Tina Harrod

Trackimage Playbut Trackname Playbut Trackname
Long Way Home 00:00 Tools
Love & Glory (Jonathon Jones Remix) 00:00 Tools
Love and Glory 00:00 Tools
Coffee Coloured Rose 00:00 Tools
What Becomes Of People 00:00 Tools
Bituman 00:00 Tools
Shacked Up in Paradise 00:00 Tools
Loaded Gun 00:00 Tools
Old Man Jones 00:00 Tools
Sweet Soul Song 00:00 Tools
Seven Long Years 00:00 Tools
Good Life 00:00 Tools
Lover 00:00 Tools
Round Midnight 00:00 Tools
Comes Love 00:00 Tools
Big Brother 00:00 Tools
Long Way Around 00:00 Tools
River Man 00:00 Tools
CC Rider 00:00 Tools
I Shall Be Released 00:00 Tools
Dear Henry 00:00 Tools
I Love You Porgy 00:00 Tools
Love & Glory 00:00 Tools
Underneath Your Spell 00:00 Tools
Run For Your Life 00:00 Tools
Seven Days 00:00 Tools
Glory Box 00:00 Tools
Feelin' Good 00:00 Tools
Move On 00:00 Tools
Don't Explain 00:00 Tools
And The Time Stood Still 00:00 Tools
I Try To Make Sense Of Love 00:00 Tools
Hurry 00:00 Tools
The Buried Treasure Song 00:00 Tools
Temporary People 00:00 Tools
Such A Long Way From Home 00:00 Tools
Blue On The Inside 00:00 Tools
Holding On 00:00 Tools
Charlie's Time is Up 00:00 Tools
The Man With The Paper Cup 00:00 Tools
Loaded 00:00 Tools
Good Friday 00:00 Tools
Such A Long Way Home 00:00 Tools
Until I Hear From You 00:00 Tools
Feelin Good 00:00 Tools
Last Man Standing 00:00 Tools
Everything Beautiful Is Gone 00:00 Tools
The Way You Love Me 00:00 Tools
What Is A Woman To A Man 00:00 Tools
Give Me A Reason 00:00 Tools
Sweep Me Off My Feet 00:00 Tools
Love & Glory (Remix) 00:00 Tools
The Revolution Is Eternal 00:00 Tools
City of Longing 00:00 Tools
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Tina Harrod was born in Christchurch in New Zealand with an ancestry that certainly indicated she might one day become a professional singer. He father was part Fijian and her great grand parents were from Wales and from her very early days she was surrounded by a rich musical legacy. It was no surprise then when at the tender age of five Tina began singing in a local church choir as well as taking dancing classes with a ballet group. The seeds had already been sown for a promising career in singing or dancing but for the next dozen or so years Tina was to become more of a listener than a performer. During her teenage years Tina stopped both singing and dancing but began listening to a wide range of popular Black music as well as the current disco craze inspired by movies such as "Saturday Night Fever". At the age of seventeen she decided on a major move to Sydney where she soon took up waitressing and barwork. It was in this new environment that her desire to sing and perform was rekindled and she began playing in a band called Modern Man with Andrew Kippel, the son of the famous Australian sculptor. This was the late 1980's in Sydney, a time when the local club and pub music scene was thriving and all kinds of exciting new bands were emerging. Tina was obviously caught up in the euphoria of this period and began auditioning and singing back up vocals in a number of different groups. By the age of twenty four she had joined the Honey Bees, an all girl trio doing three part harmonies and singing soul in the style of Chaka Khan and other contemporary soul sisters. The group gigged regularly at venues such as Metropolis and Round Midnight and quickly developed a solid following on the Sydney club scene. As well as performing regularly Tina made a point of catching many of the other emerging local bands and it was during this exploration that she came across Jackie Orszaczky & The Godmothers. Jackie's driving funk and soul outfit were high on the list of Sydney club favourites at the time with their infectious James Brown style grooves and they immediately captivated Tina's attention. Tina was now twenty seven and spent the next two years as a backup singer with Wendy Matthews and Jenny Morris, touring all over Australia and New Zealand, familiarizing herself with the numerous ups and downs of the local music industry. Although she had previously seen Jackie Orszaczky play with the band Jump Back Jack, it wasn't until she came across another of Jack's group's The Godmothers, that she really got to know Jackie on a musical basis. The regular Jump Back Jack and Godmothers gigs at the Harbourside Brasserie were a legend in their day, not only for the quality of the music but for the fanaticism of the following who filled the crowded dancefloor week after week. It wasn't long before Tina made the transition from the audience to the stage and at the age of twenty nine she became a regular part of Jackie's latest soul incarnation The Grandmasters. Tina played with The Grandmasters from 1994 onwards, appearing at clubs and festivals across the country and touring to Budapest in Hungary. The release of the Grandmaster's much acclaimed "Family Lore" album marked Tina's first major recording and won her the attention of music critics and writers across the country. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.