Ulrich Leyendecker

Trackimage Playbut Trackname Playbut Trackname
II. Adagio 00:00 Tools
I. Allegro 00:00 Tools
III. Luminoso 00:00 Tools
I. Largo leggiero 00:00 Tools
II. Scherzo: Presto volante 00:00 Tools
III. Variations: Allegro 00:00 Tools
Ricercar for 2 Pianos 00:00 Tools
Mitternachtsmusik (Midnight Music) 00:00 Tools
7 Short Pieces 00:00 Tools
Piano Pieces I-IV 00:00 Tools
Sonata for 2 Pianos 00:00 Tools
Violin Concerto: II. Adagio 00:00 Tools
Violin Concerto: I. Allegro 00:00 Tools
13 Bagatelles 00:00 Tools
Symphony No. 3: I. Largo leggiero 00:00 Tools
Symphony No. 3: II. Scherzo: Presto volante 00:00 Tools
Symphony No. 3: III. Luminoso 00:00 Tools
Violin Concerto: III. Variations: Allegro 00:00 Tools
2 Etudes for Clarinet Solo (version for bass clarinet): No. 1. Alla Maniera di Carmen, con una cerca eleganza 00:00 Tools
Ricercar 00:00 Tools
2 Etudes for Clarinet Solo (version for bass clarinet): No. 2. Alla maniera di Op. 17, No. 4 di Chopin 00:00 Tools
13 Bagatellen 00:00 Tools
Symphony No. 3 I. Largo leggiero 00:00 Tools
Verso Parsifal 00:00 Tools
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Ulrich Leyendecker (born 1946 in Wuppertal) is a German composer of classical music. His output consists mainly of symphonies, concertos, chamber and instrumental music. Leyendecker studied composition with Ingo Schmitt (1962-5) and Rudolf Petzold (1965-70), and piano with Günter Ludwig. In 1971 he became a lecturer at the Hamburg Academy for Music and Performing Arts, and in 1976 he was appointed Professor of Composition and Theory at the Hamburg Music and Theatre Hochschule. Since 1994 he has been Professor of Composition at the State Hochschule for Music and the Performing Arts of Heidelberg-Mannheim. Leyendecker's music, although not serial, is largely atonal, but often with subtle hints of tonality. He employs regular time signatures in his pieces, yet does not sound so for he utilizes carefully calculated and complex rhythms. His music often contains novel sonic architectures, while still managing to express powerful emotions directly to the listener. He often employs classical abstract forms such as the symphony and concerto form while avoiding operas and ballets. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.