Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
41373659 | Play | Final Coup of the Last Millenium | 00:00 Tools | |
41373660 | Play | Body Building | 00:00 Tools | |
41373661 | Play | Woodenhead | 00:00 Tools | |
41373662 | Play | Dirt | 00:00 Tools | |
41373663 | Play | My Belief | 00:00 Tools | |
41373664 | Play | Last Surviving Crocodile | 00:00 Tools | |
41373665 | Play | Democracy | 00:00 Tools | |
41373668 | Play | Quality of Growth | 00:00 Tools | |
41373670 | Play | Stuck | 00:00 Tools | |
41373672 | Play | Something Finer | 00:00 Tools | |
41373666 | Play | Hawks and Doves and Time | 00:00 Tools | |
41373667 | Play | Sealed June 16, 1994 | 00:00 Tools | |
41373669 | Play | Book of Memory | 00:00 Tools | |
41373671 | Play | Lost and Found | 00:00 Tools | |
41373673 | Play | Source of Fuck | 00:00 Tools | |
41373675 | Play | Worker's Paradise | 00:00 Tools | |
41373676 | Play | Deadpan | 00:00 Tools | |
41373674 | Play | Predisposed to Oppose | 00:00 Tools | |
41373677 | Play | If and or When | 00:00 Tools | |
41373678 | Play | Blue Light Special | 00:00 Tools | |
41373679 | Play | Truth Decay | 00:00 Tools | |
41373680 | Play | Turpentine | 00:00 Tools | |
41373683 | Play | His Master's Voice | 00:00 Tools | |
41373681 | Play | Motherfuckers and Beans | 00:00 Tools | |
41373682 | Play | Tuesday Evening at the Dinner Table | 00:00 Tools | |
41373684 | Play | What Copernicus Heard | 00:00 Tools | |
41373685 | Play | ABC of Degeneracy | 00:00 Tools | |
41373687 | Play | The Parade | 00:00 Tools | |
41373686 | Play | Democratie | 00:00 Tools | |
41373688 | Play | Letter to Myself | 00:00 Tools | |
41373689 | Play | Spiritual Equivalent of Oxygen | 00:00 Tools | |
41373690 | Play | Meaning in Flames | 00:00 Tools | |
41373691 | Play | The Day the Police Stole the Bushes From Grandview Park | 00:00 Tools | |
41373692 | Play | R.S.D. 8100 Motions | 00:00 Tools | |
41373693 | Play | Walter | 00:00 Tools | |
41373694 | Play | Let's Call The Whole Thing Off | 00:00 Tools | |
41373696 | Play | All People Are Equal, But Some People Are More Equal Than Others | 00:00 Tools | |
41373695 | Play | Declaration of War | 00:00 Tools | |
41373697 | Play | Ed Anger | 00:00 Tools | |
41373699 | Play | Garlic for Victory | 00:00 Tools | |
41373698 | Play | 1 In 1000 | 00:00 Tools | |
41373700 | Play | Cranium Ache | 00:00 Tools | |
41373701 | Play | Author Unknown | 00:00 Tools | |
41373702 | Play | Faith Abuse | 00:00 Tools | |
41373703 | Play | Hypocrisis | 00:00 Tools | |
41373704 | Play | Synthetic Wonderland | 00:00 Tools | |
41373705 | Play | All or Nothing | 00:00 Tools | |
41373706 | Play | Dead Friends | 00:00 Tools | |
41373709 | Play | Salt | 00:00 Tools | |
41373707 | Play | Bend Yer Gender | 00:00 Tools | |
41373708 | Play | Quagga - Heat | 00:00 Tools | |
41373710 | Play | Kids | 00:00 Tools | |
41373715 | Play | Masters of War | 00:00 Tools | |
41373711 | Play | Democratie - French Version | 00:00 Tools | |
41373712 | Play | Flag+Flam | 00:00 Tools | |
41373713 | Play | Generated Generation | 00:00 Tools | |
41373716 | Play | Tuesday Afternoon at the Stock Exchange, Part 2 | 00:00 Tools | |
41373714 | Play | I Meant to Put My Foot Down but I Put it in My Mouth Instead | 00:00 Tools | |
41373717 | Play | Mal Tete | 00:00 Tools | |
41373718 | Play | Ubiquitous They | 00:00 Tools | |
41373719 | Play | Boo-Boo Skull | 00:00 Tools | |
41373720 | Play | Purchasing Power Of The Paranoid And Hopeless | 00:00 Tools | |
41373721 | Play | Flag + Flame = Fun | 00:00 Tools | |
41373722 | Play | Quagga / Heat | 00:00 Tools | |
41373723 | Play | Tuesday Afternoon at the Stock Exchange Part 2 | 00:00 Tools | |
41373724 | Play | Democratie (French Version) | 00:00 Tools | |
41373726 | Play | RSD 8100 Motions | 00:00 Tools | |
41373725 | Play | Quagga | 00:00 Tools | |
41373727 | Play | Quagga/Heat | 00:00 Tools | |
41373728 | Play | Tuesday Afternoon At The Stock Exchange, Part II | 00:00 Tools | |
41373730 | Play | tuesday afternoon at the stock exchange part ii | 00:00 Tools | |
41373729 | Play | Let's Cal the Whole Thing Off | 00:00 Tools | |
41373733 | Play | Sealed June 16, 1944 | 00:00 Tools | |
