Palestinian oud and violin virtuoso and one of the most significant Arab musicians, performers, and composers of his generation. His work incorporates and reflects a legacy of Arabic music, while it forges ahead to new frontiers, embracing many different styles in the process. This unique contribution to the world of arts was recognized in 1994 when Shaheen was honored with the prestigious National Heritage Award at the White House. Simon Shaheen dazzles his listeners as he deftly leaps from traditional Arabic sounds to jazz and Western classical styles. His soaring technique, melodic ingenuity, and unparalleled grace have earned him international acclaim as a virtuoso on the 'oud and violin. In the 1990s he released four albums of his own: Saltanah (Water Lily Acoustics), Turath (CMP), Taqasim (Lyrichord), and Simon Shaheen: The Music of Mohamed Abdel Wahab (Axiom), while also contributing cuts to producer Bill Laswell's fusion collective, Hallucination Engine (Island). He has contributed selections to soundtracks for The Sheltering Sky and Malcolm X , among others, and has composed the entire soundtrack for the United Nations-sponsored documentary, For Everyone Everywhere. Broadcast globally in December 1998, this film celebrated the 50 th anniversary of the United Nations Human Rights Charter. But perhaps his greatest success has come with Blue Flame (ARK21, 2001), where he leads his group, Qantara, on a labyrinthian journey through the world of fusion music to discover the heart of the Middle East. The album has been nominated for eleven Grammy Awards, and the band's performances have been called "glorious." A Palestinian, born in the village of Tarshiha in the Galilee, Shaheen's childhood was steeped in music. His father, Hikmat Shaheen, was a professor of music and a master 'oud player. "Learning to play on the 'oud from my father was the most powerful influence in my musical life," Shaheen recalls. He began playing on the 'oud at the age of five, and a year later studying violin at the Conservatory for Western Classical Music in Jerusalem. "When I held and played these instruments, they felt like an extension of my arms." After graduating from the Academy of Music in Jerusalem in 1978, Shaheen was appointed its instructor of Arab music, performance, and theory. Two years later he moved to New York City to complete his graduate studies in performance at the Manhattan School of Music, and later in performance and music education at Columbia University. In 1982, Shaheen formed the Near Eastern Music Ensemble in New York, establishing a group that would perform the highest standard of traditional Arab music. This time also marked the beginning of Shaheen's workshops and lecture/demonstrations in schools, colleges, and universities to educate the younger generation. As a champion and guardian of Arab music, Shaheen still devotes almost fifty percent of his time to working with schools and universities, including Julliard, Columbia, Princeton, Brown, Harvard, Yale, University of California in San Diego, University of Michigan in Ann Arbor and many others. His concert credits are a veritable compendium of the world's greatest venues: Carnegie Hall, Kennedy Center, Cairo's Opera House, Theatre de la Ville in Beirut, and Belgium's Le Palais des Arts. In May of 2004, Shaheen appeared at Quincy Jones' "We Are The Future," fundraising concert in Rome in front of a half million strong crowd. As a composer, Shaheen has received grants from the National Endowment for the Arts, the New York State Council on the Arts, Meet the Composer, the Jerome Foundation, Continental Harmony, and Yellow Springs Institute. In addition to his recorded work, his theatrical repertoire includes Majnun Layla, (performances included the Kennedy Center in Washington DC, and The Museum of Natural History in New York), The Book and the Stranger (from Kalilah Wa-Dimanah), Possible City, and Collateral Damage with actress Vanessa Redgrave. He has also written the music for the documentary of the British Museum's Egyptian collection, which has toured U.S. museums. Since 1994, Shaheen has produced the Annual Arab Festival of Arts, called "Mahrajan al-Fan." Held in New York, the festival showcases the work of the finest Arab artists, while presenting the scope, depth and quality of Arab culture. To continue this exposure to Arab music and culture, Shaheen founded the Annual Arabic Music Retreat in 1997. Held each summer at Mount Holyoke College, this weeklong intensive program of Arabic music studies draws participants from the U.S. and abroad. For the past six years, though, Shaheen has focused much of his energies on Qantara . The band, whose name means arch in Arabic, brings to life Shaheen's vision for the unbridled fusion of Arab, jazz, Western classical, and Latin American music, a perfect alchemy for music to transcend the boundaries of genre and geography. "I want to create a world music exceptionally satisfying to the ear and for the soul," says Shaheen, "This is why I selected members for Qantara who are all virtuosos in their own musical forms, and whose expertise and knowledge can raise the music and the group's performance to spectacular levels." Qantara made their first live recording debut on Mondo Melodia/ARK21's "Historic Live Recording of the Two Tenors & Qantara ," featuring tenors Wadi al-Safi and Sabah Fahkri. The disc featured two instrumental cuts by Shaheen and Qantara, which, only begins to show the band's range and capabilities ." Shaheen and Qantara made their full recording debut with Blue Flame, . Compositions of "Al-Qantara" and "Dance Mediterranea" sparkle like jewels, while the opening track, Blue Flame, is a bravura exhibition of Shaheen's -- and the band's -- virtuosity. The Los Angeles Times proclaimed the record "stunning," National Public Radio called it "a staggering tour-de-force of technique and passion," CMJ called it "a new benchmark in Arab-Western fusion," and the Washington Post termed it "eminently cosmopolitan." The band has toured during 2003 and 2004, playing concerts and festivals like WOMAD USA, WOMAD Sicily, the prestigious Newport Jazz Festival, Montreal Jazz Festival. Traveling throughout Europe and the Middle East, Qantara's appearances have included: Beiteddine Festival in Lebanon; Les Mediterranean in France; New York's Central Park Summer Stage; Stern Grove International Festival in San Francisco; Chicago World Music Festival; Royce Hall in Los Angeles; University Musical Society in Ann Arbor; Walker Arts Center in Minneapolis; International Souk Ukaz at the historic citadel in Amman, Jordan; and Yabous Festival in the historical Tombs of Kings in East Jerusalem amongst others . In Palestine, Shaheen conducts an annual weeklong music workshop designed for gifted children. In addition to performing with his two bands, Qantara and the Near Eastern Music Ensemble, Shaheen tours as a solo artist internationally and as a lecturer throughout the academic world promoting awareness to Arab music through numerous lecture and workshop presentations. Read more on Last.fm. 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