The International Submarine Band

Trackimage Playbut Trackname Playbut Trackname
Blue Eyes 00:00 Tools
Luxury Liner 00:00 Tools
Strong Boy 00:00 Tools
A Satisfied Mind 00:00 Tools
I Still Miss Someone 00:00 Tools
I Must Be Somebody Else You've Known 00:00 Tools
Miller's Cave 00:00 Tools
Do You Know How It Feels to Be Lonesome? 00:00 Tools
Truck Drivin' Man 00:00 Tools
Knee Deep in the Blues 00:00 Tools
Folsom Prison Blues/That's All Right 00:00 Tools
I Must Have Been Somebody Else You've Known 00:00 Tools
Do You Know How It Feels To Be Lonesome 00:00 Tools
Folsom Prison Blues / That's All Right 00:00 Tools
Millers Cave 00:00 Tools
Sum Up Broke 00:00 Tools
Sum Up Broke - Single Version 00:00 Tools
One Day Week 00:00 Tools
Sum Up Broke (Single Version) 00:00 Tools
One Day Week - Single Version 00:00 Tools
One Day Week (Single Version) 00:00 Tools
I Must Be Somebody Else You´ve Known 00:00 Tools
Miller´s Cave 00:00 Tools
Knee Deep In The Blues (Originaly Unissued) 00:00 Tools
Folsom Prison Blues, That´s Alright 00:00 Tools
Truck Driving Man 00:00 Tools
Folsom Prison Blues_That's All Right 00:00 Tools
Folsom Prison Blues & That's All Right 00:00 Tools
Sum Up Broke [Single Version] 00:00 Tools
One Day Week [Single Version] 00:00 Tools
folsom prison blues - That's All Right 00:00 Tools
Truck Drivin’ Man 00:00 Tools
Folsom Prisom Blues 00:00 Tools
Knee Deep In Blues (previously unissued) 00:00 Tools
Folsom Prison Blues 00:00 Tools
Knee Deep In The Blues (Originally Unissued) 00:00 Tools
Strong Boy [Album Version] 00:00 Tools
Knee Deep in the Blues [Originally Unissued] 00:00 Tools
Truck Drivin' Man [Album Version] 00:00 Tools
And Thst´s All Right 00:00 Tools
Knee Dee in The Blues [Bonus] 00:00 Tools
Folsom Prison Blues / That's Alright, Mama 00:00 Tools
04 Folsom Prison Blues - That's All Right 00:00 Tools
Knee Deep In The Blues (Bonus Track) 00:00 Tools
Knee Deep In The Blues (bonus, originally unissued) 00:00 Tools
Medley: Folsom Prison Blues/That's All Right, Mama 00:00 Tools
Blue Eyes-(International Submarine Band) 00:00 Tools
Luxury Liner-(International Submarine Band) 00:00 Tools
I Must Be Somebody Else You've Known-(International Submarine Band) 00:00 Tools
Sum Up Broke (The International Submarine Band) 00:00 Tools
Do You Know How It Feels To Be Lonesome-(International Submarine Band) 00:00 Tools
Folsom Prison Blues & That's A 00:00 Tools
Knee Deep In The Blues-(International Submarine Band) 00:00 Tools
I Must Be Someone Else You've Known 00:00 Tools
That's All Right 00:00 Tools
One Day Week (The International Submarine Band) 00:00 Tools
Truck Drivin' Man (Album Version) 00:00 Tools
The Strong Boy 00:00 Tools
That's Alright 00:00 Tools
The Miller's Cave 00:00 Tools
November Nights 00:00 Tools
Medley - Folsom Prison Blues, That´s Alright 00:00 Tools
Miller's Cave-(International Submarine Band) 00:00 Tools
Folsom Prison Blues/That's All Right, Mama 00:00 Tools
I Must Be Somebody Else You´v 00:00 Tools
You're Still On My Mind 00:00 Tools
Somebody Else You've Known 00:00 Tools
i must have been 00:00 Tools
Blue Eyes (Album Version) 00:00 Tools
And That's All Right 00:00 Tools
Folsom Prison Blues, That´s A 00:00 Tools
Miller’s Cave 00:00 Tools
Luxury Liner (Album Version) 00:00 Tools
I Must Be Somebody Else You've 00:00 Tools
Knee Deep In The Blues (Origi 00:00 Tools
Folsom Prison Blues And That's All Right 00:00 Tools
Folsom Prison Blues / That's Alright 00:00 Tools
I Must Be Somebody Else You’ve Known 00:00 Tools
Knee Deep In The Blues (Previously Un-Released) 00:00 Tools
Strong Boy (Album Version) 00:00 Tools
01 - Blue Eyes 00:00 Tools
Gram Parsons-International Submarine Band-Strong Boy 00:00 Tools
Cadillac Poor 00:00 Tools
Folsom Prison Blues-That's Allright Mama 00:00 Tools
And Thst's All Right 00:00 Tools
Why Don't You Love Me Like You Used To Do 00:00 Tools
High Country 00:00 Tools
The Way You Used to Do 00:00 Tools
03 - A Satisfied Mind 00:00 Tools
06 - I Still Miss Someone 00:00 Tools
Just Can't Take It Anymore 00:00 Tools
Folsom Prison Blues And: That's All Right 00:00 Tools
