Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
16650276 | Play | Poeme | 04:20 Tools | |
16650278 | Play | Poem | 01:42 Tools | |
16650277 | Play | Poemat | 02:23 Tools | |
16650281 | Play | Poema | 02:24 Tools | |
16650280 | Play | Poeme, Op. 41, No. 6 | 01:42 Tools | |
16650279 | Play | Poème, Op. 41: No. 6 | 02:30 Tools | |
55556900 | Play | Moods for piano Op. 41, No. 6, Poéme, Op. 41/6 | 01:42 Tools | |
55556912 | Play | Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 14. Poem | 02:30 Tools | |
16650294 | Play | Poéme | 02:26 Tools | |
16650297 | Play | Poème | 02:43 Tools | |
16650292 | Play | III. Scherzo. Presto - Trio. Molto meno mosso | 08:30 Tools | |
55556901 | Play | Poème Op.41 No.6 | 02:43 Tools | |
55556933 | Play | Poème for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) | 02:42 Tools | |
55556902 | Play | Finale: Allegro energico | 02:43 Tools | |
55556903 | Play | Scherzo: Allegro assai | 02:43 Tools | |
55556904 | Play | Finale: Allegro con fuoco e vivace | 02:43 Tools | |
55556911 | Play | Symphony No. 1 in F major, Op. 17: I. Allegro moderato | 07:23 Tools | |
55556906 | Play | Allegro moderato | 02:43 Tools | |
55556905 | Play | Adagio non troppo (Alla romanza) | 02:43 Tools | |
55556907 | Play | Poéma | 02:43 Tools | |
16650275 | Play | Moods, Impressions and Reminiscences, Op. 41: VI. Poème | 02:30 Tools | |
55556908 | Play | I. Allegro Moderato | 02:43 Tools | |
55556909 | Play | Poem, Op. 41 | 02:43 Tools | |
55556925 | Play | Symphony No. 2 in E-flat major, Op. 38: I. Allegro moderato | 02:41 Tools | |
16650284 | Play | II. Adagio | 07:23 Tools | |
16650282 | Play | Poème, Op. 41 : No. 6 | 02:30 Tools | |
55556920 | Play | Symphony No. 3 in E minor, Op. 53: I. Allegro inquieto | 19:22 Tools | |
55556910 | Play | I. Allegro inquieto | 07:23 Tools | |
16650283 | Play | Poéme, Op. 41 | 03:18 Tools | |
55556913 | Play | II. Allegro con fuoco | 02:30 Tools | |
55556915 | Play | Poème, Op. 41 No. 6 | 02:30 Tools | |
55556919 | Play | Nalady, dojmy a upominky (Moods, Impressions and Reminiscences), Op. 41: No. 6. Poeme | 04:49 Tools | |
55556921 | Play | Symphony No. 1 in F major, Op. 17: IV. Finale: Allegro con fuoco e vivace | 19:22 Tools | |
55556914 | Play | Poema Op.39 | 02:30 Tools | |
55556916 | Play | III. Scherzo. Vivo e grazioso | 02:30 Tools | |
55556940 | Play | At twilight, op. 39 | 08:51 Tools | |
55556937 | Play | Symphony No. 2 in E-flat major, Op. 38: II. Adagio | 02:30 Tools | |
55556917 | Play | IV. Finale. Allegro energico | 02:30 Tools | |
87567746 | Play | String quartet No. 1 in A major: II. Andante semplice | 03:04 Tools | |
16650305 | Play | IV. Allegro maestoso | 10:41 Tools | |
16650357 | Play | Poem (from the idyll "At twilight") | 04:49 Tools | |
55556947 | Play | Symphony No. 3 in E minor, Op. 53: II. Allegro con fuoco - Adagio | 08:51 Tools | |
55556918 | Play | Scherzo: Presto | 04:49 Tools | |
55556977 | Play | At Twilight | 02:08 Tools | |
16650428 | Play | At Twilight, op. 39 Idyll for Orchestra: At Twilight, op. 39 Idyll for Orchestra | 19:22 Tools | |
89487700 | Play | Moods, Impressions and Reminiscences Op. 41: Poème (Grand Plie) | 19:22 Tools | |
55556922 | Play | Lakmé (Excerpts): Flower Duet | 19:22 Tools | |
55556938 | Play | Symphony No. 2 in E-Flat Major, Op. 38: IV. Finale: Allegro energico | 02:30 Tools | |
