Thomas Weelkes

Trackimage Playbut Trackname Playbut Trackname
O Lord, arise 00:00 Tools
Gloria in excelsis deo 00:00 Tools
When Kempe did dance alone (or 'Robin Hood, Maid Marian and Little John are gone') 00:00 Tools
Give the king thy judgements 00:00 Tools
When David heard 00:00 Tools
What joy so true 00:00 Tools
All people clap your hands 00:00 Tools
Passymeasures Pavan (Morley) 00:00 Tools
All laud and praise 00:00 Tools
Hosanna to the Son of David 00:00 Tools
Lord, to thee I make my moan 00:00 Tools
Lament and Elegy: Death Hath Deprived Me 00:00 Tools
As Vesta was from Latmos hill descending 00:00 Tools
O how amiable are thy dwellings 00:00 Tools
Alleluia, I heard a voice 00:00 Tools
Lachrimae Pavan (Morley) 00:00 Tools
O Lord, grant the king a long life 00:00 Tools
Give ear, O Lord 00:00 Tools
A remembrance of my friend 00:00 Tools
Most mighty and all-knowing lord 00:00 Tools
As Vesta was 03:01 Tools
Death hath deprived me 00:00 Tools
Since Robin Hood 00:00 Tools
strike it up, tabor 00:00 Tools
Weelkes: Hosanna to the Son of David 00:00 Tools
Tan ta ra ran tan tant, cryes Mars 00:00 Tools
Weelkes: O Lord, Arise 00:00 Tools
Sing We at Pleasure 00:00 Tools
As Vesta was, from Latmos hill descending 03:01 Tools
Hark, all ye lovely saints 00:00 Tools
As Vesta Was Descending 00:00 Tools
Weelkes - "As Vesta Was from Latmos Hill Descending" 00:00 Tools
O Care, Thou Wilt Despatch Me 00:00 Tools
Thule the period of cosmographie: Thule, the Period of Cosmography 00:00 Tools
Since Roben Hood 00:00 Tools
The Cries of London 08:48 Tools
Hark All Ye Lovely Saints 00:00 Tools
Yong Cupid hath proclaim'd 00:00 Tools
Madrigal, "As Vesta Was from Latmos Hill Descending" 00:00 Tools
Strike it up Tabor 00:00 Tools
Thule, the period of Cosmographie: b. (The second Part) 00:00 Tools
Most mighty and all-knowing Lord 00:00 Tools
Three times a day 00:00 Tools
O Jonathan, Woe Is Me 00:00 Tools
Thule, the period of Cosmographie: a. (The first Part) 00:00 Tools
Cease sorrowes now 00:00 Tools
A cuntrie paire 00:00 Tools
To shorten winter's sadness 00:00 Tools
O Care thou wilt dispatch mee: a. (The first Part) 00:00 Tools
Thule, the period of cosmography 00:00 Tools
Madrigal: O Care, thou wilt despatch me 00:00 Tools
O Care thou wilt dispatch mee: b. (The second Part) 00:00 Tools
Ha ha! this world doth pass 00:00 Tools
If King Manasses 00:00 Tools
O how amiable 00:00 Tools
Weelkes: In Nomine No. 1, for 4 Viols 00:00 Tools
Death hath deprived me: A remembrance of my friend 00:00 Tools
As Vestra was 00:00 Tools
Four Arms, Two Necks, One Wreathing 00:00 Tools
Come sirrah Jacke hoe 00:00 Tools
As Vesta Was From Latmos Hill 00:00 Tools
Pavan, "Mr. Weelkes his Lacrimae" 00:00 Tools
The Short Service (Seventh Service) 00:00 Tools
Hark, All Ye Lovely Saints Above 00:00 Tools
Death Hath Deprived Me of My Dearest Friend 00:00 Tools
Weelkes - As Vesta Was From Latmos Hill Descending 00:00 Tools
What Have the Gods 00:00 Tools
Renaissance Suite: In the Pride of May 00:00 Tools
All at once well met 00:00 Tools
Fantasia for 2 Basses 00:00 Tools
Thule, the period of cosmography. The first part 00:00 Tools
Deliver us, O Lord 00:00 Tools
Thule, the period of cosmography. The second part 00:00 Tools
Voluntary [1] 00:00 Tools
Noel, Adieu Thou Court's Delight 00:00 Tools
As Vestra was 4 00:00 Tools
Laboravi In Gemitu Meo 00:00 Tools
Consort No. 3 00:00 Tools
O Lord arise 00:00 Tools
Pavan, "Mr. Weelkes his 3 Pavin" 00:00 Tools
Gloria in excelsis Deo (Live) 00:00 Tools
