The Baba Brooks Band

Trackimage Playbut Trackname Playbut Trackname
Watermelon Man 02:49 Tools
Gun Fever 02:52 Tools
Teenage Ska 02:40 Tools
Guns Fever 02:52 Tools
Girls Town Ska 02:52 Tools
Vitamin A 00:00 Tools
Bank To Bank 00:00 Tools
One Eyed Giant 03:07 Tools
Nuclear Weapon 02:53 Tools
Baby Elephant Walk 02:53 Tools
The Weed (AKA Man Pyabba) 02:53 Tools
Independence Ska 02:33 Tools
Special Event 02:44 Tools
Bam Bam 02:53 Tools
Hooligans 02:44 Tools
Girl's Town Ska 02:50 Tools
'Mufridite 02:33 Tools
In The Park 02:50 Tools
Bank To Bank Part 1 02:07 Tools
Hard Time 02:07 Tools
First Session 00:00 Tools
Duck Soup 03:07 Tools
Bank To Bank - Part 1 02:06 Tools
Gun Fever - Baba Brooks Band 02:53 Tools
Western Flyer 02:55 Tools
Mad World 02:53 Tools
Bank to Bank - Pt. 1 02:07 Tools
Seven Guns Alive 03:16 Tools
Twilight Zone 02:07 Tools
Musical Workshop 02:17 Tools
Faberge 02:07 Tools
Alcatraz 02:55 Tools
Teenage Ska - Original 02:07 Tools
Smokey Ska - Take 1 02:19 Tools
King Size 03:16 Tools
The Scratch 02:55 Tools
Guns Fever - Take 2 02:55 Tools
Froggy 02:19 Tools
Bank To Bank (Part 1) 02:06 Tools
Seven Guns Alive (feat. Lynn Tait) 03:13 Tools
Smokey Ska (Take 1) 03:13 Tools
Magnificent Ska 02:19 Tools
Water Melon Man 02:50 Tools
Music Communion 02:50 Tools
River Bank 02:50 Tools
Country Town 02:50 Tools
Blues 02:19 Tools
Independence Ska - Original 03:13 Tools
Bank to Bank - Pt. 1 - Baba Brooks' Band 03:13 Tools
Renegade 03:13 Tools
Guns Fever (Take 2) 02:19 Tools
Flames in the Street 02:19 Tools
Telling Me Lies 02:19 Tools
The Clock 02:19 Tools
County Town 03:02 Tools
Gun Fever 1964 02:19 Tools
Independent Ska 02:19 Tools
I Am In Love 02:19 Tools
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Oswald Baba Brooks started his musical career as a trumpet player with the Eric Dean Orchestra in Jamaica in the 1950's. The Jamaican bands played mostly Folk, Afro, Jazz, they played at clubs, big hotels and sometimes on local radio. This was an exciting scene at the time but began to die out towards the end of the fifties. Band members began to move into the recording studios in Kingston that were emerging at the time with the advent of the Sound System. The records that were produced kept the musicians well employed. Most big bands began to die out and only a few managed to survive into the sixties and beyond. One such band was Byron Lee, they became the Islands premire band and established many talented musicians including Baba Brooks. He soon became a popular session man working for many of the top record producers and featured on many of the great Ska tracks during the golden period from 1963 - 1967. He was riding high in 63' with three hits in the Jamaican charts, Musical Communion, Bank To Bank and his version of Watermelon Man. This was a year before the Skatalies had been formed as a band, with whom he was to play on many occasions. With Duke Reid he had many records released on his Treasure Isle/Dutchess labels. Teenage Ska was a brilliant driving ska beat track in his instrumental style. He had a habit of using a voice over intro calling out the name of the tune as on Seven Guns Alive, Girls Town Ska, Guns Fever & One Eyed Giant. On Alcatraz Count Machuki spoke the catchphrases/lyrics in the DJ style, to great effect. Other producers he worked for were King Edwards, which produced Shank I Sheck another early Ska track. With Lindon Pottinger he had half a dozen releases on the LOP label (some not issued in the UK). Later he was to arrange sessions for his wife Sonia Pottinger for her Gay Feet and High Note record labels. He found himself working in familiar surroundings as they were held at Duke Reids Treasure Isle studio on Bond Street. One of his best instrumentals was First Session, issued on GayFeet in 1966. He only had one other chart hit with This is Thunder in 1966. Most of his instruments were written by himself or in partnership with fellow musicians such as Don Drummond. During the Ska golden period he played along side all the greats, Roland Alphonso, Don Drummond, Tommy McCook, Lester Sterling, Johnny Moore, Gladstone Anderson and Jackie Mittoo. It does seem strange that he did not record for C.S.Dodd or have any records released on his Studio One labels. He would appear not to have had any more releases after 1969. He never had an album in his own right, however, he did feature as part of a double billing on more than one album, most notably with Prince Buster on What A Hard Man Fe Dead. He has not to date had his own CD issued despite the wealth of good materials that would fill many CD's. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.