Duarte Lobo

Trackimage Playbut Trackname Playbut Trackname
Audivi vocem de caelo 03:23 Tools
Introitus 05:48 Tools
Pater peccavi 02:36 Tools
Missa pro defunctis: Introitus 02:36 Tools
Missa pro defunctis: Communio 02:36 Tools
Missa pro defunctis: Sanctus 02:36 Tools
Missa pro defunctis: Kyrie 02:36 Tools
Missa pro defunctis: Offertorium 02:36 Tools
Missa pro defunctis: Graduale 02:36 Tools
Missa pro defunctis: Agnus Dei 02:36 Tools
Missa Pro Defunctis: Agnus Die 02:36 Tools
Audivi Vocem De Coelo, Motet For 6 Voices 02:36 Tools
Missa veni Domine: I. Kyrie 02:36 Tools
Kyrie 02:36 Tools
Missa veni Domine: II. Gloria 02:36 Tools
Missa "Dum aurora": Agnus Dei 02:36 Tools
Missa Pro Defunctis a 8 02:36 Tools
Missa veni Domine: IV. Sanctus & Benedictus 02:36 Tools
Missa pro Defunctis a 8: Kyrie 02:12 Tools
Magnificat sexti toni 02:36 Tools
Missa pro Defunctis a 8: Offertorium 03:09 Tools
Missa veni Domine: III. Credo 03:09 Tools
Missa veni Domine: V. Agnus Dei 03:09 Tools
Agnus Dei 02:36 Tools
Missa pro Defunctis a 8: Lux aeterna 02:36 Tools
Missa Pro Defunctis a 8: Introitus 05:32 Tools
Missa pro Defunctis a 8: Agnus Dei 02:30 Tools
Missa pro Defunctis a 8: Graduale 03:13 Tools
Audivi Vocem 03:13 Tools
Missa pro deufnctis, [Schola Cantorum of Oxford] 02:36 Tools
Requiem For Six Voices 02:36 Tools
Liber missarum: Audivi vocem de caelo 02:36 Tools
Requiem for six voices - IV. Sequentia pro defunctis (Dies irae) [The Tallis Scholars] 02:36 Tools
Offertorium 02:36 Tools
Graduale 02:36 Tools
Missa pro Defunctis a 8: Sanctus/Benedictus 02:21 Tools
Sanctus 03:13 Tools
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Duarte Lôbo (c. 1565 – 24 September 1646; Latinized as Eduardus Lupus) was a Portuguese composer of the late Renaissance and early Baroque. He was one of the most famous Portuguese composers of the time, together with Filipe de Magalhães, Manuel Cardoso, composers who all began their academic studies as students of Manuel Mendes. Along with King João IV of Portugal they represent the "golden age" of Portuguese polyphony. Details of his life are sparse. He was born in Alcáçovas, in Alentejo, southern Portugal. He is known to have been a choir boy at Évora where he subsequently studied with Manuel Mendes . His first position was as mestre de capela of the cathedral of Évora; sometime before 1589, he became maestro di cappella at the Hospital Real, Lisbon. By 1591 he was appointed as mestre de capela at the cathedral in Lisbon, a position he held till 1639. This was the most prestigious musical appointment in the country. He also served as director of the Seminar of St. Bartholomew, and was also a professor of music at the 'Colégio do Claustro da Sé' (College at the Holy See Cloisters) in Lisbon, where he taught Manuel Machado. While chronologically his life overlapped with the beginning of the Baroque music era, he was a rather conservative composer who followed the techniques of the Renaissance masters of the previous generation. Palestrina's polyphonic style played a crucial role in his compositions throughout his life. Published by Plantin in Antwerp, his six books of sacred music include masses, responsories, antiphons, Magnificats, and motets. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.