Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82232072 | Play | From The Outpost Of Centurion | 00:00 Tools | |
82232073 | Play | Lightspeed | 00:00 Tools | |
82232075 | Play | Event Horizon | 00:00 Tools | |
82232074 | Play | A Safe Place To Land | 17:51 Tools | |
82232076 | Play | Zeitgeist [An Electronic Meditation] | 00:00 Tools | |
82232077 | Play | Analogue Waveform | 00:00 Tools | |
82232078 | Play | Etheria | 00:00 Tools | |
82232081 | Play | Secular Twilight | 00:00 Tools | |
82232079 | Play | 12:48am, Black Rock | 00:00 Tools | |
82232083 | Play | Exaltation I | 00:00 Tools | |
82232087 | Play | Phase V Brainwave Entrainment | 00:00 Tools | |
82232080 | Play | Scattered Frequencies | 00:00 Tools | |
82232086 | Play | Pelagic | 00:00 Tools | |
82232085 | Play | Oasis (In A Barren Desert) | 00:00 Tools | |
82232084 | Play | Playa Sunrise | 00:00 Tools | |
82232082 | Play | Exaltation II | 00:00 Tools | |
82232088 | Play | Transmission IV | 00:00 Tools | |
82232091 | Play | Phase Iv Lucid Dreaming | 00:00 Tools | |
82232089 | Play | Phase Ii Theta | 00:00 Tools | |
82232090 | Play | Phase I Approaching Alpha | 00:00 Tools | |
82232093 | Play | Dwarf Star | 00:00 Tools | |
82232096 | Play | De Grassi Suite (Prologue) | 00:00 Tools | |
82232092 | Play | Prescience | 00:00 Tools | |
82232094 | Play | A Conspiracy Of Planets Part II | 00:00 Tools | |
82232098 | Play | Sympathetic Vibration (Radio Edit) | 00:00 Tools | |
82232099 | Play | A Conspiracy Of Planets Part I | 00:00 Tools | |
82232103 | Play | Tethered | 00:00 Tools | |
82232095 | Play | Incandescent Oscillator | 00:00 Tools | |
82232104 | Play | For My Cousin, Silas | 00:00 Tools | |
82232101 | Play | Scattered Frequencies (for Edgar Froese) | 00:00 Tools | |
82232097 | Play | Sympathetic Vibration | 00:00 Tools | |
82232100 | Play | Isotropic | 00:00 Tools | |
90225250 | Play | Song Of Desert Elders | 00:00 Tools | |
82232108 | Play | Awakenings | 00:00 Tools | |
82232116 | Play | Theremin Dub | 00:00 Tools | |
82232102 | Play | Emphemeris | 00:00 Tools | |
82232105 | Play | Mitigating Chaos | 00:00 Tools | |
82232110 | Play | Overture | 00:00 Tools | |
90225251 | Play | The Signals I Am Receiving | 00:00 Tools | |
82232106 | Play | Inertia Reel | 00:00 Tools | |
82232107 | Play | Contact | 00:00 Tools | |
82232109 | Play | As Angels Annunciate | 00:00 Tools | |
82232111 | Play | Kinesiology [For Eberhard] | 00:00 Tools | |
82232112 | Play | Secondhand Daylight | 00:00 Tools | |
82232119 | Play | Concentric | 00:00 Tools | |
82232113 | Play | Vortex, Spinning | 00:00 Tools | |
82232120 | Play | Moog Opus 1 | 00:00 Tools | |
82232114 | Play | Suspended Under Canopy | 00:00 Tools | |
82232115 | Play | A Conspiracy Of Planets Part III | 00:00 Tools | |
82232121 | Play | Filigree And Shadow | 00:00 Tools | |
82232117 | Play | After Hours Theme | 00:00 Tools | |
82232118 | Play | On Arriving: Trains | 00:00 Tools | |
82232122 | Play | Pale Horizons | 00:00 Tools | |
90225252 | Play | Improbable Entropy | 00:00 Tools | |
82232123 | Play | Enharmonic Convergence | 00:00 Tools | |
82232126 | Play | Amplitude | 00:00 Tools | |
90225253 | Play | Entrance Music, Parts I-IV | 00:00 Tools | |
82232124 | Play | Harpsichord Motion | 00:00 Tools | |
82232128 | Play | Space Chase | 00:00 Tools | |
82232125 | Play | Das Cage | 00:00 Tools | |
82232129 | Play | Transmission One | 00:00 Tools | |
82232127 | Play | Zeitgeist (An Electronic Meditation) | 00:00 Tools | |
82232133 | Play | Ephemeris | 00:00 Tools | |
88555182 | Play | Between Two Worlds | 00:00 Tools | |
82232131 | Play | Olympiad: Main Titles | 00:00 Tools | |
82232130 | Play | Variegated Marimbas 5 | 00:00 Tools | |
82232159 | Play | The Eternal Lifeforce | 00:00 Tools | |
82232135 | Play | 2nd Transmission | 00:00 Tools | |
90225254 | Play | Another Distant Star | 00:00 Tools | |
82232144 | Play | Sigur Rós | 00:00 Tools | |
82232137 | Play | Outerealm | 00:00 Tools | |
82232132 | Play | The Engineering Index | 00:00 Tools | |
82232134 | Play | Solaris | 00:00 Tools | |
82232139 | Play | Orbiting Orion | 00:00 Tools | |
