302 Acid

Trackimage Playbut Trackname Playbut Trackname
Calibrations 07:08 Tools
Mortariggus 05:08 Tools
Paranoiac 01:20 Tools
Fluffer 01:21 Tools
Aiboc 06:01 Tools
Tunnel Vision 02:06 Tools
Push Button 06:27 Tools
bd williams 02:15 Tools
Nocturnum 04:30 Tools
Six 06:07 Tools
Road Trip To Tokyo 05:48 Tools
Quest 05:55 Tools
Flüufer 01:21 Tools
The Quest,the Future Beyond 05:56 Tools
sunshine 04:21 Tools
Paranoiac (May You Always Be as Vivid as Your Hallucinations) 04:21 Tools
Paranoiac (May You Always Be A 01:21 Tools
Flьufer 01:21 Tools
Even Calls 01:21 Tools
em:t 0005 01:21 Tools
Transmission: Fire Dub 02:59 Tools
Sevens 02:28 Tools
Push Button for Blind Wail 04:18 Tools
Pigsinspace 01:45 Tools
The Quest/The Future Beyond 05:56 Tools
FLUFFUR 05:56 Tools
Live in Nottingham-2005 05:56 Tools
302acid_phillyambientset_061905 05:56 Tools
Sixmilcop dub 03:34 Tools
BDWIILL 03:34 Tools
Tunnel Vision { sofaspace.net } 03:34 Tools
SIX24 03:34 Tools
01 A.I.B.O.C. 06:02 Tools
paranoic 06:02 Tools
TUNNELVISION 06:02 Tools
PUSHBUTTON BLIND WHAIL 06:02 Tools
A.I.O.B.C. 06:03 Tools
07 The Quest/the Future Beyond 06:03 Tools
Calibrations { sofaspace.net } 00:30 Tools
Tunnel Vision { SOFASPACE } 00:30 Tools
05 Road Trip to Tokyo 00:30 Tools
A.I.B.O.C. 00:30 Tools
302acidlive1-2004 00:30 Tools
03 Calibrations 00:30 Tools
02 Six 00:30 Tools
Sixmilcopdub 00:30 Tools
08 Mortariggus 00:30 Tools
Transmission:Firedub 00:30 Tools
Six Million Cop Dub 00:30 Tools
04 Flüufer 00:30 Tools
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Formed in late 2002 by Doug Kallmeyer (strings, electronics, visuals) and Justin Mader (electronics, visuals), 302 Acid combines real-time audio and video manipulations with live instrumentation, embracing the challenges of coalescing music and visual media with new technology. This approach has led the group to perform at a variety of venues, including the Kennedy Center for the Performing Arts and the famous 9:30 Club in DC, as well as garnering mention in popular culture magazine Rolling Stone and a photograph in Spin magazine (performing during a protest in front of the US Capitol Building), all without the aid of a booking agent, a press kit, or even a demo recording. Taking on full production and recording of their music, the EP Ailanthus Altissima was released in January 2004 on DC indie label Hackshop Records and distributed through Dischord Direct. Immediately following a U.S. tour of standard venues, art openings, live radio shows and burned-out punk rock basements, 302 began work on their second release, Even Calls. Through a musical co-conspirator, one Gel-Sol, this new work was brought to the attention of Nottingham, UKʼs collectorsʼ label, Emit Records. Emit immediately signed the group, releasing Even Calls in May of 2005 and providing world-wide distribution through Arabesque and the iTunes music store under the title 302Acid0005. This in turn has led to critical acclaim in international publications and performances throughout the US, Canada, and Europe—featuring a coveted spot at the Big Chill festival in England. In addition to two releases and a hectic touring schedule, 302 has created musical compositions for special releases by the Wire magazine, the Decatur Blue Artists Collective, and Italian music magazines Losing Today and Trax . Working out of studios in Washington DC and Seattle WA, the group is currently recording new material for upcoming releases. These composition-rich studio recordings lend themselves to exciting heavily improvised live audio/visual performances. The varied styles of music they explore has allowed 302 the privilege to perform with an incredibly wide array of musicians from different stylistic backgrounds. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.