16650286 | Play | Poem from Idyll at Twilight, Op. 39: Poem from Idyll at Twilight, Op. 39 | 02:42 Tools | |
55556924 | Play | Ein Sommerabend, op.41, No.4 - Arr. G. Saborow: Poème | 02:41 Tools | |
16650330 | Play | Symphony No. 3 in E minor, Op. 53: IV. Allegro maestoso - Allegro vivace | 10:41 Tools | |
55556959 | Play | Symphony No. 1 in F major, Op. 17: III. Adagio non troppo | 02:58 Tools | |
55556923 | Play | Poème Op.39 | 19:22 Tools | |
16650405 | Play | Poem, Op. 41, No. 6 | 01:37 Tools | |
55556929 | Play | Adagio non troppo alla romanza aus der Sinfonie Nr. 1 F-Dur op. 17 | 02:42 Tools | |
16650295 | Play | Poem from Idyll at Twilight, Op. 39 | 02:41 Tools | |
89487701 | Play | Fibich: Moods, Impressions and Souvenirs, Op. 41: No. 4, Poème (Arr. for Violin and Piano by Jan Kubelik) | 02:41 Tools | |
87567740 | Play | Moods, Impressions and Reminiscences, Op. 41, Book 4: No. 139 in D-Flat Major: Lento | 02:42 Tools | |
55556926 | Play | Po?me | 02:41 Tools | |
55556931 | Play | Symphony No. 1 in F Major, Op. 17: III. Adagio non troppo (alla romanza) | 02:42 Tools | |
55556932 | Play | Symphony No. 1 in F Major, Op. 17: II. Scherzo: Allegro assai | 02:42 Tools | |
55556935 | Play | Poeme for Violin and Piano, Op. 41 No. 4 (Arr. Weniger) | 03:18 Tools | |
55556983 | Play | Symphony No. 3 in E Minor, Op. 53: III. Scherzo and Trio: Vivo e grazioso | 02:30 Tools | |
87567741 | Play | Moods, Impressions & Souvenirs, Op. 41, Book 1: No. 44 in B-Flat Major: Andante | 08:51 Tools | |
55556927 | Play | Adagio | 02:41 Tools | |
55556969 | Play | Sonata for Piano 4 Hands in B-Flat Major, Op. 28: III. Allegretto vivo | 03:04 Tools | |
55556960 | Play | Vesna (Spring), Op. 13 | 06:02 Tools | |
87567744 | Play | Toman a lesni panna (Toman and the Wood Nymph), Op. 49 | 06:02 Tools | |
87567745 | Play | Moods, Impressions, and Souvenirs, Op. 41: IV. Poem | 06:02 Tools | |
55556944 | Play | Sonata for Piano 4 Hands in B-Flat Major, Op. 28: I. Allegro moderato | 08:51 Tools | |
55556958 | Play | Sonata for Piano 4 Hands in B-Flat Major, Op. 28: II. Andante con variazioni | 02:58 Tools | |
55556928 | Play | IV. Fireside Talk 2 | 02:42 Tools | |
87567742 | Play | Moods, Impressions & Souvenirs, Op. 41, Book 1: No. 36 in B-Flat Major: Andante amoroso | 08:51 Tools | |
87567743 | Play | Boure (The Tempest), Op. 46 | 02:30 Tools | |
55556950 | Play | Impressions from the Countryside, Op. 54: V. Village Dance (Tanec v zeleni) | 02:58 Tools | |
55556942 | Play | Impressions from the Countryside, Op. 54: I. Moonlit Night (Mesicna noc) | 08:51 Tools | |
55556930 | Play | At Twilight (Am Abend), Symphonic Poem for Orchestra, Op. 39 | 02:42 Tools | |
87567749 | Play | Poeme, Op. 39 | 06:02 Tools | |
55556951 | Play | Impressions from the Countryside, Op. 54: II. Country Dance (Sousedska) | 02:58 Tools | |
55556962 | Play | Twilight Idyll, Op. 39 | 06:02 Tools | |
16650404 | Play | Poème, Op. 41 No. 14 (Budapest Strings) | 02:30 Tools | |
87567757 | Play | String quartet No. 2 in G major, Op. 8: II. Adagio | 09:27 Tools | |
55556934 | Play | Poeme (arr. for organ) | 02:42 Tools | |
16650293 | Play | Faerie's Aire and Death Waltz | 03:18 Tools | |
55556961 | Play | Impressions from the Countryside, Op. 54: III. Highlands Ho (Vzhuru) | 06:02 Tools | |
16650328 | Play | Symphony No.2 in E flat major, Op.38 - I. Allegro moderato | 08:48 Tools | |
