Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
42340848 | Play | Jefferson & Liberty | 00:00 Tools | |
42340849 | Play | When The Levee's Gone | 00:00 Tools | |
42340850 | Play | Train 45 | 00:00 Tools | |
42340851 | Play | Goodbye (I've Seen It All) | 00:00 Tools | |
42340852 | Play | Hey Little Darlin | 00:00 Tools | |
42340853 | Play | Broken Down Gambler | 00:00 Tools | |
42340854 | Play | Old Dirty Boot | 00:00 Tools | |
42340855 | Play | Honky Tonk Habit | 00:00 Tools | |
42340856 | Play | Ordinary People | 00:00 Tools | |
42340858 | Play | Goat Creek | 00:00 Tools | |
42340857 | Play | My Final Plea | 00:00 Tools | |
42340859 | Play | Wild Old Nory | 00:00 Tools | |
42340860 | Play | Get Up Kid | 00:00 Tools | |
42340861 | Play | Happy That Way | 00:00 Tools | |
42340865 | Play | Squirrel Hunters | 00:00 Tools | |
42340862 | Play | Collard Greens | 00:00 Tools | |
42340863 | Play | Won't You Sometimes Think Of Me | 00:00 Tools | |
42340868 | Play | Sittin' on a Jury: the Prosecution | 00:00 Tools | |
42340869 | Play | Hallelujah I'm Ready | 00:00 Tools | |
42340864 | Play | Rock in the Woods | 00:00 Tools | |
42340866 | Play | Someone's Got To Pay | 00:00 Tools | |
42340867 | Play | (An Old Murder Ballad Come to Life) | 00:00 Tools | |
42340870 | Play | Sittin' on a Jury: Prologue | 00:00 Tools | |
42340871 | Play | Sorry I Let You Down | 00:00 Tools | |
42340872 | Play | (Raised Up My Right Hand) | 00:00 Tools | |
42340874 | Play | Jenny on the Railroad | 00:00 Tools | |
42340873 | Play | Sittin' on a Jury: the Defense | 00:00 Tools | |
42340882 | Play | Going Across the Sea | 00:00 Tools | |
42340875 | Play | (Hey Mr. Judge) | 00:00 Tools | |
42340876 | Play | (Davey Took a Gun and Killed His Wife) | 00:00 Tools | |
42340879 | Play | This Old Town | 00:00 Tools | |
42340877 | Play | Drivin' Nails in My Coffin | 00:00 Tools | |
42340880 | Play | Belshazzar | 00:00 Tools | |
42340878 | Play | Sittin' on a Jury: The Verdict | 00:00 Tools | |
42340881 | Play | Settin' The Woods On Fire | 00:00 Tools | |
42340884 | Play | Kansas City Railroad Blues | 00:00 Tools | |
42340883 | Play | Riding On Your High Horse | 00:00 Tools | |
42340898 | Play | No. 7 | 00:00 Tools | |
42340886 | Play | Sittin' on a Jury: Epilogue | 00:00 Tools | |
42340885 | Play | She Says (I Say) | 00:00 Tools | |
42340887 | Play | Hey Little Darlin' | 00:00 Tools | |
42340888 | Play | When I Get To Heaven | 00:00 Tools | |
42340889 | Play | Try Doing Right | 00:00 Tools | |
42340892 | Play | Kansas City Star | 00:00 Tools | |
42340890 | Play | Jawbone | 00:00 Tools | |
42340894 | Play | January Waltz | 00:00 Tools | |
42340891 | Play | It'll Never Be Thru With Us (Until It's Thru With You) | 00:00 Tools | |
42340893 | Play | Mid November | 00:00 Tools | |
42340895 | Play | Night Train To Memphis | 00:00 Tools | |
42340897 | Play | Old Leather Bonnet With A Hole In The Crown | 00:00 Tools | |
42340896 | Play | The Blues Come Around | 00:00 Tools | |
42340901 | Play | Too Much Water | 00:00 Tools | |
42340899 | Play | Together Apart | 00:00 Tools | |
42340900 | Play | Oklahoma Run | 00:00 Tools | |
42340902 | Play | Stay With Me | 00:00 Tools | |
42340907 | Play | Noah Found Grace in the Eyes of the Lord | 00:00 Tools | |
42340905 | Play | On the Wings of a Dove | 00:00 Tools | |
42340904 | Play | Things They Say About Home | 00:00 Tools | |
42340903 | Play | Pat's 25 | 00:00 Tools | |
42340906 | Play | Riverboat | 00:00 Tools | |
42340910 | Play | Hawk's Gotta Chicken and Flew In the Woods | 00:00 Tools | |
42340908 | Play | Sally Ann | 00:00 Tools | |
42340909 | Play | Once More | 00:00 Tools | |
42340911 | Play | When the Stars Begin to Fall | 00:00 Tools | |
42340913 | Play | Trials, Troubles, Tribulations | 00:00 Tools | |