Knee Deep In The Blues [Bonus] 00:00 Tools
And That´s All Right 00:00 Tools
AStrong Boy 00:00 Tools
Don't Kick the Jukebox 00:00 Tools
Just Can't Take It Anymore - Gram Parsons And The International Subma Rine Band 00:00 Tools
Feel a Whole Lot Better 00:00 Tools
Monster's Holiday 00:00 Tools
Memphis Song 00:00 Tools
Folsom Prison Blues That's All Right 00:00 Tools
07 - Luxury Liner 00:00 Tools
02 I Must Have Been Somebody Else Yo 00:00 Tools
Folsom Prison Blues/That's All 00:00 Tools
November Nights - Gram Parsons And The International Submarine Band 00:00 Tools
Give Me Some Credit 00:00 Tools
Miller's Cove 00:00 Tools
The Russians Are Coming 00:00 Tools
3-I Must Have Been 00:00 Tools
09 - Do You Know How It Feels To Be Lonesome 00:00 Tools
08 - Strong Boy 00:00 Tools
Truck Drivin' Man (The International Submarine Band) 00:00 Tools
Sum Up Spoke 00:00 Tools
Folsom Prison Blues And: That’s All Right 00:00 Tools
Gram Parsons-International Submarine Band-One Day Week 00:00 Tools
Gram Parsons-International Submarine Band-Sum Up Broke 00:00 Tools
04 Folsom Prison Blues - That's All 00:00 Tools
I MUST HAVE BEEN SOMEBODY ELSE YOU'VE KN... 00:00 Tools
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The International Submarine Band was formed by country rock pioneer Gram Parsons and John Nuese, a guitar player for local rock group, The Trolls. Nuese is largely credited with having persuaded Parsons to pursue the country-rock sound he would later be remembered for when the two first started The International Submarine Band ("ISB"). Parsons' work with the band predates his better known ventures with The Byrds and The Flying Burrito Brothers, and with the Fallen Angels with Emmylou Harris. In 1965, Parsons enrolled at Harvard University to study theology. Never a serious student, Parsons immediately set about establishing himself as a presence on the local folk music scene. Parsons' first band, which he named The Like, featured only Parsons and students from the Berklee College of Music. Given that Parsons was interested in pursuing a career as a folksinger at this time, his bandmates' jazz training proved incompatible with Parsons's musical aspirations. The group disbanded late in 1965, when Parsons met John Nuese, a guitarist with another local group called the Trolls, who convinced the singer to pursue an explicit country rock sound. According to Nuese: "I was the only one with experience playing and listening to a lot of country music. Gram, who had been exposed to country music during his formative years, was doing commercial folk music. It was my influence that turned him onto country music." Sufficiently impressed with what he heard, and more interested in "chasing tail and dropping LSD" than completing his degree, Parsons dropped out of Harvard before his first semester was over. Immediately, Parsons and Nuese formed "The International Submarine Band", named after an old Our Gang comedy routine in which kids auditioned for a radio programmed as "The International Silver String Submarine Band." Featuring Parsons on guitar and vocals, Ian Dunlop on bass and Mickey Gauvin on drums, the "ISB" failed to make a lasting impression on either the Top 40 Pop or Country charts with any of their recordings, though they are largely considered to be one of the most influential pioneer country rock groups. In early 1966, the "ISB" moved to New York City, where they lived in a house purchased through Parsons' large trust-fund. While in New York, the ISB recorded two singles for Goldstar Records, and an album which went unreleased and was eventually lost. The group's first release, a single in April 1966 called "The Russians Are Coming, The Russians Are Coming", was a largely forgettable cover of Johnny Mandel's tune of the same name composed for the eponymous Norman Jewison film. On the B-side, however, was the group's raucous cover of a Buck Owens song, namely, "Truck Driving Man", their recording now largely considered the first country rock recording.