55556941 | Play | Allegro Inquieto | 08:51 Tools | |
16650384 | Play | Moods, Impressions and Reminiscenes, Op. 41: IX. Allegretto vivace | 00:35 Tools | |
16650365 | Play | Moods, Impressions and Reminiscenes, Op. 41: I. Adagio | 02:18 Tools | |
87567748 | Play | Album Leaves, Op. 2: I. A Dedication. Andantino | 02:58 Tools | |
55556939 | Play | "Au crépuscule", op. 39 | 02:30 Tools | |
55556976 | Play | Impressions from the Countryside, Op. 54: IV. Fireside Talk (Na tackach) | 02:08 Tools | |
55556975 | Play | Othello, Op. 6 | 11:51 Tools | |
16650449 | Play | Overture | 08:51 Tools | |
55556936 | Play | Poème op. 41 Nr. 6 | 02:30 Tools | |
55556953 | Play | Poem for orchestra, Op. 41 | 02:58 Tools | |
55556943 | Play | II. Allegro con fuoco - Adagio | 08:51 Tools | |
55556954 | Play | Allegro Maestoso - Allegro Vivace | 02:58 Tools | |
16650472 | Play | Moods, Impressions and Reminiscenes, Op. 41: III. Lento assai | 02:30 Tools | |
16650373 | Play | Moods, Impressions and Reminiscenes, Op. 41: VIII. Adagio | 03:04 Tools | |
55556945 | Play | Sonata for Piano 4 Hands in B flat major, Op. 28: I. Allegro moderato | 08:51 Tools | |
55556970 | Play | Poème Op.41, No.6 | 00:43 Tools | |
16650479 | Play | Moods, Impressions and Reminiscenes, Op. 41: VII. Allegretto vivace | 00:47 Tools | |
55556946 | Play | Romance for Violin and Piano, Op. 10 | 08:51 Tools | |
87567786 | Play | The Spring, Op. 1 | 01:00 Tools | |
87567756 | Play | Album Leaves, Op. 2: II. A Fantastic Piece. Vivace | 06:02 Tools | |
87567747 | Play | Album Leaves, Op. 2: III. Norwegian Fisherman's Song. Andantino | 02:58 Tools | |
87567791 | Play | String quartet No. 1 in A major: IV. Allegro | 01:00 Tools | |
16650308 | Play | Poem, Op. 39: Poeme | 03:53 Tools | |
55556948 | Play | Moods, Impressions and Reminiscenes, Op. 41 | 08:51 Tools | |
89487702 | Play | Reminiscences: XIV. Lento | 08:51 Tools | |
16650307 | Play | Sonatina for violin & piano Op. 27 - II. Andante | 01:45 Tools | |
16650288 | Play | Sonatina for violin & piano Op. 27 - III. Allegro molto | 03:33 Tools | |
16650370 | Play | Sonata in D major for violin & piano - III. Vivace grazioso - Trio. Poco meno | 02:58 Tools | |
16650301 | Play | Sonatina for Violin and Piano, Op. 27 | 05:01 Tools | |
89487703 | Play | Symphony No. 2 in E-Flat Major, Op. 38: III. Scherzo: Presto | 05:01 Tools | |
16650317 | Play | Poème Op41 No.6 | 02:30 Tools | |
16650363 | Play | The Bride of Messina: Act III, Scene 4, Funeral March | 10:07 Tools | |
55556949 | Play | Поэма | 02:58 Tools | |
55556952 | Play | Clear night for violin & piano - Andantino | 02:58 Tools | |
87567768 | Play | Symphony No. 2 in E-Flat Major, Op. 38: III. Scherzo and Trio: Presto | 11:51 Tools | |
16650440 | Play | Moods, Impressions and Reminiscenes, Op. 41: X. Andante con moto | 01:00 Tools | |
55556965 | Play | Allegro Con Fuoco - Adagio | 06:02 Tools | |
55556966 | Play | Reminiscences: III. Andante | 06:02 Tools | |
89487704 | Play | Symphony no. 1 in F major, op. 17: IV. Finale. Allegro con fuoco e vivace | 06:02 Tools | |
55556955 | Play | Зденек Фибих - Поэма | 02:58 Tools | |
16650462 | Play | Moods, Impressions and Reminiscenes, Op. 41: IV. Vivace | 00:51 Tools | |
16650450 | Play | Moods, Impressions and Reminiscenes, Op. 41: XVI. Andante | 00:43 Tools | |
