Zim Ngqawana

Trackimage Playbut Trackname Playbut Trackname
You Think You Know Me 02:27 Tools
Long Waltz to Freedom 03:25 Tools
Gumboot Dance 00:00 Tools
Kubi 07:22 Tools
Mozambique 04:11 Tools
Ingoma Ya Kwantu: Invocation 02:18 Tools
Qula Kwedini 07:34 Tools
Ebhofolo (This Madness) 04:08 Tools
Intlombe Variations: Ebhofolo (This Madness) 06:50 Tools
Zanusi 00:00 Tools
Elegies in C minor: (Opus #1) Qula Kwedini 00:00 Tools
Interlude - Umthandazo (Prayer) 00:00 Tools
Zimzim 00:50 Tools
Umthakathi 02:21 Tools
Thula Sizwe 03:35 Tools
Dirge 00:00 Tools
Baby Angelina 00:00 Tools
Biological Warfare 00:00 Tools
Vadzimu 00:00 Tools
Anthem 00:00 Tools
Umoya 03:34 Tools
Mayenzeke 00:00 Tools
Tafelberg / Carnival Samba 06:16 Tools
Unamaqhinga Na 09:02 Tools
Hymn For The War Orphans 00:00 Tools
Unyangantathu 00:00 Tools
Requiem For Bucs Gongco 06:22 Tools
Transformation 00:00 Tools
Amagoduka Part 3 00:00 Tools
Beautiful Love 00:00 Tools
Ballroom Dance Suite: Man and Woman (Duality of Life) 00:00 Tools
The Widow 00:00 Tools
Ebhofolo 00:00 Tools
Man and Woman (Duality of Life) 00:00 Tools
Tafelberg/ Carnival Samba 00:00 Tools
San Song 00:00 Tools
Chisa 00:00 Tools
Ballroom Dance Suite: Man (A Dying Father Figure) 00:00 Tools
Chisa (Wedding Festivities) 00:00 Tools
Beautiful Love (It's All About Love) 00:00 Tools
Ballroom Dance Suite: Two to Tangle (Challenges of Life) 00:00 Tools
Celebrations: Beautiful Love (It's All About Love) 00:00 Tools
Resolution 00:00 Tools
Mamazala 00:00 Tools
Usizi Emnqamlezweni 00:00 Tools
Unamaqhinga Na? 00:00 Tools
Bantu 00:00 Tools
Epilogue: You Think You Know Me 00:00 Tools
Man And Woman 00:00 Tools
The Window 00:00 Tools
Umzi Watsha 00:00 Tools
Invocation 00:00 Tools
Mamazela 00:00 Tools
Qula Kwendini 00:00 Tools
Intlombe Variations: Diviners Ceremony 00:00 Tools
Cape Point 00:00 Tools
Amagoduka 00:00 Tools
Duality man and Woman (Duality of Life) 00:00 Tools
Ingoma Ya Kwantu: Resolution 00:00 Tools
Celebrations: Chisa (Wedding Festivities) 00:00 Tools
Old Blues (Early Harmonic Devices) 00:00 Tools
Sangoma 00:00 Tools
Four Part Suite: (Opus #20) The Widow 00:00 Tools
Prologue: Manyenzeke 00:00 Tools
Celebrations: Gobbliesation (In a Global Village) 00:00 Tools
Four Part Suite: (Opus #20) Hymn for the War Orphans 00:00 Tools
Mozambuque 00:00 Tools
Two to Tangle (Challenges of Life) 00:00 Tools
Intlombe Variations: Bantu (Rainbow Nation) 00:00 Tools
Amagoduka, Pt. 3 00:00 Tools
Four Part Suite: (Opus #20) Baby Angelina 00:00 Tools
Bantu (Rainbow Nation) 00:00 Tools
Prologue: Mayenzeke 00:00 Tools
Diviners Ceremony 00:00 Tools
Old Blues 00:00 Tools
Manyenzeke 00:00 Tools
Four Part Suite: (Opus #20) Transformation 00:00 Tools
Ode To Princess Magogo 00:00 Tools
www.kwantunent.com 00:00 Tools
Sad Afrika 00:00 Tools
Abaphantsi (Ancestory Suite): Old Blues (Early Harmonic Devices) 00:00 Tools
Abaphantsi (Ancestory Suite): Ode to Princess Magogo 00:00 Tools
McGregorian Chant 00:00 Tools
Elegies in C minor: (Opus #1) Uyangantathu 00:00 Tools
Elegies in C minor: (Opus #1) Requiem for Bucs Gongco 00:00 Tools
Carnival Samba 00:00 Tools
Abaphantsi (Ancestory Suite): www.kwantunet.com (a.k.a. African Continent) 00:00 Tools
Abaphantsi (Ancestory Suite): Compassion (Ubuntu) 00:00 Tools
Abaphantsi (Ancestory Suite): Sad Afrika (A Country Without a Name) 00:00 Tools
Man 00:00 Tools
Umthandazo (Prayer) 00:00 Tools
Two To Tangle 00:00 Tools
Elegies in C minor: (Opus #1) Biological Warfare 00:00 Tools
Abaphantsi (Ancestry Suite): Compassion (Ubuntu) 00:00 Tools
Abaphantsi (Ancestry Suite): Säd Afrika (A Country Without a Name) 00:00 Tools
Compassion 00:00 Tools
Abaphantsi (Ancestry Suite): Old Blues (Early Harmonic Devices) 00:00 Tools
Ingoma 00:00 Tools
Elgeseter 00:00 Tools
Quala Kwedini 00:00 Tools
Uyangatathu 00:00 Tools
Zimfree 00:00 Tools
Abaphantsi (Ancestry Suite): Ode To Princess Magogo (Classical Composer) 00:00 Tools
McGregorian Chant (Oblation To Chris McGregor) 00:00 Tools
Requem For Bucs Gongco 00:00 Tools
McGregirian Chant (Oblation to Chris McGregor) 00:00 Tools
Gobbliesation (In A Global Village) 00:00 Tools
Keyz of Enoch 00:00 Tools
Resurrection 00:00 Tools
(You Ain't Gonna Know Me 'Cause) You Think You Know Me 00:00 Tools
Amagoduka (Migrant Workers) 00:00 Tools
Tafelberg/Carnival Samba 00:00 Tools
Ballroom Dance Suite: Man & Woman (Duality of Life) 00:00 Tools