[citation needed] Later that same year, Goldstar released another single, featuring "Sum Up Broke" — a collaborative effort between Parsons (lyrics) and Nuese (music) — on the A-side, and Parsons' "One Day Week" on the flip side. Undaunted by his failure to achieve overnight commercial success with the "ISB", Parsons began to consider moving the group to Los Angeles, spurred on by child actor Brandon deWilde's promise that he could get the group appearances in films. In November, Parsons headed out to Los Angeles' Laurel Canyon district on a scouting trip; while there, he stole Nancy Ross away from David Crosby, and began a torrid love affair with the aspiring film star. After Ross promised to find Parsons and the "ISB" official representation in Los Angeles, Parsons convinced the group to move there later in the year. As was his custom, Parsons used his trust-fund money to purchase a house for his band, while he stayed in a rented apartment with Ross. Introduced by DeWilde to Peter Fonda, Parsons convinced Fonda to advocate a cameo for the "ISB" on Roger Corman's psychedelic film, The Trip, in which Fonda was starring at the time. The "ISB" recorded "Lazy Days" for the film, but the song was eventually rejected; it was replaced with music by The Electric Flag, though the "ISB" still appeared on screen. Frustrated by his inability to find commercial success with the "ISB", Parsons soon took to playing honky-tonks in the Los Angeles area with his friend, Bob Buchanan (co-author of "Hickory Wind"), and eventually decided to focus exclusively on country music. Almost immediately after Parsons informed them of his new country focus, Ian Dunlop and Mickey Gauvin left the "ISB", forming a group called The Flying Burrito Brothers. The split was amicable: Parsons played the group's first gig. [edit]ISB version 2: 1967-1968 Only days before the "ISB" officially split, Suzi Jane Hokom, a would-be record producer from the area, observed a rehearsal. Impressed, Hokom convinced her boyfriend, Lee Hazlewood, owner of LHI Records, to sign the post-breakup Parsons and Nuese to an exclusive contract as the "ISB". Immediately, Parsons and Nuese began their search for musicians to complete the band. Jon Corneal, a drummer from an earlier Parsons band, answered the call, though he was making a good living playing as a session musician in Nashville. Three session musicians were hired to augment the threesome: Joe Osborn on bass, Earl Ball on piano and Jay Dee Maness on pedal steel. The newly re-formed "International Submarine Band" recorded their first single in July 1967, under the watchful gaze of producer Hokom: two Parsons compositions, "Luxury Liner" and "Blue Eyes". Four months later, in November 1967, the same group, plus newcomer Chris Ethridge on bass, entered the studio to record what would become the band's only full length release, Safe at Home. Two more Parsons originals made the album: "Do You Know How It Feels To Be Lonesome" and "Strong Boy". Though Safe at Home was finished by December 1967, the ISB's debut LP went unreleased for several months. Parsons left the group in February 1968, to join The Byrds to record their Sweetheart of the Rodeo album. Lee Hazelwood was unhappy with Parsons' decision and retained ownership of the name "International Submarine Band". Hazlewood attempted to prevent Parsons' vocal tracks from appearing on the Sweetheart of the Rodeo album.[2] While these legal issues were addressed by the time of the album's release, Parsons vocals were removed from several songs and replaced by vocals by Roger McGuinn; ultimately Parsons' lead vocals graced three songs on the album: "You're Still on My Mind", "Life in Prison" and "Hickory Wind".[2] The ISB's only full length release, Safe at Home, was not released by LHI until the spring of 1968, when the group had officially ceased to exist. Nonetheless, ISB's only album, Safe at Home, is now regarded a groundbreaking album of the country rock genre. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.