41373731 | Play | Tuesday Afternoon At The Stock Exchange, Part2 | 00:00 Tools | |
88358956 | Play | Last Surviving Crocodile - Original Mix | 00:00 Tools | |
41373732 | Play | The Day The Police Stole The B | 00:00 Tools | |
41373737 | Play | 1 In A 1000 | 00:00 Tools | |
41373735 | Play | tuesday afternoon at the stock exchange,Part2 | 00:00 Tools | |
41373736 | Play | ...foot down... | 00:00 Tools | |
41373734 | Play | lets call the whole thing off | 00:00 Tools | |
41373739 | Play | Boo | 00:00 Tools | |
41373738 | Play | some people are equal, but some people are more equal than others | 00:00 Tools | |
41373740 | Play | All People are Equal, but Some are More Equal Than Others | 00:00 Tools | |
41373741 | Play | The Ubiquitous "They" | 00:00 Tools | |
41373742 | Play | Tuesday Afternoon A The Stock Exchange, Part 2 | 00:00 Tools | |
41373743 | Play | Foot Down | 00:00 Tools | |
41373744 | Play | Tuesday Afternoon at th Stock Exchange, Part 2 | 00:00 Tools | |
41373745 | Play | Mal Tête | 00:00 Tools | |
41373746 | Play | Tuesday Afternoon At The Stock Exchange | 00:00 Tools | |
41373747 | Play | The Day The Police Stole The Bushes F | 00:00 Tools | |
41373748 | Play | Boo Boo Skull | 00:00 Tools | |
41373758 | Play | Last Surviving Crocodile/Deadpan | 00:00 Tools | |
41373749 | Play | Tuesday Afternoon at the Stock | 00:00 Tools | |
41373750 | Play | All People Are Equal, But Some | 00:00 Tools | |
41373751 | Play | 05 | 00:00 Tools | |
41373752 | Play | His Masters Voice | 00:00 Tools | |
41373753 | Play | All People Are Created Equal... | 00:00 Tools | |
41373754 | Play | 08 Submission Hold - Faith Abuse | 00:00 Tools | |
88358957 | Play | Tuesday Evening | 00:00 Tools | |
41373755 | Play | A.B.C. of Degeneracy | 00:00 Tools | |
41373756 | Play | Submission Hold - ...foot down... | 00:00 Tools | |
41373757 | Play | The Winter My Heart Froze | 00:00 Tools | |
41373759 | Play | Foot Down ... | 00:00 Tools | |
41373760 | Play | Last Surviving Crocodile (live) | 00:00 Tools | |
41373761 | Play | ABC Orf Degeneracy | 00:00 Tools |
Formed in 1993, Vancouver agit-punk band Submission Hold is now in its second decade of creating and disseminating provocative sounds and challenging dialogue. Fusing experimental punk sounds with free-improv, eastern folk, chamber music and radically political lyrics, Submission Hold has created a style all their own. Dubbed "post-genre" by Pop Matters magazine, Submission Hold has often been held in the same regard as bands like Fugazi, Sonic Youth and legendary Dutch noise-makers The Ex. Over the past eleven years Submission Hold has played in more than twenty countries, as well as every major Canadian city and many more smaller towns along the way. While maintaining the core group of vocalist Jen Throw-Up, guitarist Stephen Flach, bassist Andy Healey and Kenton Loewen on the drums, they have made many musical collaborations over the years. One long standing connection is with U.K. based flutist Kirsten Elliott. Elliott first appeared in 1997 on Submission Hold's "Progress (...as if survival mattered)" and is featured live and on record with the band, when her busy schedule permits. Other notable collaborations have been in the guise of the band's improvisational alter-ego, The Din. The Din is pure improvised music and tends to make rare appearances on Submission Hold tours. While retaining a DIY spirit, The Din has played with such internationally renowned players as the American percussionist Gino Robair (Tom Waits, John Zorn, Splatter Trio), local Vancouverite Ken Morrisson (Robert Reigle's Surrealestate) and in Aalborg, Denmark the group was honoured to be led by the avant guard Dutch conductor Gert-Jan Polderman, to name just a few. Submission Hold has over 15 official releases. Their music and ideas have been released on their own label, Allium, as well as the Goleta, California based Ebullition Records, England's Flat Earth, Civolentia Violenta from Argentina and Radio 1, a record label from Melbourne, Australia. Their records have also been re-released on small, independent labels from Indonesia to Poland to Brazil and many places in between. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.