42340912 | Play | L.A. | 00:00 Tools | |
42340917 | Play | The Great Speckled Bird | 00:00 Tools | |
42340914 | Play | I'm Gonna Find Her | 00:00 Tools | |
42340916 | Play | Are You Washed In The Blood Of The Lamb? | 00:00 Tools | |
42340918 | Play | Hawk's Got A Chicken And Flew In The Woods | 00:00 Tools | |
42340915 | Play | Lay Down Our Guns | 00:00 Tools | |
42340919 | Play | In the Garden | 00:00 Tools | |
42340921 | Play | That Old Time Religion | 00:00 Tools | |
42340920 | Play | I'll Never Be Thru With Us (Until It's Thru With You) | 00:00 Tools | |
42340922 | Play | How Mountain Girls Can Love (Live at KEXP Seattle) | 00:00 Tools | |
42340923 | Play | 'Tis Midnight and on Olive's Brow | 00:00 Tools | |
42340925 | Play | Honky Tonk Habit (Live at KEXP Seattle) | 00:00 Tools | |
42340926 | Play | Farther On | 00:00 Tools | |
42340924 | Play | Milwaukee Blues | 00:00 Tools | |
42340927 | Play | Rabbit Up A Gum Stump | 00:00 Tools | |
42340928 | Play | Make Room in the Lifeboat | 00:00 Tools | |
42340929 | Play | The Fourth Man in the Fire | 00:00 Tools | |
42340931 | Play | Brighten the Corner Where You Are | 00:00 Tools | |
42340930 | Play | Brown's Dream | 00:00 Tools | |
42340932 | Play | I'd Rather Be An Old-Time Christian / Waiting For The Boatman | 00:00 Tools | |
42340933 | Play | How Mountain Girls Can Love - Live at KEXP Seattle | 00:00 Tools | |
42340934 | Play | Lonesome Old River Blues | 00:00 Tools | |
42340937 | Play | I'm a Long Gone Daddy | 00:00 Tools | |
42340935 | Play | Untitled - Bonus Track | 00:00 Tools | |
42340936 | Play | Honky Tonk Habit - Live at KEXP Seattle | 00:00 Tools | |
42340938 | Play | Belshazzah | 00:00 Tools | |
42340939 | Play | Skid Row | 00:00 Tools | |
42340940 | Play | Honky Tonk Mind | 00:00 Tools | |
42340942 | Play | Bringing in the Georgia Mail | 00:00 Tools | |
42340941 | Play | Sittin' on a Jury | 00:00 Tools | |
42340944 | Play | Ida Red | 00:00 Tools | |
42340943 | Play | There's A Higher Power (Bonus Track) | 00:00 Tools | |
42340950 | Play | I'd Rather Be An Old-Time Christian/Waiting For The Boatman | 00:00 Tools | |
42340945 | Play | Ida Red (Bonus Track) | 00:00 Tools | |
42340946 | Play | Swamp Cat Rag | 00:00 Tools | |
42340947 | Play | Molly Put the Kettle On | 00:00 Tools | |
42340948 | Play | Fireball Mail | 00:00 Tools | |
42340949 | Play | Daydreaming | 00:00 Tools | |
42340951 | Play | White House Blues | 00:00 Tools | |
42340952 | Play | Keep My Skillit Good & Greasy | 00:00 Tools | |
42340953 | Play | Honky Tonk Blues | 00:00 Tools | |
42340964 | Play | Blues Come Around | 00:00 Tools | |
42340954 | Play | Rabbit Up a Gum Stump (Bonus Track) | 00:00 Tools | |
42340955 | Play | Rye Straw | 00:00 Tools | |
42340956 | Play | Black Eyed Susie | 00:00 Tools | |
42340957 | Play | Half as Much | 00:00 Tools | |
42340958 | Play | Shine, Shave, Shower | 00:00 Tools | |
42340959 | Play | Cash on the Barrelhead | 00:00 Tools | |
42340960 | Play | Keep My Skillet Good and Greasy - Bonus Track | 00:00 Tools | |
42340961 | Play | Battle Of New Orleans | 00:00 Tools | |
42340962 | Play | Arkansas Shiek | 00:00 Tools | |
42340977 | Play | Keep My Skillet Good and Greasy | 00:00 Tools | |
42340963 | Play | Great Speckled Bird | 00:00 Tools | |
42340965 | Play | Don't Let Your Deal Go Down | 00:00 Tools | |
42340966 | Play | Righten That Wrong | 00:00 Tools | |
42340967 | Play | Georgia Mail | 00:00 Tools | |
42340968 | Play | Keep My Skillet Good and Greasy (Bonus Track) | 00:00 Tools | |
42340969 | Play | Give the Fiddler a Dram | 00:00 Tools | |
42340970 | Play | Angel Band (Bonus Track) | 00:00 Tools | |
42340971 | Play | Over in the Gloryland | 00:00 Tools | |
42340972 | Play | Rabbit Up a Gum Stump - Bonus Track | 00:00 Tools | |
42340973 | Play | Freight Train Blues | 00:00 Tools | |