O Care thou wilt dispatch me. The first part 00:00 Tools
The nightingale, the organ of delight 00:00 Tools
Four hands, two necks, one wreathing 00:00 Tools
The Nightengale 00:00 Tools
O Care thou wilt dispatch me. The second part 00:00 Tools
O Care, Thou Wilt Despatch Me - Instrumental 00:00 Tools
Pavan [5] 00:00 Tools
Like two proud armies 00:00 Tools
Tan Ta Ra cries Mars 00:00 Tools
Cease sorrows now 00:00 Tools
Pavan 00:00 Tools
Weelkes: When David Heard, a 6, "David's Lamentation" 00:00 Tools
As Vestra was 5 00:00 Tools
As Vesta was from Latmos Hill descending : As Vesta was from Latmos Hill 00:00 Tools
O mortal man 00:00 Tools
Balletts and Madrigals to 5 Voyces: Hark, all ye lovely saints above 00:00 Tools
On The Plains Fairy Trains 00:00 Tools
Weelkes: Alleluia, I Heard a Voice, a 5 00:00 Tools
Voluntary [2] 00:00 Tools
Tan ta ra, cries Mars 00:00 Tools
Hosanna filio David - Hosanna to the son of David 00:00 Tools
Though My Carriage Be But Careless 00:00 Tools
Gloria in excelsis Deo - 1991 Remastered Version 00:00 Tools
Lord! when I think 00:00 Tools
O Happy He Whom Thou Protect'st 00:00 Tools
Come, sirrah Jack, ho! 00:00 Tools
Hosanna to the son of David: Hosanna to the Son of David 00:00 Tools
In Nomine 00:00 Tools
a Magnificat (for Trebles) 00:00 Tools
Lord When I Think 00:00 Tools
Shoot false Love I care not 00:00 Tools
Nunc Dimittis (In medio chori) 00:00 Tools
Gloria in excelsis Deo: Gloria in excelsis deo 00:00 Tools
A remembrance of my friend Thomas Morley 00:00 Tools
Voluntarie I 00:00 Tools
A remembrance of my friend (Morley): A remembrance of my friend 00:00 Tools
Elizabethan Consort Music: Why Are You Ladies Staying 00:00 Tools
Tan ta ra ran tan tant, cryes Mars (arr. C. van Kampen for chamber ensemble) 00:00 Tools
Balletts and Madrigals to 5 Voyces: Hark All Ye Lovely Saints 00:00 Tools
Hosanna To the Son of David, anthem for 6 voices 00:00 Tools
Lachrimae Pavan 00:00 Tools
Cease Now Delight 00:00 Tools
When David heard (O my son Absalom) - for 6 voices 00:00 Tools
Sweet heart, arise 00:00 Tools
Voluntarie II 00:00 Tools
Welcome, sweet pleasure 00:00 Tools
Weelkes: Ballets and Madrigals, Volume 1: No. 1, All At Once Well Met Fair Ladies 00:00 Tools
Most mighty and all-knowing Lord: Most mighty and all-knowing lord 00:00 Tools
Air or Fantastic Spirits to Three Voices: Four Arms, Two Necks, One Wreathing 00:00 Tools
O Care thou wilt dispatch mee; a. The first Part 00:00 Tools
Balletts and Madrigals to Five Voices: All at Once Well Met 00:00 Tools
a Nunc Dimittis (for Trebles) 00:00 Tools
O Jonathen, woe is me 00:00 Tools
Thule, the period of Cosmographie; a. The first Part 00:00 Tools
Missa cum jubilo: Sanctus 00:00 Tools
Why are you ladyes staying - Harke, I hear some dancing 00:00 Tools
When David heard (O my son Absalom), sacred madrigal in 2 sections for 6 voices 00:00 Tools
Weelkes: Gloria in excelsis Deo, a 6: "Gloria in excelsis Deo! … Sing, my soul, to God" 00:00 Tools
Voluntary 1 of Two Voluntaries 00:00 Tools
Weelkes, Cries Of London 00:00 Tools
When David Heard (Second) 00:00 Tools
Fantasy 00:00 Tools
Weelkes: 26 Ayeres or Phantasticke Spirites: No. 20, Since Robin Hood 00:00 Tools
Balletts and Madrigals to Five Voices: Hark, All Ye Lovely Saints Above 00:00 Tools
Air or Fantastic Spirits to Three Voices: Strike It Up, Tabor 00:00 Tools
Gloria in excelsis (Arr. J. Rodde) [Live] 00:00 Tools
Air or Fantastic Spirits to Three Voices: The Nightingale, the Organ of Delight 00:00 Tools