16650351 | Play | Quartet for Violin, Viola, Cello and Piano in E minor, Op. 11: I. Allegro moderato | 11:51 Tools | |
55556956 | Play | IV. Allegro maestoso - Allegro vivace | 02:58 Tools | |
87567785 | Play | Album Leaves, Op. 2: V. Epilogue. Allegro moderato | 01:00 Tools | |
87567790 | Play | String quartet No. 1 in A major: III. Allegretto | 01:00 Tools | |
87567792 | Play | String quartet No. 1 in A major: I. Allegro grazioso | 01:00 Tools | |
55556957 | Play | Poem [Semmy Stahlhammer (violin) & Karin Strid (organ) - Music For Mood And Atmosphere] | 02:58 Tools | |
16650291 | Play | Impressions, Op. 47, Part 4 | 02:22 Tools | |
16650287 | Play | Zdenek Fibich: Ein Sommerabend, op.41, No.4 - Arr. G. Saborow - Poème | 03:29 Tools | |
16650311 | Play | Sonatina for violin & piano Op. 27 - I. Allegro moderato | 04:59 Tools | |
55556974 | Play | Moods, Impressions and Reminiscenes, Op. 41: LXXXVI. Sostenuto e con anima | 00:47 Tools | |
16650306 | Play | Sonata in D major for violin & piano - I. Adagio - Allegro - Più mosso | 08:24 Tools | |
16650455 | Play | Sonata in D major for violin & piano - II. Largo maestoso - Poco più mosso | 04:58 Tools | |
55556979 | Play | Sylvia: Ballet Suite: Pizzicati | 09:58 Tools | |
87567759 | Play | Nalady, dojmy a upominky (Moods, Impressions and Reminiscences), Op. 41: No. 44 in B-Flat Major: Andante — | 01:52 Tools | |
89487705 | Play | Nalady, dojmy a upominky (Moods, Impressions and Reminiscences), Op. 41: No. 24 in G Minor: Lento | 01:52 Tools | |
16650380 | Play | Sonata in D major for violin & piano - IV. Introduction. Adagio - Polonaise. Allegro ma non troppo | 06:02 Tools | |
89487706 | Play | Toman and the Wood Nymph, Op. 49 | 06:02 Tools | |
16650464 | Play | Song without Words for 2 violins & piano | 02:08 Tools | |
87567765 | Play | Symphony No. 1 In F Major, Op. 17: II. Scherzo And Trio: Allegro Assai | 11:51 Tools | |
55556963 | Play | Pjesma | 06:02 Tools | |
55556964 | Play | Coppélia (Excerpts): Introduction and Mazurka | 06:02 Tools | |
87567750 | Play | Moods, Impressions and Reminiscenes, Op. 41: XI. Andante | 06:02 Tools | |
87567766 | Play | Scherzo in E flat major. Molto vivace, con umore E-Flat Major, sine op. | 11:51 Tools | |
55556982 | Play | Reminiscences: II. Commodo | 01:00 Tools | |
89487707 | Play | Tema con variazone | 01:00 Tools | |
87567751 | Play | Moods, Impressions and Reminiscenes, Op. 41: II. Allegro moderato | 01:00 Tools | |
87567752 | Play | Moods, Impressions and Reminiscenes, Op. 41: XII. Moderato | 01:00 Tools | |
87567753 | Play | Moods, Impressions and Reminiscenes, Op. 41: XIII. Con moto | 01:00 Tools | |
87567754 | Play | Moods, Impressions and Reminiscenes, Op. 41: VI. Andantino sostenuto | 01:00 Tools | |
87567755 | Play | Moods, Impressions and Reminiscenes, Op. 41: V. Andante con moto | 01:00 Tools | |
55556967 | Play | Sylvia: Ballet Suite: Prelude et Les Chasseresses | 06:02 Tools | |
87567781 | Play | Images, Impressions et Souvenirs, Op. 41, Book II (Impressions), No. 1 (45): Lento | 01:00 Tools | |
87567789 | Play | String Quartet No. 2 in G Major, Op. 8: I. Allgro moderato | 01:00 Tools | |
16650325 | Play | Quintet for Piano, Clarinet, French horn, Violin and Cello in D major, Op. 42: II. Largo | 09:27 Tools | |
87567793 | Play | Piano Quartet in E Minor, Op. 11: III. Allegro energico | 01:00 Tools | |