Ingoma Ya Kwantu: Royal Drumming 00:00 Tools
Säd Afrika 00:00 Tools
Zimgroove 00:00 Tools
Gobbliesation 00:00 Tools
www.kwantunent.com (aka African Continent) 00:00 Tools
Requiem for Bruce Gongco 00:00 Tools
www.kwantunent.com (a.k.a The African Continent) 00:00 Tools
Amanzi 00:00 Tools
Act One - Ingoma (Opus #18): Usizi Emnqamlezweni 00:00 Tools
Intlombe Variations: Bantu (Rainbow Nation) (Live) 00:00 Tools
Unyanganthatu 00:00 Tools
Zimfunk 00:00 Tools
Zimkeyz 00:00 Tools
Time Zone 00:00 Tools
Abaphantsi (Ancestry Suite): www.kwantunent.com (A.K.A. Afrikan Continent) 00:00 Tools
Act Two - Biko's Ghost (Opus #19): Cruxifixion 00:00 Tools
Four Part Suite (Opus #20): Transformation 00:00 Tools
Crucifixion 00:00 Tools
Conciousness 00:00 Tools
Diaspora - Zanusi 00:00 Tools
Liberation Suite - Tafelberg 00:00 Tools
Diaspora - Mazambique 00:00 Tools
Diaspora - Zimzim 00:00 Tools
Satire - Amagoduka Part 3 00:00 Tools
Diaspora - Dirge 00:00 Tools
Diaspora - Long Waltz to Freedom 00:00 Tools
Satire - Kubi 00:00 Tools
Liberation Suite - Unamaqhinga Na 00:00 Tools
Satire - Umthakathi 00:00 Tools
Compassion (Ubuntu) 00:00 Tools
Ode To Princess Magogo (Classical Composer) 00:00 Tools
Intro by MC 00:00 Tools
Four Part Suite (Opus #20): Hymn for the War Orphans 00:00 Tools
Four Part Suite (Opus #20): The Widow 00:00 Tools
Elegies in C-Minore (Opus #1): Requiem for Bucs Gongco 00:00 Tools
Elegies in C-Minore (Opus #1): Qula Kwedini 00:00 Tools
Migrant Workers 00:00 Tools
Satire - Gumboot Dance 00:00 Tools
Tafelberg Samba Carnival Samba 00:00 Tools
Amagoduka, Pt. 3 (Migrant Workers) 00:00 Tools
Ebhofolo - This Madness 00:00 Tools
Consciousness 00:00 Tools
Diaspora: Long Waltz to Freedom 00:00 Tools
Satire: Umthakathi 00:00 Tools
Overture - Communion: Mamazala 00:00 Tools
Act One - Ingoma (Opus # 18) Umzi Watsha 00:00 Tools
Act Two - Biko's Ghost (Opus #19): Resurrection 00:00 Tools
Longingz 00:00 Tools
Act One - Ingoma (Opus #18): Ingoma 00:00 Tools
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When Zim Ngqawana led a group of 100 drummers, singers, and dancers at Nelson Mandela's inauguration in 1994, he heralded a new era. Zim (saxophonist, flautist, composer, and arranger) performs music grounded in his South African roots and draws on influences ranging from South Africa’s folk and rural traditions to Indian and western classical music, world music and the avant-garde. Zim has devoted much time and effort to building up a number of small and large combos from the conventional quartet/quintet including his 8 piece band Ingoma through to the 100 person Drums for Peace Orchestra which made its mark at the historic inauguration of President Nelson Mandela in 1994. Here he led an elite group of 12 Presidential Drummers and featured as a solo saxophonist. He has performed with jazz greats such as Abdullah Ibrahim and High Masakela, Paul van Kammenade and his ensemble, Max Roach, Yusuf Lateef, Keith Tippett, musicians from the AACM in Chicago, George Lewis, Henry Grimes, Matthew Shipp, and William Parker. He has conducted numerous workshops in America, Nigeria, Ghana and Europe. Zim has toured America, Africa and Europe and has played with greats including Max Roach, Keith Tippett, Dennis Mpale, Abdullah Ibrahim, Hugh Masakela, Louis Moholo, Valerie Naranjo, Bjorn Ole Solburg and his Norwegian San Ensemble as well as William Parker, Donald Brown and George Lewis. Quotes from Zim Ngqawana: * Zimology is the premise from which I operate naturally (action) * Zimology is the position from where I can understand and appreciate all things (aesthetics, outlook) * Zimology is my political and cultural coming home, both figuratively and literally, from travels of self-discovery (orientation) * Zimology is my return to spiritual source (grounding) In fact, there is a Xhosa word which encompasses these elements: Ukubanguwe. It is impossible to translate such a polysemic, culturally laden term. It may be broken down as follows, “U” first sound as in breath, humanity (has no gender), “Ku” or from, this has soul/spiritual/human connotations, “Ba” or soul, “Ngu” meaning connected to earth, nature, source, life, “We” to be harmonious whether with nature or fellow human beings. Bio from the "3D Family" website: Zim’s style is rather difficult to define to a single label or genre. With