Air or Fantastic Spirits to Three Voices: Since Robin Hood 00:00 Tools
Magnificat (Sixth Service) 00:00 Tools
The First Part 00:00 Tools
Voluntary 2 of Two Voluntaries 00:00 Tools
Thule, the period of cosmographie 00:00 Tools
Thule, the period of Cosmographie (The second Part) 00:00 Tools
O Jonathan 00:00 Tools
Weelkes: 26 Ayeres or Phantasticke Spirites: No. 14, Four Arms, Two Necks 00:00 Tools
Weelkes: 26 Ayeres or Phantasticke Spirites: No. 7, Tan ta ra, Cries Mars 00:00 Tools
As Vesta was, from Latmos hill descending: As Vesta was from Latmos hill descending 00:00 Tools
Elizabethan Consort Music: Hark! I Hear Some Dancing 00:00 Tools
Air or Fantastic Spirits to Three Voices: Come, Sirrah Jack, Ho! 00:00 Tools
O Care thou wilt dispatch mee; b. The second Part 00:00 Tools
O Care, Thou Wilt Dispatch Me 00:00 Tools
Missa cum jubilo: Agnus Dei 00:00 Tools
Nunc dimittis from Evening Service for Trebles 00:00 Tools
Magnificat from Evening service for Trebles 00:00 Tools
Magnificat 00:00 Tools
Thule, the period of Cosmographie (The first Part) 00:00 Tools
Weelkes: 26 Ayeres or Phantasticke Spirites: No. 6, Come Sirrah Jack, Ho 00:00 Tools
Weelkes: Ballets and Madrigals, Volume 1: No. 8, Hark, all Ye Lovely Saints 00:00 Tools
Weelkes: 26 Ayeres or Phantasticke Spirites: No. 18, Strike it up, Tabor 00:00 Tools
Lachrimae 00:00 Tools
Hark! All Ye Levely Saints 00:00 Tools
Weelkes: 26 Ayeres or Phantasticke Spirites: No. 25, The Nightingale 00:00 Tools
To shorten winter's sadnesse 00:00 Tools
Thule, the period of cosmographie - for 6 voices [1600] 00:00 Tools
O Care, thou wilt despatch me (Madrigal) 00:00 Tools
Air or Fantastic Spirits to Three Voices: Lord! When I Think 00:00 Tools
Air or Fantastic Spirits to Three Voices: Tan Ta Ra, Cries Mars 00:00 Tools
Thule, the period of Cosmographie; b. The second Part 00:00 Tools
Four arms, two necks, one wreathing - 1987 Remastered Version 00:00 Tools
The Nightingale 00:00 Tools
Alleluia: I heard a voice 00:00 Tools
Some Men Desire Spouses 00:00 Tools
When Kempe did dance alone (or "Robin Hood, Maid Marian and Little John are gone") 00:00 Tools
Hark, all ye lovely saints above - 1987 Remastered Version 00:00 Tools
The Second Part 00:00 Tools
As Wanton Birds, Madrigal For 5 Voices 00:00 Tools
Harke All Ye Lovely Saints Above 00:00 Tools
Nunc Dimittis 00:00 Tools
Rejoice in the Lord 00:00 Tools
Voluntarie 01 00:00 Tools
Gloria In Excelsis Deo (Arr. Dennis Mason) 00:00 Tools
Weelkes: 26 Ayeres or Phantasticke Spirites: No. 15, Lord, When I Think 00:00 Tools
Give ear, O Lord. 00:00 Tools
O care wilt thou dispatch mee, madrigal in 2 sections for 5 voices 00:00 Tools
To shorten winter's sadness / Thule, the period of cosmography / Fantasy (viols) / O care, thou wilt despatch me (Deller Consort, Alfred Deller), 1970-72 00:00 Tools
O Lord, grant the king a long life. 00:00 Tools
Since Robin Hood - 1987 Remastered Version 00:00 Tools
Evening Service for five voices: Magnificat 00:00 Tools
Death Hath Deprived Me, Madrigal For 6 Voices 00:00 Tools
Centone 1: I Love And Have My Love Regarded 00:00 Tools
Most moghty and all-knowing Lord 00:00 Tools
Since Robin Hood: T. Weelkes 00:00 Tools
"As Vesta Was from Latmos Hill Descending" 00:00 Tools