16650425 | Play | Sarka: Overture | 10:03 Tools | |
16650434 | Play | Quartet No. 1 in A major: I. Allegro grazioso | 07:06 Tools | |
55556968 | Play | Sonatina for Violin and Piano, Op. 27: I. Allegro moderato | 07:06 Tools | |
16650395 | Play | Quintet for Piano, Clarinet, French horn, Violin and Cello in D major, Op. 42: I. Allegro non tanto | 08:59 Tools | |
16650309 | Play | Sarka: Act I, "Dead! My Arrow Flew Straight to Its breast!" | 01:33 Tools | |
55556971 | Play | Idyll for Clarinet Orchestra, op. 17: Idyll for Clarinet Orchestra, op. 17 | 01:33 Tools | |
87567758 | Play | Nádaly - Moods, Op. 47, Part 2 | 01:33 Tools | |
16650299 | Play | Poem No. 4, Op. 41 | 01:52 Tools | |
89487708 | Play | Images, impressions et souvenirs, Op, 41, Book IV: 132. Allegro moderato | 01:52 Tools | |
89487709 | Play | Images, impressions et souvenirs, Op, 41, Book IV: 126. Andante | 01:52 Tools | |
89487710 | Play | Images, impressions et souvenirs, Op, 41, Book IV: 127. Comodo | 01:52 Tools | |
16650437 | Play | Symphony No.1 in F major, op.17 - I. Allegro moderato | 11:51 Tools | |
89487711 | Play | Poém | 11:51 Tools | |
87567760 | Play | Symphony No.2 in E flat major, Op.38 - II. Adagio | 11:51 Tools | |
87567761 | Play | Moods, Impressions and Reminiscenes, Op. 41: XIV. Molto agitato | 11:51 Tools | |
87567762 | Play | Symphony No. 1 in F Major, Op. 17 | 11:51 Tools | |
87567763 | Play | Symphony No. 1 in F major, Op. 17: IV. Finale - Allegro con fuoco e vivace | 11:51 Tools | |
89487712 | Play | Noc na Karlstejne (A Night at Karlstejn), Op. 26 | 11:51 Tools | |
87567764 | Play | Moods, Impressions and Reminiscenes, Op. 41: XXXIX. Quasi adagio | 11:51 Tools | |
87567767 | Play | Scherzo & Trio: Vivo E Grazioso | 11:51 Tools | |
87567769 | Play | Reminiscences: IV. Poco allegro | 11:51 Tools | |
87567770 | Play | Moods, Impressions and Reminiscenes, Op. 41: XXXI. Sostenuto | 11:51 Tools | |
87567771 | Play | Moods, Impressions and Reminiscenes, Op. 41: XXIX. Andantino | 11:51 Tools | |
87567772 | Play | Moods, Impressions and Reminiscenes, Op. 41: XXVI. Lento | 11:51 Tools | |
16650285 | Play | Symphony No. 2 in E flat major, Op. 38 | 09:58 Tools | |
87567773 | Play | Moods, Impressions and Reminiscenes, Op. 41: CVII. Con moto | 09:58 Tools | |
55556980 | Play | Poeme, Op. 46: IV. | 01:00 Tools | |
87567774 | Play | Reminiscences: XXII. Maestoso | 01:00 Tools | |
87567775 | Play | Moods, Impressions and Reminiscenes, Op. 41: XC. Grave e misterioso | 01:00 Tools | |
87567776 | Play | Reminiscences: XVIII. Allegro fuoco | 01:00 Tools | |
55556981 | Play | Poиme | 01:00 Tools | |
87567777 | Play | Moods, Impressions and Reminiscenes, Op. 41: XXI. Allegretto | 01:00 Tools | |
89487713 | Play | Symphony No. 1 in F Major, Op. 17: II. Scherzo. Allegro assai | 01:00 Tools | |
89487714 | Play | Images, impressions et souvenirs, Op. 41, Book I: No. 1, Adagio | 01:00 Tools | |
87567778 | Play | Moods, Impressions and Reminiscenes, Op. 41: XVIII. Alla marcia vivace | 01:00 Tools | |
87567779 | Play | Moods, Impressions and Reminiscenes, Op. 41: XIX. Quasi presto e con fuoco | 01:00 Tools | |
87567780 | Play | Moods, Impressions and Reminiscenes, Op. 41: XXIII. Grave | 01:00 Tools | |
87567782 | Play | Impressions from the Countryside, Op. 54: V. Village Dance | 01:00 Tools | |
