Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84346794 | Play | Inferno | 00:00 Tools | |
84346795 | Play | Lust For A Vampire | 00:00 Tools | |
84346796 | Play | Lady Of The Dark | 00:00 Tools | |
84346797 | Play | Rosemary's Baby | 00:00 Tools | |
84346798 | Play | Black Bramford | 00:00 Tools | |
84346800 | Play | Thirteen | 00:00 Tools | |
84346799 | Play | Specimen 32 (Brain Intact) | 00:00 Tools | |
84346801 | Play | Drop Dead Gorgeous | 00:00 Tools | |
84346802 | Play | Dead Head (Necrofeelya-up!) | 00:00 Tools | |
84346803 | Play | Zombie Girl | 00:00 Tools | |
84346804 | Play | Bloodlust | 00:00 Tools | |
84346805 | Play | She's A Necrosexual | 00:00 Tools | |
84346806 | Play | Ginger Snaps | 00:00 Tools | |
84346807 | Play | Loneliness | 00:00 Tools | |
84346808 | Play | In My Dark World | 00:00 Tools | |
84346814 | Play | Graveyard Ghoul | 00:00 Tools | |
84346809 | Play | Mistress Damnation | 00:00 Tools | |
84346810 | Play | The Devil's Lovesong | 00:00 Tools | |
84346811 | Play | Whiplust | 00:00 Tools | |
84346813 | Play | Another Girl | 00:00 Tools | |
84346812 | Play | Hate | 00:00 Tools | |
84346815 | Play | Megaton | 00:00 Tools | |
84346816 | Play | Puppets For Christ | 00:00 Tools | |
84346817 | Play | Energy | 00:00 Tools | |
84346818 | Play | The Life For Me | 00:00 Tools | |
84346819 | Play | Marie Infinity | 00:00 Tools | |
84346820 | Play | Rege Satanas! | 00:00 Tools | |
84346822 | Play | Al-Azif (Necronomicon) | 00:00 Tools | |
84346821 | Play | The Stepford Wives | 00:00 Tools | |
84346823 | Play | Shannon Was A Psycho | 00:00 Tools | |
84346826 | Play | Lost In My Head | 00:00 Tools | |
84346824 | Play | Color My Rainbow Black | 00:00 Tools | |
84346827 | Play | Tenth Key Willed | 00:00 Tools | |
84346832 | Play | Pentagonal Revisionism | 00:00 Tools | |
84346828 | Play | Le Messe Noir | 00:00 Tools | |
84346834 | Play | Love In The Cemetery | 00:00 Tools | |
84346825 | Play | That Girl | 00:00 Tools | |
84346836 | Play | A Better World | 00:00 Tools | |
84346831 | Play | Under The Crescent Moon | 00:00 Tools | |
84346833 | Play | Nowhere To Go | 00:00 Tools | |
84346829 | Play | Nice Girls Don't Die! | 00:00 Tools | |
84346830 | Play | The Rats In The Walls | 00:00 Tools | |
84346835 | Play | Bus Ride | 00:00 Tools | |
84346839 | Play | Ziggy Stardust | 00:00 Tools | |
84346838 | Play | Punk Rock Heroes | 00:00 Tools | |
84346840 | Play | Satanic Revolution | 00:00 Tools | |
84346837 | Play | It's In My Belly | 00:00 Tools | |
84346841 | Play | Real Doll | 00:00 Tools | |
84346842 | Play | Ragnarok! | 00:00 Tools | |
84346845 | Play | Five Point Plan | 00:00 Tools | |
84346844 | Play | Devil Bitch | 00:00 Tools | |
84346843 | Play | Constipated Nation | 00:00 Tools | |
84346847 | Play | 1989 | 00:00 Tools | |
84346846 | Play | The Horror Never Ends | 00:00 Tools | |
84346848 | Play | The Charge (an invocation) | 00:00 Tools | |
84346849 | Play | Nice Girls Don't Die | 00:00 Tools | |
84346850 | Play | Sarah Alice is Dead! | 00:00 Tools | |
84346851 | Play | Mamma Mia | 00:00 Tools | |