an avant-garde approach to his music he pools his vast knowledge of traditional African music with his equivalently awesome knowledge of jazz to interpret and adapt these classics into new and inspiring interpretations. His music furthermore contains elements of bop, funk, Indian and Western classical music, samba, tango, vocal chants – highly percussive and often danceable. A multi-instrumentalist Zim is proficient on horns of all kinds (alto, tenor and baritone sax), flute, piccolo, harmonica, bells and whistles as well as melodica and piano. Add to this his gut-wrenching vocal timbre spicing some of his tracks with sparse chants and choruses and you have an amazing combination of diverse elements to drive fans wild both live and on recorded material. Amazingly well respected in South Africa (and abroad in areas), Ngqawana has managed to scoop a total of 5 SAMAs (South African Music Awards), a clear indication of his quality, integrity, professionalism and drive. Amongst these are awards for “Best Male Artist”; “Best Traditional Jazz Album”; “Best Jazz Album” as well as “Best Album Engineering”. He holds the record in South Africa for the most SAMA nominations in any given year with 5 in 2002. Zim has toured the world extensively with his faithful quartet (drums, piano and upright bass); the list of counties he hasn’t visited would be shorter than those he has! In addition he has been a lecturer of musicology both at Natal University in South Africa as well as the University of Tennessee. (His formal and informal studies of music are outlined below and equally as impressive). NOTE: The following paragraph of biographical material on Zim's musical training is not from the 3D Family website: Zim started playing the flute at 21. He has studied at the Universities of Grahamstown and Natal. Working with The Jazzanians, he attended the International Association of Jazz Educators Convention in the United States and was offered scholarships to the Max Roach/Wynton Marsalis Jazz Workshop and subsequently a Max Roach Scholarship to the University of Massachusetts, where he studied with Jazz legends Archie Shepp and Yusuf Lateef. 3D Family Bio, continued: Zim’s musical expertise and pedigree extends further than jazz alone; he has orchestrated and produced classical music shows, fusions of hip-hop and jazz, massive big band jazz and traditional orchestras as well as his standard (and greatly acclaimed) performances as a quartet. More elaborate details of this interesting character, his albums and history unfold below: The History (and Discography): Zim Ngqawana first made his mark at the historic inauguration of President Nelson Mandela in 1994, where he directed the 100 person ‘Drums for Peace Orchestra’, led an elite group of 12 Presidential drummers and featured as a solo saxophonist. This recognition came after a late start and some tough struggles. Born in 1959 in Port Elizabeth (in South Africa’s Eastern Cape), Zim was the youngest of five children and started playing flute at the age of 21. Although Zim was forced to drop out of school before completing university entrance requirements, his prowess won him a place at Rhodes University. He later went on to study for a diploma in Jazz Studies at the University of Natal. Working with the University’s ensemble, ‘The Jazzanians’, he attended the International Association of Jazz Educators convention in the United States and was offered scholarships to the Max Roach / Wynton Marsalis jazz workshop and subsequently a Max Roach scholarship to the University of Massachusetts, where he studied with jazz legends Archie Shepp and Yusef Lateef. Since his return to South Africa in the 1990’s he has worked in the bands of veteran greats like Abdullah Ibrahim and Hugh Masekela. He has also devoted much time and effort into building up a number of small and large combos from the conventional quartet / quintet including his 8 piece band ‘Ingoma’ through to the ‘Drums for Peace Orchestra’. Zim is committed to developing and creating an audience for new South African jazz. His music draws on influences ranging from South Africa’s folk and rural traditions to Indian and western classical music, world music and the avant-garde. Grounded in his South African roots, the music is strongly percussive, improvisational and highly danceable. Alongside