87567783 | Play | Reminiscences: XXIII. Moderato | 01:00 Tools | |
89487715 | Play | Images, impressions et souvenirs, Op. 41, Book III: 86. Sostenuto e con anima | 01:00 Tools | |
89487716 | Play | From the Mountains, Op. 29: III. Poco lento | 01:00 Tools | |
89487717 | Play | From the Mountains, Op. 29: I. Andante placido | 01:00 Tools | |
89487718 | Play | Images, impressions et souvenirs, Op. 41, Book III: 87. Allegretto | 01:00 Tools | |
87567784 | Play | Album Leaves, Op. 2: IV. Caprice. Presto | 01:00 Tools | |
89487719 | Play | From the Mountains, Op. 29: V. Molto allegro e precipitato | 01:00 Tools | |
87567787 | Play | Moods, Op. 47, Part 4: VI. Andantino | 01:00 Tools | |
87567788 | Play | Scherzo in E minor. Presto E Minor, Op. 4 | 01:00 Tools | |
89487720 | Play | Images, Impressions et Souvenirs, Op. 41, Book II (Impressions), No. 2 (46): Andante | 01:00 Tools | |
89487721 | Play | Images, Impressions et Souvenirs, Op. 41, Book II (Impressions), No. 3 (47): Adagio | 01:00 Tools | |
55556984 | Play | III. Adagio Non Troppo (Alla Romanza) | 02:30 Tools | |
55556972 | Play | Romance in B flat major for Violin and Orchestra, Op. 10 | 00:47 Tools |
Zdeněk Fibich (December 21, 1850 – October 15, 1900) was a Czech composer of classical music, including chamber works (including two string quartets, a piano trio, piano quartet and a quintet for piano, strings and winds), symphonic poems, three symphonies, at least seven operas, the most famous probably The Bride of Messina; melodramas including the substantial trilogy Hippodamia, liturgical music including a mass - a missa brevis; and a large cycle (almost 400 pieces, from the 1890s) of piano works called Moods, Impressions and Reminiscences among other works. The piano cycle served as a diary of sorts of his love for a piano pupil. He was born in Vseborice (Seborice) near Caslav. That Fibich is far less known than either Dvorak or Smetana can explained by the fact that Fibich lived during rise of Czech nationalism within the Habsburg empire. And while Smetana and Dvorak gave themselves over entirely to the national cause consciously writing Czech music with which the emerging nation strongly identified, Fibich’s position was more ambivalent. That this was so was due to the background of his parents and to his education. Fibich’s father was a Czech forestry official and the composer’s early life was spent on various wooded estates of the nobleman for whom his father worked. His mother, however, was an ethnic German Viennese. Home schooled by his mother until the age of 9, he was first sent to a German speaking gymnasium in Vienna for 2 years before attending a Czech speaking gymnasium in Prague where he stayed until he was 15. After this he was sent to Leipzig where he remained for three years studying piano with Ignaz Moscheles and composition with Salomon Jadassohn and Ernst Richter. Then, after the better part of a year in Paris, Fibich concluded his studies with Vincenz Lachner (the younger brother of Franz and Ignaz) in Mannheim. Fibich spent the next few years living with his parents back in Prague where he composed his first opera Bukovina, based on a libretto of Karel Sabina, the librettist of the Bartered Bride. At the age of 23, he married (a Czech) and took up residence in the Lithuanian city of Vilnius where he had obtained a position of choirmaster. After