Soft Fangs

Trackimage Playbut Trackname Playbut Trackname
Gone Fishing 00:00 Tools
Birthday 00:00 Tools
Dragon Soap 00:00 Tools
Golden 00:00 Tools
The Air 00:00 Tools
Get A Job 00:00 Tools
The Light 00:00 Tools
The Wilderness 00:00 Tools
Back of a Horse 00:00 Tools
Haunts 00:00 Tools
Too Many Stars (not enough sky) 00:00 Tools
Dog Park 00:00 Tools
Elephant Girl 00:00 Tools
Honey Colony 00:00 Tools
You're the Best 00:00 Tools
Folk Guitar 00:00 Tools
Apple Picking 00:00 Tools
Shells from a Smoking Snail 00:00 Tools
Point of View 00:00 Tools
No Cops 00:00 Tools
Cartoons 00:00 Tools
Weed Spiders 00:00 Tools
We Don't Live Together Anymore 00:00 Tools
Dead Friends 00:00 Tools
Mistress 00:00 Tools
Believers 00:00 Tools
Jordan / / Jackson Elementary 00:00 Tools
Valentine's Day 00:00 Tools
Jordan // Jackson Elementary 00:00 Tools
FUTURE SUN 00:00 Tools
Discovering the Machine 00:00 Tools
Nine Lives 00:00 Tools
Too Many Stars 00:00 Tools
Dead Pianos 00:00 Tools
Sugarblood 00:00 Tools
Birthday (Disposable America + EIS) 00:00 Tools
The Air (early demo) 00:00 Tools
Elephant Girl (demo) 00:00 Tools
True Love (Daniel Johnston cover) 00:00 Tools
Point of View (live-studio session) 00:00 Tools
The Light (Live) 00:00 Tools
Not my Paintings 00:00 Tools
Dog Park (demo) 00:00 Tools
Tecate Fever Organista! 00:00 Tools
You're the Best (Live) 00:00 Tools
Vanity 00:00 Tools
Love is the Machine 00:00 Tools
Inside Joke 00:00 Tools
Christmas Time is Here 00:00 Tools
How Can You Call Your Self An Elitist When You Dress Like A Retard? 00:00 Tools
Vampire Rebel Yell 00:00 Tools
Nothings Bader Than Baby Batter 00:00 Tools
The Wilderness (Disposable America + EIS) 00:00 Tools
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Bedroom pop is loosely classified as lo-fi, often contemplative music that is instantly recognized for its DIY nature. While Soft Fangs certainly meets those criteria, songwriter John Lutkevich took the genre to another level by actually recording his latest album in his childhood home. That effort, The Light, is due out on March 18th via Disposable America and Exploding In Sound Records, but you can stream it early and in full below. The 11-track The Light is built on heavy-hearted, reverberating guitars that are as nostalgic for their mournful tone as they are for their reminiscence of Sparklehorse. While this crunchy melancholy permeates most of the album, Lutkevich also manages to fold in other indie rock influences that prevent the record from dragging you so deep into the self-reflective sadness that there feels like no hope. There’s the Mac DeMarco slacker vibes of “The Wilderness”, the surprisingly tropical electronics of “Back of a Horse”, and the bright stroll that is “Get a Job”. Still, the record seeks to muse “about death, life, nature and all the little things people forget,” and so the lyrics delivered in Lutkevich’s hushed tone are there to remind you it’s okay to be not okay every now and then. “I’m old enough to die,” he sings on “Birthday”. “I’m young enough to be alive.” It’s a painful warning and a heartening reminder, which could well describe much of The Light. “The Light is a very special record to me,” Lutkevich tells Consequence of Sound. “It is the culmination of about a year of home recordings, some written before my first EP came out. I was struggling with a lot of different things at the time, so I basically just recorded my way out of it. It was a rough year, but I emerged from it brighter than I’ve ever been before.” Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.