numerous major festival appearances in South Africa, in 1993 he appeared as the guest artist with Paul Van Kemenade and his ensemble, at the Tilburg Festival in front of a large and enthusiastic Dutch audience. In 1995 he toured the United States with his band ‘Ingoma’ and appeared at the historic Black History Week in Chicago. Zim has toured America, Africa, Israel and Europe and has played with greats including Max Roach, Keith Tippett, Dennis Mpale, Andile Yenana, Herbie Tsoaeli, Kevin Gibson, Valerie Naranjo, Bjorn Ole Solburg and his Norweigan San Ensemble to name a few. “San Song” was released by Sheer Sound in South Africa 1997, to critical acclaim. Licensed from NOR-CD and recorded in Norway, the album comprises original compositions by Zim Ngqawana and Bjorn Ole Solberg. The music is deeply rooted in the folk based jazz traditions of Norway and South Africa. ‘San Song’ features South Africans Zim Ngqawana, Andile Yenana and Norwegians Bjorn Ole Solberg, Ingebrigt Haker Flaten and Paal Nilssen-Love. “Zimology”, the first solo release by Zim, illustrates his uncanny ability as a musician, composer and fine saxophonist. Recorded in Norway along with two of the original members of San and Zim’s long time pianist Andile Yenana, ‘Zimology’ once again established him as the undoubted king of South African avant-garde jazz music, a genre that he has embraced whole heartedly, unlike numerous of his contemporaries. The album is dedicated to a number of his influences including Yusef Latef, Archie Shepp and Pharaoh Sanders whom he studied and played with while on a Wynston Marsalis scholarship at the Max Roach Institute of Jazz in Massachusetts. He also pays tribute to local jazz legend Mongezi Feza (Blue Notes and Brotherhood of Breath) with the track “You Think You Know Me”. “Zimology” incorporates many influences from traditional Xhosa rhythms and songs to the more ‘way out’ form of jazz expressionism. Zim released his second solo project “The Zimphonic Suites” in 2001. Few knew that this recording would produce such a definitive artist album. Following in the footsteps of “Zimology” the reedman manages to fuse the ancient rhythms and songs of Africa with his interpretations of modern jazz music. The album moves beyond jazz and deals with expression only, as it is supposed to serve a broader purpose by suggesting jazz, classical and other western forms before departing from them. “Zimphonic Suites” was nominated for an impressive 5 South African Music Awards, the most nominations received by any artist ever for this major awards ceremony. He managed to scoop three awards out of the five nominations including the very prestigious “Best Male Artist”. Zim Ngqawana’s latest album “Vadzimu” has caused a stir with lovers of good music worldwide. In the words of www.allboutjazz.com – “Vadzimu is a masterpiece!” In his inimitable style, Zim has produced an album that will remind fans of his legendary prowess as a musician and a producer, and will be sure to draw legions of new followers. Featured guests include Andile Yenana (piano), Marcus Wyatt (trumpet & flugelhorn), Lulu Gontsana and Kesivan Naidoo (drums). “Vadzimu” is a concept album divided into various sections. The first section of the album “Satire” is a tribute to our own South African heritage and it is expressed in track 3 ‘Gumboot Dance, which conjures up images of our mineworkers. Zim has reworked Abdullah Ibrahim’s song Tafelberg, and has renamed it Tafelberg / Carnival Samba. He also re-arranged the South African national anthem Nkosi Sikeleli Afrika. The last section “Nocturnes” is a collection of piano pieces played by Zim himself. “Vadzimu” managed to secure Zim two further SAMA awards and an amazing amount of critical acclaim, scooping the very prestigious “Best Male Artist” as well as “Best Jazz Album” categories that year, no small feat in a country where jazz is a popular and hotly contested music form! Bra Zim’s star continues to rise and shine brightly. International distribution deals and a consolidated and concentrated focus on international tours in support will see abundant hype in 2006 as this unique individual is sought out to uncover the real truth as to who he is, what his music is all about and where he intends going… see more Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.