Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
28591843 | Play | Dometude | 01:27 Tools | |
28591845 | Play | Metaclopramide | 01:31 Tools | |
28591841 | Play | Lefty's Elegy | 02:28 Tools | |
28591840 | Play | Deviations | 04:43 Tools | |
28591842 | Play | Forced Entry | 08:25 Tools | |
28591844 | Play | Dark Age Machinery | 02:50 Tools | |
28591846 | Play | Two Pages | 17:49 Tools | |
28591847 | Play | Electric Guitar Phase | 15:20 Tools | |
28591865 | Play | Untitled | 00:57 Tools | |
28591852 | Play | Dometude [Mellits/Frasca] | 01:27 Tools | |
28591856 | Play | Metaclopramide [Marc Mellits] | 01:30 Tools | |
28591848 | Play | Reich: Electric Guitar Phase | 15:20 Tools | |
28591849 | Play | John's Not Taken | 06:24 Tools | |
66849122 | Play | Dominic Frasca - Forced Entry | 15:20 Tools | |
28591868 | Play | Forced Entry 1 | 00:56 Tools | |
28591851 | Play | Dometude, for guitar | 01:30 Tools | |
28591866 | Play | Deviations, for guitar | 22:58 Tools | |
28591860 | Play | Lefty's Elegy, for guitar | 02:28 Tools | |
28591855 | Play | Forced Entry, for guitar | 08:26 Tools | |
66849123 | Play | Impossible guitar | 22:58 Tools | |
28591857 | Play | Chill | 04:14 Tools | |
28591869 | Play | Philip Glass | 03:14 Tools | |
28591850 | Play | Millie's Phone Call | 00:56 Tools | |
28591867 | Play | Two Pages, for piano (or electric keyboard) | 17:50 Tools | |
66849125 | Play | Metaclopramide, for guitar | 06:22 Tools | |
66849124 | Play | dominic frasca | 00:56 Tools | |
28591864 | Play | Johns Not Taken | 06:22 Tools | |
66849126 | Play | 3 | 17:50 Tools |
Dominic Frasca is a classically-trained guitar virtuoso, originally from Akron, Ohio but now living in New York City. He is probably best known for his customized ten-string guitar, which allows him to create a unique, layered-sound normally only accomplishable using multiple instruments or post-recording techniques such as overdubbing. Frasca's technique incorporates classical guitar technique in the right hand as well as rock techniques such as tapping, hammer-ons, and pull-offs. "All my inspiration comes from ensembles," Frasca says. "Most notably The Philip Glass Ensemble, Steve Reich and Musician, Anthony Davis and Episteme, The Who, The Astor Piazzolla Quintet, and Led Zeppelin to name a few." As a performer, Frasca has also been known to challenge the traditional notion of a concert by incorporating amplification (not typical in a classical guitar concert), visuals, talking with the audience, and telling jokes on stage. "It always bothered me that when I would go to a classical guitar concert I would often leave knowing nothing about the person I just spent two hours listening to. I want people to know who I am and I want to know who my audience is- the most fundamental way that people communicate is by discovery." Frasca is currently signed with Canataloupe Music and has released one album, entitled Deviations." Frasca has also opened a small, high-tech, surround-sound nightclub in NYC named The Monkey, which he has described as "a space that is all about the music, the sound and the visuals, not about selling drinks." The performance space is set on the 12th floor of a building. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.