Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82754524 | Play | As I Walked Out One Evening | 00:00 Tools | |
82754523 | Play | In Memory of W.B. Yeats | 00:00 Tools | |
82754525 | Play | In Memory of W.B.Yeats (Part 1) | 00:00 Tools | |
82754526 | Play | Sheild of Achilles, As I Waked out one Evening | 00:00 Tools | |
82754527 | Play | Funeral Blues | 00:00 Tools | |
82754528 | Play | If I Could Tell You | 00:00 Tools | |
82754529 | Play | Musee des Beaux Arts | 00:00 Tools | |
82754530 | Play | The Shield of Achilles | 00:00 Tools | |
82754531 | Play | Musée des Beaux Arts | 00:00 Tools | |
82754532 | Play | Stop all the clocks, cut off the telephone | 00:00 Tools | |
82754534 | Play | The More Loving One | 00:00 Tools | |
82754533 | Play | Ballad | 00:00 Tools | |
82754535 | Play | On This Island | 00:00 Tools | |
82754536 | Play | Prime | 00:00 Tools | |
82754537 | Play | The Cave Of Nakedness | 00:00 Tools | |
82754538 | Play | Law Like Love (1939) | 00:00 Tools | |
82754539 | Play | O Where are You Going? | 00:00 Tools | |
82754541 | Play | The Wanderer | 00:00 Tools | |
82754540 | Play | Autumn Song | 00:00 Tools | |
82754542 | Play | Our Hunting Fathers | 00:00 Tools | |
82754543 | Play | Friday's Child | 00:00 Tools | |
82754544 | Play | A Walk After Dark | 00:00 Tools | |
82754545 | Play | Fish in the Unruffled Lakes | 00:00 Tools | |
82754549 | Play | Death's Echo | 00:00 Tools | |
82754546 | Play | As He Is | 00:00 Tools | |
82754547 | Play | Funeral Blues (John Hannah) | 00:00 Tools | |
82754548 | Play | School Children | 00:00 Tools | |
82754550 | Play | In Praise of Limestone | 00:00 Tools | |
82754551 | Play | from In Time of War | 00:00 Tools | |
82754554 | Play | Under Which Lyre | 00:00 Tools | |
82754552 | Play | W.H. Auden - Musée des Beaux Arts | 00:00 Tools | |
82754553 | Play | poetry---stop all the clocks | 00:00 Tools | |
82754555 | Play | Under Which Lyre (1946) | 00:00 Tools | |
82754556 | Play | W.H. Auden - In Memory of W.B. Yeats | 00:00 Tools | |
82754557 | Play | The Capital | 00:00 Tools | |
82754561 | Play | Law Like Love | 00:00 Tools | |
82754559 | Play | A New Year Greeting | 00:00 Tools | |
82754558 | Play | Musé Des Beaux Arts | 00:00 Tools | |
82754563 | Play | River Profile | 00:00 Tools | |
82754560 | Play | Moon Landing | 00:00 Tools | |
82754564 | Play | Autumm Song | 00:00 Tools | |
82754562 | Play | In Memory Of W. B. Yeats | 00:00 Tools | |
82754565 | Play | August 1968 | 00:00 Tools | |
82754567 | Play | Stop All The Clocks | 00:00 Tools | |
82754566 | Play | May | 00:00 Tools | |
82754573 | Play | Law Like Law | 00:00 Tools | |
82754574 | Play | The Common Life | 00:00 Tools | |
82754568 | Play | Funeral Blues (Он был мой север, юг..) | 00:00 Tools | |
88569510 | Play | Song Of The Devil | 00:00 Tools | |
82754570 | Play | No Change of Place | 00:00 Tools | |
82754571 | Play | Precious Five | 00:00 Tools | |
82754572 | Play | Five Lyrics | 00:00 Tools | |
82754579 | Play | Thanksgiving For A Habitat | 00:00 Tools | |
82754575 | Play | The More Loving Me - Recorded in 1960 | 00:00 Tools | |
82754576 | Play | There Will Be No Peace | 00:00 Tools | |
82754577 | Play | A Bride In The 30s | 00:00 Tools | |
82754578 | Play | In Memory of W B Yeats | 00:00 Tools | |
82754580 | Play | Radio Announcement | 00:00 Tools | |
82754581 | Play | Shield of Achilles, As I Walked Out One Evening | 00:00 Tools | |
82754582 | Play | Who's Who | 00:00 Tools | |
82754588 | Play | O Tell Me the Truth About Love | 00:00 Tools | |
82754583 | Play | In Memory of W.B. Yeats, Pt. 1 | 00:00 Tools | |
82754584 | Play | Song of the Beggars | 00:00 Tools | |
82754585 | Play | Journey to Iceland | 00:00 Tools | |