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Thomas Weelkes (1576–1623) was an English composer and organist of the Renaissance period. He became organist of Winchester College in 1598, moving to Chichester Cathedral. His works are chiefly vocal, and include madrigals, anthems and services. Thomas Weelkes was baptised in the little village church of Elsted in Sussex on 25 October 1576. It has been suggested that his father was John Weeke, rector of Elsted, although there is no documentary evidence of the relationship. In 1597 his first volume of madrigals was published, the preface noting that he was a very young man when they were written; this helps to fix the date of his birth to somewhere in the middle of the 1570s. Early in his life he was in service at the house of the courtier Edward Darcye. At the end of 1598, at the probable age of 22, Weelkes was appointed organist at Winchester College, where he remained for two or three years, receiving the salary of 13s 4d per quarter. His remuneration included board and lodging. During his Winchester period, Weelkes composed a further two volumes of madrigals (1598, 1600). He obtained his B. Mus. Degree from New College, Oxford in 1602, and moved to Chichester to take up the position of organist and informator choristarum (instructor of the choristers) at the Cathedral at some time between October 1601 and October 1602. He was also given a lay clerkship at the Cathedral, being paid £15 2s 4d annually alongside his board, lodging and other amenities. The following year he married Elizabeth Sandham, from a wealthy local family. They had three children and it was rumoured that Elizabeth was already pregnant at the time of the marriage. Weelkes' fourth and final volume of madrigals, published in 1608, carries a title page where he refers to himself as a Gentleman of the Chapel Royal; however, records at the Chapel Royal itself do not mention him, so at most he could only have been a Gentleman Extraordinary, one of those who were asked to stand in until a permanent replacement was found. Weelkes was later to find himself in trouble with the Chichester Cathedral authorities for his heavy drinking and immoderate behavior. In 1609 he was charged with unauthorized absence, but no mention of drunken behavior is made until 1613, and J. Shepherd, a Weelkes scholar, has suggested caution in assuming that his decline began before this date. In 1616 he was reported to the Bishop for being ‘noted and famed for a comon drunckard (sic) and notorious swearer & blasphemer’. The Dean and Chapter dismissed him for being drunk at the organ and using bad language during divine service. He was however reinstated and remained in the post until his death, although his behavior did not improve... In 1622 Elizabeth Weelkes died. Thomas Weelkes was, by this time, reinstated at Chichester Cathedral, but appeared to be spending a great deal of time in London. He died in London in 1623, in the house of a friend, and was buried on 1 December, 1623 at St Bride's Fleet Street. Weelkes' will, made the day before he died at the house of his friend Henry Drinkwater of St Bride's parish, left his estate to be shared between his three children, with a large 50s legacy left to Drinkwater for his meat, drink and lodging. In Chichester Cathedral there is a memorial stone with the following inscription: REMEMBER IN THE LORD THOMAS WEELKES THE GREAT ELIZABETHAN COMPOSER, ORGANIST OF WINCHESTER COLLEGE 1598 AND OF THIS CATHEDRAL CHURCH FROM 1602 UNTIL HIS DEATH He died on 30 November 1623 And was buried at St. Bride's Church. Fleet Street. London See also: List of compositions by Thomas Weelkes Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.