Afia Mala

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Segne 04:22 Tools
Sope 04:22 Tools
Sweet Africa 05:44 Tools
Gamelilo 04:20 Tools
El Telefono 05:16 Tools
Vivissesse 05:52 Tools
Teteva 04:56 Tools
Lonlon Vanvan 04:41 Tools
Maman 05:36 Tools
Segne (Togo) 04:25 Tools
Tsite 05:01 Tools
Oser 05:20 Tools
Togo 05:47 Tools
Lonlon Vanvan (Edit Version) 05:47 Tools
Lonlon Vanvan - Edit Version 03:29 Tools
Ena 04:44 Tools
Angelina 04:12 Tools
Segive 04:25 Tools
Abalipoe 03:31 Tools
Kokolile 04:21 Tools
Fever 04:35 Tools
Watoto 04:25 Tools
04 Djarabi 04:35 Tools
SEGNE [TOGO] 04:25 Tools
Ten Homte 04:03 Tools
Saxontosa 03:51 Tools
Asseye 04:00 Tools
Akpeedje 03:15 Tools
Stostoke (Le Pardon) 03:36 Tools
Azon (Dieu) 02:11 Tools
Koma 02:11 Tools
Remake (Refais) 03:56 Tools
Segne (Afia Mala) 04:24 Tools
Aidelie 03:56 Tools
Baila Mi Musica 04:24 Tools
Djarabi 04:24 Tools
Afima 04:24 Tools
Mi Vida 04:24 Tools
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It all started with two royal families from Togo and Benin. A princess was born on the banks of the river Mono, her name was Afiwavi Mawaulana Missohou, who later became to be known as Afia Mala. When she was small she often accompanied her mother to the traditional singing lessons of the Habobo women. Following this early influence she soon started singing at village functions where the young Afia stunned elders with her fantastic voice. This was during the time of the great Bella Bellow, the Togolese Lady of the blues, who sadly died at the height of her fame. Bella Bellow was an inspiration to an entire generation of African singers, including the young Afia Mala. In 1974 Afia Mala’s music career was launched thanks to her winning the Best Togolese singer of the year. However, this promising career was nearly cut short following a near fatal traffic accident. After spending over six months in hospital, her Father decided that music was not to be young Afia’s future… but destiny decided otherwise! In 1984 ‘Ten Homte’ (Black Earth) was selected by Radio France International listeners as their favourite song during their talent competition ‘Discovery’. Much success and some eight albums later, the Princess from Vogan has a repertoire that places her firmly amongst the great African Diva’s. When you first meet Afia, you have the impression that she is a bit delicate, infact almost fragile… don’t be fooled! Behind this beautiful, smiling alluring face hides a dedicated professional driven to perfection, whilst still being able to enjoy life to the full! After being nominated ‘Best African Female Vocalist’ in 1992, Afia took some time off to spend with her family and refocus her career. She believes strongly that music and politics make bad bedmates. Despite this fact her song titled ‘Tout le monde est coupable’ (Everybody is guilty) resulted in much personal criticism as it was perceived as a political statement by many. Her strength of character carried her through this difficult period, and she has calmed even her worst critics. Afia believes ‘a song must always carry a message, that’s important, and cannot be faked’. The album ‘Prophetie’ won her the Nelson Mandela Prize in Nairobi, Kenya, where she was also honoured with the role of Ambassador for Cultural Affairs for URTNA (Union des Radios et Television Nationales Africaines). She sings in several languages: Lingala, Ewe, French, Adja, English, Spanish, Douala and Swahili. Afia Mala has recorded 8 albums to date. The eighth album is an exciting blend of African and Carribean rhythm and was recorded in Cuba with the famous Aragon Orchestra. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.