42340974 | Play | Ida Red - Bonus Track | 00:00 Tools | |
42340975 | Play | Who Thought the Railroad Wouldn't Last | 00:00 Tools | |
42340976 | Play | Molly Put the Kettle On/ V8 Blues | 00:00 Tools | |
42340988 | Play | How Mountain Girls Can Love | 00:00 Tools | |
42340978 | Play | Low & Lonely | 00:00 Tools | |
42340979 | Play | Robinson County | 00:00 Tools | |
88370190 | Play | (Raised My Right Hand) | 00:00 Tools | |
42340980 | Play | ALFIE | 00:00 Tools | |
42340981 | Play | Angel Band - Bonus Track | 00:00 Tools | |
42340982 | Play | Sleepy Eyed John | 00:00 Tools | |
42340983 | Play | There's A Higher Power | 00:00 Tools | |
88370191 | Play | Walk On By | 00:00 Tools | |
42340991 | Play | There's A Higher Power - Bonus Track | 00:00 Tools | |
42340984 | Play | hawks got a chicken and flew into the woods | 00:00 Tools | |
42340985 | Play | Untitled | 00:00 Tools | |
42340986 | Play | 4th Man in the Fire | 00:00 Tools | |
42340987 | Play | Jennie On the Railroad w/ Adam Tanner & John Hermann | 00:00 Tools | |
42340989 | Play | Blue Yodel #1 (T for Texas) | 00:00 Tools | |
42340990 | Play | Jawone | 00:00 Tools | |
42340992 | Play | Bound To Ride | 00:00 Tools | |
42340993 | Play | Old Man at the Mill w/ Adam Tanner & John Hermann | 00:00 Tools | |
42340994 | Play | The Church in the Wildwood | 00:00 Tools | |
42340995 | Play | The Battle Of New Orleans | 00:00 Tools | |
42340996 | Play | Ragtime Annie | 00:00 Tools | |
42340997 | Play | Bull Shoals | 00:00 Tools | |
42340998 | Play | BHMTCJ | 00:00 Tools | |
42340999 | Play | God Made Me - A Little Crazy | 00:00 Tools | |
42341000 | Play | V8 Blues | 00:00 Tools | |
42341001 | Play | Girl You Want | 00:00 Tools |
Wilders Descriptive Bio Wilders Descriptive Bio Educated Hillbillies, The Phantom Drummer, and the Relentless Acoustic Decibels of a Commando Jam: The Wilders Live Up to Their Name on Someone’s Got to Pay When hillbilly band The Wilders first named themselves, they didn’t realize the moniker itself was a bit of old-time snake oil; less of a description, and more a prediction. The foursome also didn’t know they had the power to invoke a fifth paranormal band member now known as the Phantom Drummer. But this is just what comes to light on their new album, Someone’s Got to Pay, an Americana album sequenced around a real life murder trial (or as the lyrics say, “An old murder ballad come to life”) and filled out with original tracks that conjure up small town crazies and wrecked lives. But don’t let the dark subject matter fool you. The Wilders just got wilder and the music is more engaging then ever. The Wilders—with a musical soul that lies in the Ozarks—have been heading this way for quite a while. There are the dobro and banjo, old-time fiddle tunes, and allegiances to Hank Williams and Johnny Cash. There are the old-time songs, heartbreak, and hard-driving honky tonk subject matter. But out of necessity the Americana band’s early days required drastic measures that set them on a raucous and innovative course. “We got a lot of gigs in the early days doing what we call the Commando Jam,” explains guitarist and lead singer Ike Sheldon. They would go to a festival they wanted to play, among dozens of bands jamming for attention in the lobby. “We would set up and just wait. There’s always a moment when nobody else was playing and when it would happen we would just say, ‘Go!’ We’d play the loudest, most heinous fiddle tune. Everyone would think, ‘What the hell is going on over there?’ It was totally commando, like sneaking around and pulling out the machine gun and mowing people down with music. You can’t just be strumming in the corner. You gotta make noise. That’s how we would get a lot of contacts. That’s one reason we play like that.” They recently came to the conclusion that to get the wild sound fans see in their live performances on record, they had to do some counterintuitive things, as a live recording does not necessarily translate a live sound. In a live setting, you can see and feel the energy. But on a recording you have to ramp up the energy levels in other ways. For the first time, the band has included a drummer on the album. And bassist Nate Gawron plays electric on this album on several tracks—something never heard before on a Wilders album. In addition, they used overdubbing to create more layers and complexity. “We’re not becoming an electric band, but it’s time we take this opportunity to do things we never could do before,” says fiddle player Betse Ellis. When they started the group, band members listened to a lot of early country music, old-time music from the ’20s and ’30s, and early honky tonk. “There’s a good maxim in art,” explains Ike. “You shouldn’t really break the rules until you know the rules. Look at Picasso; the dude was absolutely amazing. He could draw anything perfectly, very detailed and realistic. That’s how he could move on to other things. We said ‘If we are gonna play country music, let’s learn what makes it tick.’ And now that we know, we are reaping the benefits; we can throw the rules out the window. If you want straight Hank Williams, we can do it right. But don’t give me any shit for being just like a rock and roller and totally twisting it around.” While the band already had high energy on stage, when bass player Nate joined the band the intensity and groove was bumped up a notch, egging the rest of the players on to play even faster and harder. One day when The Wilders were in the studio, guitarist Sam Broussard (of Steve Riley and the Mamou Playboys) dropped by. Upon meeting Ike he said, “Are you the guitar player?” to which Ike replied, “Yes.” “Well,” said Broussard, “you ain’t much of a guitar player, but you’re a hell of a drummer!” He went on to say, “There’s all these bluegrass guys who say ‘We don’t need drums.’ Well they’re wrong. Someone’s playing drums in every band. It doesn’t have to be on a drum. You guys got a good one going on!” On their new recording, Glenn Fields from the Red Stick Ramblers guest stars on the drum kit, but the majority of the time, the band is without a real live percussionist… in the traditional sense, that is. “When we get the rhythm going, Nate and I say, the Phantom Drummer shows up,” says Ike. “A guy came up to us after one concert and said, ‘I called my son and told him how great you were. He asked what instruments you were playing and I said, ‘Well, fiddle, banjo, a drummer… Actually I’m not sure if they had a drummer.’ Do you guys have a drummer? It sure sounds like you had one.’ We’ve only got a Phantom Drummer when we all hook up and make that imagined fifth member driving the beat. Our solos and singers are all great, but rhythm is job one. It has to move your ass. If your rhythm sucks, your band sucks. When it’s working right and the Phantom Drummer appears, the band plays itself.” All of the album material is original, with the exception of one traditional fiddle tune, “Broken Down Gambler,” from The Skillet Lickers. Betse Ellis’s original hair-raising fiddle tunes soulfully capture the essence of the old-time genre but also channel the spirit of her childhood heroes like Pete Townsend and Jimmy Page. Betse has found a way to balance these influences; traditional fiddlers inspire her playing as do those rock legends. “We’re doing whatever we want and that’s what’s really exciting for us,” concludes Ike. “This ain’t sitting on the front porch rocking chair music. We play hillbilly music and we nock the shit out of it. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.