82232136 | Play | Story in a Paragraph (Pt. 1) | 00:00 Tools | |
82232155 | Play | A Thousand Points of Skylight | 00:00 Tools | |
82232149 | Play | Perigee | 00:00 Tools | |
82232140 | Play | Film Cue #49: Cinema Concrete | 00:00 Tools | |
82232142 | Play | Suburbia (Pt. 1) | 00:00 Tools | |
82232141 | Play | Film Cue #17: The Jungle of Wires | 00:00 Tools | |
82232143 | Play | Sequentia Melodica | 00:00 Tools | |
82232147 | Play | Variegated Marimbas IV | 00:00 Tools | |
82232145 | Play | Ackerman | 00:00 Tools | |
82232148 | Play | Aviary [for PG] | 00:00 Tools | |
82232138 | Play | A Prelude to Winter | 00:00 Tools | |
82232158 | Play | Phase Modulation | 00:00 Tools | |
82232150 | Play | There Is No Ransom [for Cliff Martinez] | 00:00 Tools | |
82232160 | Play | Approaching Solstice | 00:00 Tools | |
82232151 | Play | We Were Children Once | 00:00 Tools | |
82232152 | Play | Requiem for a Past Life | 00:00 Tools | |
82232154 | Play | Sonata For Treated Piano | 00:00 Tools | |
82232146 | Play | The Oracle In the Field | 00:00 Tools | |
82232157 | Play | The Unfolding | 00:00 Tools | |
82232153 | Play | Chaos, Contained | 00:00 Tools | |
82232161 | Play | Film Cue #23: Our Love Reunited | 00:00 Tools | |
82232162 | Play | On Departing: Planes | 00:00 Tools | |
82232163 | Play | Fahey | 00:00 Tools | |
82232164 | Play | Mescaline Dream | 00:00 Tools | |
82232165 | Play | A Portable Masterpiece | 00:00 Tools | |
82232156 | Play | Calling All Lifeforms | 00:00 Tools | |
82232166 | Play | Handbell Suite | 00:00 Tools | |
82232168 | Play | In A Glass Cage | 00:00 Tools | |
82232169 | Play | Variegated Marimbas XI | 00:00 Tools |
David Gerard is a musician and composer, originally from New York City. He has been recording for the past 28 years, and has performed in the United States, as well as overseas. He considers himself an "ambient minimalist" - his music is equally informed by such legends as Klaus Schulze and Steve Roach as it is by Steve Reich and John Cage. His first electronic outing, "A Piece of the Desert" was performed back in the 80's at the legendary venue, The Knitting Factory. He took a decade-long hiatus from composing/recording due to health and emotional issues. Then in 1994, after relocating to Boston, he met local producer/electronic musician Jere Faison. Inspired by Faison's spacey "ISO 999" CD, he began writing and recording again. The sessions produced the out-of-print recording, "Transcendental No.1" - recorded on analogue synthesizers direct to 24-track recording console. Ten years later, he self-produced and commercially released "Compositions", comprised of pieces he had written in the timespan following his last project with Faison. To date, he has released 11 solo recordings, as well as 2 ensemble recordings with Elysium (featuring producer Rutger Holst and bassist/syntheist Paul Christensen. His most popular titles include 2005's "Ambientism", 2007's "Moog Opus No.1" (inspired by his burgeoning friendship with Mother Mallard's Portable Masterpiece Co. founders David Borden and Steve Drews,) 2009's 4-track suite "Rubaiyat", 2010's innovative "The Guitar Album" and 2011's "Etheria", which includes the mesmerizing "A Safe Place To Land." In 2011, he was also commissioned to write an album of meditative ambient music to accompany an original art installation at the Burning Man Festival, outside of Nevada. That recording, "Music From The Pillars Of The Saints" is featured on Internet radio station SomaFm, as well as other tracks from Gerard's musical catalog. In 2012, Gerard announced to fans via his Facebook page his next album, entitled "Film Cues & Ambience, Vol.1", and included a preview track, "Suburbia, Pt.1" on Soundcloud. Gerard's music can also be heard on the ambient/electronic compilation, "Ambient Hub 2012" on Wayfarer Records. David Gerard was signed on by Wayfarer in the Summer of 2013, will release his first album for the label, "At The Edge Of The Earth" in early 2014. He currently resides on the North Shore of Massachusetts. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.