82754586 | Play | Bucolics: Winds - Recorded in 1953 | 00:00 Tools | |
82754587 | Play | In Memory of WB Yeats | 00:00 Tools | |
82754606 | Play | The Fall of Rome | 00:00 Tools | |
82754589 | Play | A Change of Air | 00:00 Tools | |
82754590 | Play | Reflections in a Forest | 00:00 Tools | |
82754591 | Play | Thank You, Fog | 00:00 Tools | |
82754592 | Play | September 1, 1939 | 00:00 Tools | |
82754593 | Play | Bucolics: Woods - Recorded in 1953 | 00:00 Tools | |
82754596 | Play | After Reading a Child's Guide to Modern Physics | 00:00 Tools | |
82754594 | Play | Fleet Visit | 00:00 Tools | |
82754595 | Play | Talking To Myself | 00:00 Tools | |
82754597 | Play | Amor Loci | 00:00 Tools | |
82754598 | Play | Loneliness | 00:00 Tools | |
82754599 | Play | Epithalamium | 00:00 Tools | |
82754600 | Play | Metalogue to the Magic Flute - Recorded in 1960 | 00:00 Tools | |
82754601 | Play | Josef Weinheber | 00:00 Tools | |
88569511 | Play | Night Mail | 00:00 Tools | |
82754602 | Play | Old People's Home | 00:00 Tools | |
82754603 | Play | Circe | 00:00 Tools | |
82754604 | Play | Legend | 00:00 Tools | |
82754605 | Play | Lullaby (1972) | 00:00 Tools | |
82754607 | Play | Doggerel by a Senior Citizen | 00:00 Tools | |
82754608 | Play | Eulogy | 00:00 Tools | |
82754609 | Play | Clerihews From Academic Graffiti | 00:00 Tools | |
82754610 | Play | Bucolics: Lakes - Recorded in 1953 | 00:00 Tools | |
82754611 | Play | Hammerfest | 00:00 Tools | |
82754612 | Play | Bucolics: Islands - Recorded in 1953 | 00:00 Tools | |
82754613 | Play | Bucolics: Plains - Recorded in 1953 | 00:00 Tools | |
82754614 | Play | Bucolics: Streams - Recorded in 1953 | 00:00 Tools |
Wystan Hugh Auden (21 February 1907 – 29 September 1973, pronounced /ˈwɪstən ˈhjuː ˈɔːdən/)[1] who signed his works W. H. Auden, was an Anglo-American poet, born in England, later an American citizen, regarded by many as one of the greatest writers of the 20th century. His work is noted for its stylistic and technical achievements, its engagement with moral and political issues, and its variety of tone, form and content. The central themes of his poetry are love, politics and citizenship, religion and morals, and the relationship between unique human beings and the anonymous, impersonal world of nature. Auden grew up in Birmingham in a professional middle class family and read English literature at Christ Church, Oxford. His early poems, written in the late 1920s and early 1930s, alternated between telegraphic modern styles and fluent traditional ones, were written in an intense and dramatic tone, and established his reputation as a left-wing political poet and prophet. He became uncomfortable in this role in the later 1930s, and abandoned it after he moved to the United States in 1939, where he became an American citizen in 1946. His poems in the 1940s explored religious and ethical themes in a less dramatic manner than his earlier works, but still combined traditional forms and styles with new forms devised by Auden himself. In the 1950s and 1960s many of his poems focused on the ways in which words revealed and concealed emotions, and he took a particular interest in writing opera librettos, a form ideally suited to direct expression of strong feelings. He was also a prolific writer of prose essays and reviews on literary, political, psychological and religious subjects, and he worked at various times on documentary films, poetic plays and other forms of performance. Throughout his career he was both controversial and influential. After his death, some of his poems, notably "Funeral Blues" ("Stop all the clocks") and "September 1, 1939", became widely known through films, broadcasts and popular media. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.