spending two personally unhappy years there (his wife and newly born twins both died in Vilnius), he returned to Prague in 1874 and remained there until his death in 1900. Hence Fibich, in contrast to either Dvorak or Smetana, was the product of two cultures, German and Czech. He had been given a true bi-cultural education. And during his formative early years, he had lived in Germany, France and Austria in addition to his native Bohemia. He was perfectly fluent in German as well as Czech. All of these factors were important in shaping his outlook and approach to composition. And this outlook was far broader than that of Smetana and Dvorak, who in their maturity, exclusively took up the Czech cause and never let it fall. Such an approach was too narrow and constricting for a man like Fibich, trained at the great Leipzig Conservatory by colleagues and students of Mendelssohn and Schumann; too narrow for a man who had sojourned in Paris and Vienna; a man who understood that German, along with French, was clearly one of the leading languages of Europe. And Fibich could plainly see that writing opera and vocal works (his main areas of interest) in Czech would limit their appeal. What he did not appreciate was that writing such works in German would profoundly affect the way in which he and his music were regarded by Czechs. In his instrumental works, Fibich generally wrote in the vein of the German romantics, first falling under the influence of Weber, Mendelssohn and Schumann and later Wagner. It seems, that like Tchaikovsky, Fibich did not wish to write music that merely sounded nationalistic, but unlike Tchaikovsky, for the most part, Fibich succeeded. And therein lies the reason that Fibich has never been held in the same regard by his countrymen as either Dvorak and Smetana or even Janacek. There is no denying that during his first thirty years, Fibich identified more with German culture than Czech. He preferred the German form of his first name Zdenko, rather than the Czech Zdenek, and insisted that it appear on his published works. His early operas and close to 200 of his early songs are in German. These works along with his symphonies and chamber music won considerable praise from German critics if not from Czechs. However, his reputation abroad began to fade when the international public began to clamor for the exotic sounding Czech music his rivals were composing. The public no longer wished to hear works from a Czech composer, which no matter how well-crafted or ingenious, nonetheless did not sound particularly slavic. Having said all this, it would be unfair to omit that the bulk of Fibich’s operas are in Czech, although many are based on subjects from non-Czechs such as Shakespeare, Schiller and Byron. Nor is it fair to state that his music never sounds Czech. It just does not often sound obviously so. Perhaps in his chamber music, more than anywhere else, Fibich makes use of Bohemian folk melodies and dance rhythms such as the Dumka. Lastly, it must be noted that Fibich was the first to write a Czech nationalist tone poem (Zaboj, Slavoj a Ludek) which served as the inspiration for Smetana’s Ma Vlast. He was also the first to use the polka in a chamber work (his quartet in A), again serving as an example for the older Smetana. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.