84346853 | Play | The Black Pope | 00:00 Tools | |
84346852 | Play | I Can't Stop Listening To The Ramones | 00:00 Tools | |
84346854 | Play | The Attack of the Atomic Hooker | 00:00 Tools | |
84346855 | Play | ...And the World Goes 'Round | 00:00 Tools | |
88623202 | Play | Al-Jilwah | 00:00 Tools | |
84346877 | Play | Mail-Order Junkie | 00:00 Tools | |
84346856 | Play | Drop Dead Gorgeous! | 00:00 Tools | |
84346867 | Play | Allie Was A Scab | 00:00 Tools | |
84346858 | Play | P.C. Game | 00:00 Tools | |
84346859 | Play | Woe To The Vanquished | 00:00 Tools | |
84346871 | Play | Midnight In The Black House | 00:00 Tools | |
90304109 | Play | The Alien Elite | 00:00 Tools | |
84346869 | Play | The Devil's Henchmen | 00:00 Tools | |
84346870 | Play | Demonica | 00:00 Tools | |
84346862 | Play | Bubble Gum & Soda Pop | 00:00 Tools | |
84346875 | Play | Time | 00:00 Tools | |
84346864 | Play | Pan the Great | 00:00 Tools | |
84346865 | Play | Jerkface | 00:00 Tools | |
84346860 | Play | Love Bleeds Terror | 00:00 Tools | |
90304110 | Play | One in Darkness | 00:00 Tools | |
84346868 | Play | Scrunchy | 00:00 Tools | |
84346863 | Play | The Hallowed Eve | 00:00 Tools | |
84346857 | Play | The Horror Never Ends... | 00:00 Tools | |
84346866 | Play | Nu'uanu Nightmare | 00:00 Tools | |
84346861 | Play | Mamma Mia (Demo) | 00:00 Tools | |
90304111 | Play | Awakened | 00:00 Tools | |
90304112 | Play | Where Dead Things Lie | 00:00 Tools | |
84346872 | Play | The Time is Now! | 00:00 Tools | |
84346873 | Play | Baby's In Love | 00:00 Tools | |
90304113 | Play | Rhiannon | 00:00 Tools | |
90304114 | Play | Thinking of You | 00:00 Tools | |
90304115 | Play | Tonight | 00:00 Tools | |
90304116 | Play | Sometimes, Dead Is Better | 00:00 Tools | |
90304117 | Play | Green-Eyed Hamsters | 00:00 Tools | |
90304118 | Play | Cafeteria Woman | 00:00 Tools | |
84346874 | Play | Quintessentials-Inferno | 00:00 Tools | |
84346876 | Play | The Life For Me (Remastered) | 00:00 Tools | |
90304119 | Play | Under The Crecent Moon | 00:00 Tools |
The Quintessentials was founded in 1998 in Honolulu, Hawaii, by Les Hernandez, formerly of The Catalogs and Crawling Chaos. They released their first full-length album, "The Horror Never Ends...", in 2001, followed by their second, "Pentagonal Revisionism", in 2004. In 2005 The Quintessentials released their third full-length album, "Legends from the Grave," then released "Sarah Alice is DEAD!" in 2011. The album covers for both "Pentagonal Revisionism" and "Legends from the Grave" were featured in the History Channel documentary, "Hell: the Devil's Domain". The Quintessentials have appeared on numerous compilations from Hawaiian Express Records, "The Horror of it All, Volumes 2 & 3" (World Horror Network), "The Black House: a Tribute to Anton S. LaVey" (Black House Tribute Records), etc. In 2006 The Quintessentials relocated from Hawaii to Portland, Oregon, where they continue to melt faces off with their atomic sonic fire from Hell. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.