Bedtime for Robots

Trackimage Playbut Trackname Playbut Trackname
guess who this is 00:00 Tools
Malleus Malleficarum (Immortal 00:00 Tools
Black Holy 00:00 Tools
Manchester 00:00 Tools
Spider Eyes 00:00 Tools
the Sleep Machine 00:00 Tools
We Bleed for the Sake of Bleeding 00:00 Tools
The Fashionably Dead 00:00 Tools
Machines Generating Air and Water 00:00 Tools
Walpurgis Night 00:00 Tools
Lo-fi Diving 00:00 Tools
Rites 00:00 Tools
DS3 00:00 Tools
STRANGE FRUIT (REVISITED) 00:00 Tools
Cloud Hole 00:00 Tools
SHAM 00:00 Tools
Digital Lullaby 00:00 Tools
Test Swallowing 00:00 Tools
All My Idols Are Dead 00:00 Tools
Set the Controls for the Heart of the Sun 00:00 Tools
Labia Minora 00:00 Tools
Ashes and Hearts 00:00 Tools
Object 00:00 Tools
Guess Who This Is? 00:00 Tools
Phantom Luxury 00:00 Tools
The Cloak Room 00:00 Tools
Lamb Offerings (Bonus Track) 00:00 Tools
Traumatic Extraction 00:00 Tools
Corporate Radiation 00:00 Tools
Sweet Lamblood 00:00 Tools
I Was Dog 00:00 Tools
Lucifer Slam 00:00 Tools
Ling 7 00:00 Tools
Eye of Uncertainty 00:00 Tools
The Lolly Song 00:00 Tools
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Bedtime for Robots, an excursion into the dark depths of ambient noise, has been the bastard child of Michael Ferentino since 2001. Inspired by films, noise, and neuroscience, Bedtime for Robots has been oddly self-described as David Lynch wrestling with Brian Eno and the members of Kraftwerk while nearby, little Alice daydreams of her simple life milking cows on the farm before she fell deep deep down into the rabbit's hole...and awoke to the sounds of scratchy old children's records bleeding out creepy little noisescapes. Michael Ferentino’s eclectic musical odyssey began in 1988 with the experimental goth/glam rock outfit, DOG. Along with co-collaborator Andres Karu (drummer for UK rock band the Wonderstuff) and a host of visual artists/characters, DOG helped define New York City’s 90s industrial goth scene. Their shows were a combination of sex-drenched imagery and dark, pulsating machine-driven glam rock replete with elaborate lighting and stage effects. By the mid-90s, DOG quickly evolved into the 3-piece progressive/glam rock band Love in Reverse, signed with Warner/Reprise, recorded three critically acclaimed albums (2 with legendary producer Russ Titelmann), and toured with the likes of Gravity Kills, Stabbing Westward, Republica, and the Cult’s Ian Astbury. Finally fed up with the bullshit surrounding the world of major label bureaucracy, Love in Reverse disbanded and evolved once more into the Amazing Meet Project, a band which has been described as “putting the alternative in alternative rock”! During this period, Ferentino and Karu scored the Kevin Smith produced thriller “A Better Place,” a realistically violent film that has become an underground cult classic. Over the next few years, Ferentino experimented with a number of different projects, including the noisy lo-fi electronic garage band, Corduroy Poo-Poo, the spoken word experiment, Speak the Worms, and he even teamed up with Wonderstuff front-man Miles Hunt for a collaboration dubbed the Miles Hunt Club. However, his first love of dark experimental music inspired by horror films and real-life horrors was continually haunting him…and so Bedtime for Robots was born just after the start of the new millennium and has since spawned a prolific collection of over 20 studio albums including the newly released Voodoo Sex Chillfest, "Rites," four forthcoming Iphone recorded albums, VISCOUS, LULL, EAT YOU and ELEMENTS and the 4-disc collection, Stars That Drip Blood, culled from the exasperating 24 hour epic, the 24-Hour Psychosis. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.