The Leather Boy

Trackimage Playbut Trackname Playbut Trackname
On the go 00:00 Tools
I'm a Leather Boy 00:00 Tools
Shadows 00:00 Tools
Soulin' 00:00 Tools
Shadows - the leather boy 00:00 Tools
On the Go (Motorcycle Leather Boy Riff) 00:00 Tools
I'm A Leather Boy (MGM 13724) USA 1967 (more information required) 00:00 Tools
You Gotta Have Soul 00:00 Tools
What Sisters Do 00:00 Tools
I'm a Leather Boy - the leather boy 00:00 Tools
On The Go (Motorcycle Leather Boy) 00:00 Tools
Soulin 00:00 Tools
Soulin' (New York, NY, U.S.A.) 00:00 Tools
  • 7,799
    plays
  • 2,211
    listners
  • 7799
    top track count

a.k.a Milan Rodelle...thank you for getting it. long live The Leather Boy! Milan (also known as The Leather Boy) (born December 15, 1941 in Belgrade, Yugoslavia; died March 14, 1971 in New York City) was an enigmatic producer, songwriter and recording artist on numerous songs made throughout the 1960s, mostly though not exclusively in the garage rock genre. He released an LP and numerous singles for seven different national record labels and other independent labels (a total of more than 30 songs) under a variety of names: Milan with His Orchestra, Milan, The World of Milan, Milan (The Leather Boy), and The Leather Boy.[1] Additionally, as the producer, arranger and/or songwriter, Milan oversaw many other releases by a variety of artists ranging from the pop singer Lou Christie, to the bubblegum pop band Ice Cream, to the psychedelic rock band the Head Shop. Greg Shaw thought enough of Milan to place his song "I'm a Leather Boy" as the opening track on two different albums in the Pebbles series: the Pebbles, Volume 10 CD and the earlier Pebbles, Volume 11 LP (which was also the first album to be released on his AIP record label). He has written of Milan as being "a cryptic artist who made a series of high image records offering himself as some leather-clad, bike-riding rebel, but so stylized he might've been imagined by Andy Warhol. . . . The only name to be found on these records is Milan, a name that also shows up as writer/producer on a big pile of records, from the early 60s right thru the end of the decade. . . . But who was he? No further clue has ever emerged. This is one guy whose story really cries out to be told."[2] In the promotional material for the 2009 retrospective album Hell Bent for Leather, Milan is described in this way: "From his earliest incarnation in the record industry as a Xmas twister, the enigmatic Milan has changed his name and re-invented himself several times: a teen idol with a cute hairdo and a preppy look, a garage gonzo savage, an all dressed-in-black biker stud, a psychedelic screamer in love with satellite sounds, and other characters known or waiting to be discovered. One thing is for sure: Few people can claim so many identities in less than a decade."[3] Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.