The Paradise Motel

The Paradise Motel are an independent Australian rock band originally formed in Hobart, Tasmania, Australia in 1994. They relocated to Melbourne and issued two albums on Mushroom Records, Still Life (1997) and Flight Paths (1998) before moving to the United Kingdom where they disbanded in 2000. The group reformed in 2008 in Melbourne and issued further albums, Australian Ghost Story (2010) and I Still Hear Your Voice at Night (2011). Their most recent album OH BOY was released in September 2013. The Paradise Motel's instrumentation typically features two guitars (acoustic and electric), bass, drums, Hammond organ, pedal steel, and occasional accompaniment from a string quartet. The group was considered to be "sonically adventurous" with their frequent deconstruction and reinterpretation of their own songs. Their aesthetic was one of sparseness and melancholia, punctuated by bursts of manic loudness; or, as they once said in an interview, "the violence and the silence". Their lyrical subjects and vocal style often veered towards the melancholy and macabre. Much of the Paradise Motel's songwriting came from Bickford, whilst Aulich was responsible for most string and instrumental arrangements. Noted music historian and journalist Ian McFarlane described them as "a cross between UK acts like Portishead and The Cocteau Twins, and the soundtrack to American television miniseries Twin Peaks. Other comparisons thrown the band's way included Nico, Mazzy Star and The Cowboy Junkies. Add to that the band's existentialist lyrical angst and the members' penchant for wearing neat suits and ties, and it all added up to an arty, shimmering tableau". In 1994 The Paradise Motel were formed in Hobart, Tasmania by Matthew Aulich on electric guitar, Matthew Bailey on bass guitar and Charles Bickford on acoustic guitar. After playing one concert in the local Kaos Cafe they relocated to Melbourne in 1995. Mérida Sussex, who worked in the St Kilda Public Library, joined on lead vocals. Their line-up was completed by Mark "BJ" Austin on Hammond organ and Tim O'Shannassy on drums. Their first Melbourne concert was on Valentine's Day (14 February) 1995 at the Carlton Moviehouse (later defunct) and began a penchant for performing at atypical venues. They joined Bruce Milne's management company, The Shining Path and, before signing to Mushroom Records the group released their début extended play, Left Over Life to Kill – named for the autobiography of Dylan Thomas' widow, Caitlin MacNamara – as a six-track 10" vinyl on Infectious Records. Recording began in March 1995 and finished in January the following year with David Briggs mastering and the band producing. Australian rock music historian, Ian McFarlane, noted that the band had "managed to polarise critical opinions as to the worth of its dramatic, haunting, minor key soundscapes. Some declared Paradise Motel to be the most interesting new band of 1996, others found them insufferably pretentious and solemn". Left Over Life to Kill was variously described as "An assured and extremely vivid piece of music", "In 25 minutes they might very well change the way you listen to music, 9.5/10", and "Possibly the finest début EP by a band in Australian music history". Left Over Life to Kill reached No. 2 on the Australian Alternative Charts, and it became the third highest selling alternative release of 1996. Another EP, Some Deaths Take Forever, followed – titled from graffito seen at the Brisbane venue, The Zoo. This EP has remixes of tracks and out-takes from Left Over Life to Kill, and a cover version of The Triffids' song "Raining Pleasure"; it was produced by the band. 2,000 hand-numbered copies were pressed and soon sold out. The cover art on these EPs and some subsequent releases maintained a stylistic uniformity, reminiscent of Penguin Books' Penguin Classics series. In September 1996 the group toured nationally supporting Tex Perkins. Early in 1997 The Paradise Motel issued their first full-length album, Still Life. Early editions featured an accompanying bonus disc, Junk Mail, which consisted of 32-minutes of out-takes. Ahead of the album, in October 1996, they released a single, "Bad Light". It was described as "a perfect example of the band's self-described technique: the violence and the silence". In February 1998 they issued a single, "Heavy Weather", with an attendant film clip. Both highlighted a new lush styling for the band as Mushroom and Infectious Records prepared them for an overseas market. "Calling You" was promoted in the United Kingdom as a CD single. In June they followed with another single, "Derwent River Star", for the Australian market. In January 1998, they supported UK visitors, Stereolab, on their Australian tour. In March they toured the UK supporting United States indie rockers, Grandaddy and then Sparklehorse in July. By September 1998 The Paradise Motel had relocated to the UK and issued their second album, Flight Paths, there. It indicated a denser production, other singles and a UK tour followed. UK magazine, Melody Maker had described them as "a deliciously unsettling proposition". Mushroom and Infectious Records had the group as their first signing to the London-based branch. After touring Europe with Grandaddy and Sparklehorse, they followed with a North American tour supporting Mercury Rev, including at the College Music Journal Festival in New York and the North by Northwest Festival. In March 1999 the band released a cover version of The Cars' 1984 track, "Drive". In October they followed with Reworkings, a compilation of remixes by guests including Mogwai, Mark Eitzel and Echoboy. The remix by Lee Ranaldo, "Lee's Trees" was released as a single. The group continued to play shows in the UK with acts such as The Divine Comedy, Smog and Drugstore, though they recorded no new material and disbanded in early 2000. Following the disbandment of The Paradise Motel, Aulich, Sussex, Austin and O'Shannassy remained in the UK. Aulich joined indie band, Drugstore, then returned to Australia where he formed an alternative country band, Small Sips, with Bailey and Karl Smith of Sodastream. In 2009 Smith and Bailey were in Melbourne-based band Lee Memorial. Sussex released a solo album before forming Candy with Paul Jones. In 2003 Sussex co-founded the Stolen Recordings label with Jones and Rachael Robb. Austin furthered his studies in architecture and married Gina Morris (ex-NME journalist and ex-member of Stereolab) in 2002, they have settled in Melbourne. O'Shannassy completed a Doctorate of Philosophy in music and literature in London, and then taught at a number of colleges in New York. Bickford lived in Melbourne, before returning to the UK where he married publicist and journalist Lauren Zoric in 2004. In 2005 he appeared as the resident expert and co-host on a weekly ITV program, The Golden Lot, co-hosted with Carol Vorderman. Bickford and Zoric returned to Melbourne in 2007. In January 2008 The Paradise Motel had reformed with Aulich, Austin, Bickford and Sussex joined by new members Damien Hill on drums and ex-Penthouse bassist Esme MacDonald. They began recording their third studio album, I Still Hear Your Voice At Night, however in December Hill committed suicide and the album was not released until 29 January 2011. Thematically it was considered an extension of their earlier preoccupations; death, disappearances and the Australian wilderness. After the recording Campbell Shaw joined on violin. Work on a fourth studio record, Australian Ghost Story began mid-2009, with the addition of drummer Andy Hazel (ex-Tacoma Radar and The Ruby Suns). The album concerns the Azaria Chamberlain disappearance and was issued on the 30th anniversary of her birth, 11 June 2010. A limited edition release on USB was made for a one-off performance in Melbourne. The album received positive reviews upon its release. Their most recent album OH BOY was released in September 2013. It was announced as the second album in a thematic trilogy examining the Australian condition. Official site: http://www.the-paradise-motel.com Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.