Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
84302707 | Play | A Nice Spot Somewhere in the Woods | 00:00 Tools | |
84302708 | Play | Shrinking Coasts | 00:00 Tools | |
84302709 | Play | Appleseeds | 00:00 Tools | |
84302710 | Play | October 29 | 00:00 Tools | |
84302711 | Play | january 23 | 00:00 Tools | |
84302712 | Play | Everywhere You Had Been | 00:00 Tools | |
84302713 | Play | Writing in the Dark | 00:00 Tools | |
84302714 | Play | Hvaleyravatn | 00:00 Tools | |
84302715 | Play | Worth Retelling | 00:00 Tools | |
84302716 | Play | Sing to the Mountains | 00:00 Tools | |
84302717 | Play | Wood Splitting | 00:00 Tools | |
84302718 | Play | Foxes | 00:00 Tools | |
84302719 | Play | Não, Não, Esperarei Para Você. | 00:00 Tools | |
84302720 | Play | Ivory Gull | 00:00 Tools | |
84302721 | Play | Turns | 00:00 Tools | |
84302723 | Play | Dogs 1 | 00:00 Tools | |
84302722 | Play | Thank God | 00:00 Tools | |
84302724 | Play | Much That Could Be Found | 00:00 Tools | |
84302725 | Play | A Taped-Up Note | 00:00 Tools | |
84302728 | Play | Nutmeg | 00:00 Tools | |
84302726 | Play | another way of looking at it | 00:00 Tools | |
88622059 | Play | a snake | 00:00 Tools | |
84302729 | Play | Não, Não, Esperarei Para Você | 00:00 Tools | |
84302732 | Play | arms | 00:00 Tools | |
84302730 | Play | Swampy Valley | 00:00 Tools | |
84302731 | Play | March 14 | 00:00 Tools | |
84302733 | Play | To Keep Warm | 00:00 Tools | |
84302734 | Play | Bones | 00:00 Tools | |
84302738 | Play | Dogs 2 | 00:00 Tools | |
84302735 | Play | Tot Siens | 00:00 Tools | |
84302736 | Play | battles of man | 00:00 Tools | |
84302737 | Play | Savannah, Early January | 00:00 Tools | |
84302739 | Play | Purple House, November | 00:00 Tools | |
84302741 | Play | Battles | 00:00 Tools | |
84302740 | Play | August 7 | 00:00 Tools | |
84302743 | Play | Trains | 00:00 Tools | |
84302742 | Play | Sure To Come | 00:00 Tools | |
84302744 | Play | Snakes | 00:00 Tools | |
84302746 | Play | Dogs 3 | 00:00 Tools | |
84302745 | Play | November 10 | 00:00 Tools | |
84302747 | Play | A Stalemate Again | 00:00 Tools | |
84302757 | Play | In the Dark | 00:00 Tools | |
88622060 | Play | For the Last Time | 00:00 Tools | |
84302749 | Play | A Taped-Up Note (mp3) | 00:00 Tools | |
84302750 | Play | With the Lights Off | 00:00 Tools | |
84302751 | Play | A Stalemate, A Broken Arm | 00:00 Tools | |
84302752 | Play | Untitled | 00:00 Tools | |
88622061 | Play | Until We Spoke it All | 00:00 Tools | |
84302754 | Play | A Lighted Bedroom Window | 00:00 Tools | |
84302761 | Play | Mountains | 00:00 Tools | |
84302755 | Play | Thank God (mp3) | 00:00 Tools | |
84302756 | Play | A Priest And A Saint | 00:00 Tools | |
84302758 | Play | Morning Song | 00:00 Tools | |
84302759 | Play | Your Father's Suit | 00:00 Tools | |
84302760 | Play | For Yesenia | 00:00 Tools | |
84302762 | Play | Brevity/Sincerity | 00:00 Tools | |
84302763 | Play | From the city | 00:00 Tools | |
84302764 | Play | hands_knees | 00:00 Tools | |
84302765 | Play | thinner at the top | 00:00 Tools | |
84302766 | Play | untitled 2 | 00:00 Tools | |
84302770 | Play | The Largest Ships | 00:00 Tools | |
84302767 | Play | May 28 | 00:00 Tools | |
84302768 | Play | Roadway | 00:00 Tools | |
84302771 | Play | Listening for Sounds | 00:00 Tools | |
84302769 | Play | untitled 1 | 00:00 Tools | |
84302772 | Play | Stillness | 00:00 Tools | |
84302776 | Play | Darkness | 00:00 Tools | |
84302773 | Play | April 5 | 00:00 Tools | |
84302774 | Play | For Maura | 00:00 Tools | |
84302775 | Play | batles of man | 00:00 Tools | |
84302777 | Play | Coffee | 00:00 Tools |
Vio/Mire is Providence, RI's Brendan Glasson. His consistently affecting music spans pop/folk to ambient sound art. His instrumentation is similarly wide-ranging and sophisticated. He has two self-released albums to his credit, including one entirely written and recorded while living in Bolivia. He is soon releasing his next on Leisure Class Records. Samples of his work may be found at sealooks.net Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.