Steve Miro & The Eyes

Trackimage Playbut Trackname Playbut Trackname
Dreams of desire 00:00 Tools
Queen of The Sea 00:00 Tools
hammer and tongs 00:00 Tools
choke it back 00:00 Tools
ain't you got no life 00:00 Tools
give me back my dice 00:00 Tools
shadow screen 00:00 Tools
gin video 00:00 Tools
making money 00:00 Tools
jeans for china 00:00 Tools
it's a long way to paris 00:00 Tools
breaking 00:00 Tools
Gone Riding 00:00 Tools
Steps Up 00:00 Tools
good looking girl 00:00 Tools
stuck for words 00:00 Tools
Hit And Run 00:00 Tools
Something In A Nutshell 00:00 Tools
Stories To Tell 00:00 Tools
Mixed opinions 00:00 Tools
Fire away son 00:00 Tools
Hiding it all away 00:00 Tools
Stand Inside The Light 00:00 Tools
Mutiny 00:00 Tools
Smiling in Reverse 00:00 Tools
Up and About 00:00 Tools
Untitled 00:00 Tools
Hip Movies 00:00 Tools
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Spherical Objects were an important representative of the Manchester, UK-based experimental independent post-punk scene of the late 70s (including other more or less experimental groups like The Passage, Steve Miro & The Eyes, Tirez Tirez and Grow Up). All these bands were hosted under the Object Music record label. Many of them shared musicians, thus the movement looked more like a musical collective (actually, there was indeed a Manchester Musicians Collective, started by Dick Witts of Passage). Leader and heart of the band was Steve Solamar (real name Steve Scrivener), a distinct song/lyrics writer with a "terrible voice" (as many fans would say). However, this twisted voice adds even more to the idiosyncratic character of the music. In summer 1978, they recorded their first LP, "Past And Parcel", which sounds more diy than everything they did afterwards. Their best came with "Elliptical Optimism" (1979) and "Further Ellipses" (1980). The former still keeps contact with punk and 60s garage sound. "Further Ellipses" puts more emphasis on ultra-romantic melodic synth tunes (The "Final Part", "The Root"), a small share of Latin guitar melancholy and production perfectionism (as possible as it could be on those small record labels). Nevertheless, tracks like "Set Free" betray the strong influence of rhythm & blues; unusual for a British post-punk band of that period. In 1980, Solamar collaborated with Steve Miro as the Noyes (i.e. "noise") Brothers, to produce more experimental music forms. They recorded a double LP ("Sheep From Goats"), which was far more unconventional than anything they had created with their own bands. Other Solamar projects were Warriors and Alternomen Unlimited, while John Bisset Smith was involved into Grow Up (all recording for Object Music). In 1981, Spherical Objects recorded their last LP, "No Man's Land". It was a return to more archetypal rock forms like those perverted and twisted in "Elliptical Optimism". However, the vigour and inventiveness of the latter were notably lacking. Unfortunately, not a single word of news exists after 1981 about Spherical Objects or Steve Solamar except that, (according to Simon Reynolds "Rip It Up and Start Again: Post Punk 1978-1984") he changed gender (now known as Shirley). Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.