Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
16788170 | Play | Ich weiss nicht | 00:51 Tools | |
16788171 | Play | Will niemand singen | 02:46 Tools | |
55633168 | Play | Alma redemptoris a 6: Alma redemptoris Mater a 6 | 02:46 Tools | |
16788172 | Play | Ach Elslein, liebes Elselein | 02:23 Tools | |
16788173 | Play | Im Maien | 02:04 Tools | |
16788175 | Play | Mit Lust tritt ich an diesen Tanz | 05:57 Tools | |
16788174 | Play | Es hett ein Biedermann ein Weib | 02:35 Tools | |
16788308 | Play | Quis dabit oculis | 05:37 Tools | |
55633170 | Play | Das Gläut zu Speyr | 10:02 Tools | |
16788176 | Play | Ach Elslein | 02:02 Tools | |
16788295 | Play | Ich weiss nit, was er ihr verhiess | 01:47 Tools | |
16788180 | Play | Ich stuend an einem Morgen | 02:55 Tools | |
55633169 | Play | Ich hab' mich redlich g'halten | 07:07 Tools | |
16788198 | Play | Carmen in la | 01:33 Tools | |
16788225 | Play | De profundis clamavi | 07:07 Tools | |
55633171 | Play | Ach Elslein, liebes Elselein - 1989 Remastered Version | 03:02 Tools | |
16788196 | Play | Es taget vor dem Walde | 03:02 Tools | |
55633175 | Play | Ach Elslein, liebes Elselein / Es taget vor dem Walde: Quodlibet: Ach Elslein, liebes Elselein / Es taget vor dem Walde | 02:04 Tools | |
16788183 | Play | Carmen | 00:52 Tools | |
87572698 | Play | Senfl: Ach Elslein, liebes Elselein | 02:21 Tools | |
16788181 | Play | Vita in ligno moritur | 03:49 Tools | |
16788182 | Play | Verbum caro factum | 10:02 Tools | |
55633176 | Play | Das Glaut zu Speyer - 1989 Remastered Version | 02:04 Tools | |
55633178 | Play | Fortuna ad voces musicales | 02:06 Tools | |
16788220 | Play | Was wird es doch des Wunders noch | 02:01 Tools | |
16788178 | Play | Ach Elslein: Ach Elslein | 02:04 Tools | |
55633172 | Play | Carmen in Re | 02:04 Tools | |
55633174 | Play | Laub, Gras und Blueh | 02:04 Tools | |
16788296 | Play | Entlaubet ist der Walde | 05:08 Tools | |
16788275 | Play | Non moriar sed vivam | 03:19 Tools | |
16788267 | Play | Ach Elslein, liebes Elselein mein | 02:34 Tools | |
87572700 | Play | Senfl: Das Gläut zu Speyer | 01:07 Tools | |
16788184 | Play | L'amor, dona, ch'io te porto | 01:24 Tools | |
16788205 | Play | Puer natus est nobis | 18:23 Tools | |
16788179 | Play | Tourdion | 02:04 Tools | |
16788190 | Play | So lang man macht | 04:30 Tools | |
55633173 | Play | Virgo prudentissima | 02:04 Tools | |
55633185 | Play | Ave Maria gratia plena | 01:52 Tools | |
55633196 | Play | Missa paschalis: Kyrie | 01:15 Tools | |
55633186 | Play | Ich stuend an einem Morgen (I), a 3 | 02:35 Tools | |
55633197 | Play | Missa paschalis: Gloria | 04:34 Tools | |
16788193 | Play | Lamentatio | 01:50 Tools | |
16788269 | Play | Mein Herz in hohen Freuden steht: No. 2. So ich sie dann freundlich gruess | 01:36 Tools | |
55633224 | Play | Das Glaut zu Speyer - 1989 Digital Remaster | 02:57 Tools | |
16788202 | Play | Das Glaut zu Speyer | 01:30 Tools | |
55633179 | Play | Lust hab ich ghabt zuer Musica | 01:36 Tools | |
16788189 | Play | Frau, ich bin euch von Herzen hold | 02:05 Tools | |
16788300 | Play | Gaude Dei genetrix | 03:56 Tools | |
55633189 | Play | Tandernaken (I), a 4 | 01:16 Tools | |
55633198 | Play | Ich stuend an einem Morgen (II), a 3 | 04:34 Tools | |
16788245 | Play | Dort oben auf dem Berge | 02:17 Tools | |
55633177 | Play | Alma redemptoris Mater a 6 | 02:18 Tools | |
55633182 | Play | Veni Sancte Spiritus | 02:21 Tools | |
55633208 | Play | Missa paschalis: Agnus Dei | 02:17 Tools | |
55633204 | Play | Tandernaken (II), a 5 | 03:04 Tools | |
55633191 | Play | Ave rosa sine spinis, a 5 | 03:56 Tools | |
55633180 | Play | Wohl auf, wohl auf, an Bodensee | 01:36 Tools | |
55633183 | Play | Patientiam muess ich han | 03:28 Tools | |
55633184 | Play | Non usitata nec tenui ferar, for 4 voices | 03:28 Tools | |
55633193 | Play | Petit, nihil me sicut antea juvat, for 4 voices | 03:56 Tools | |
55633192 | Play | Mollis inertia cum tantam diffuderit imis, for 4 voices | 03:56 Tools | |
55633207 | Play | Missa paschalis: Sanctus | 02:17 Tools | |
55633201 | Play | Carmen in la, a 3 | 04:34 Tools | |
55633199 | Play | Es taget vor dem Walde, a 5 | 04:34 Tools | |
55633203 | Play | Quodlibet: Es taget - Ach Elslein | 03:04 Tools | |
55633233 | Play | Ach Elslein, liebes Elselein - 1989 Digital Remaster | 01:07 Tools | |
55633212 | Play | Quodlibet: Ich stuend - Fortuna | 02:19 Tools | |
16788185 | Play | Ich stund en einem Morgen ! | 02:18 Tools | |
16788316 | Play | Fortuna ad voces musicales a 4 | 03:28 Tools | |
16788313 | Play | L'homme arme | 01:10 Tools | |
55633220 | Play | Gaude Dei genetrix: Virgo, tu sola | 02:03 Tools | |
55633214 | Play | 5 Salutationes, "Ave Domine Jesu Christe": Salutatio quarta | 01:03 Tools | |
16788213 | Play | Wann ich des Morgens frueh aufsteh | 01:52 Tools | |
16788206 | Play | Verbum caro factum est | 02:06 Tools | |
55633211 | Play | Carmen, a 4 | 02:19 Tools | |
55633200 | Play | Ave Maria...virgo serena, a 6 | 04:34 Tools | |
55633213 | Play | Lamentatio, a 4 | 02:43 Tools | |
16788302 | Play | Elslein, lieb(st)es Elselein (in 4 versions, last by Senfl) | 03:05 Tools | |
16788199 | Play | Von edler Art | 02:35 Tools | |
55633229 | Play | 5 Salutationes, "Ave Domine Jesu Christe": Salutatio secunda | 01:07 Tools | |
55633228 | Play | Was wird es doch des Wunders noch, a 7 | 01:07 Tools | |
55633227 | Play | 5 Salutationes, "Ave Domine Jesu Christe": Salutatio prima | 01:07 Tools | |
55633232 | Play | 5 Salutationes, "Ave Domine Jesu Christe": Salutatio quinta | 01:07 Tools | |
55633240 | Play | Popule meus quid feci: Secunda pars | 02:05 Tools | |
55633230 | Play | Ave Maria gratia plena: Ave cera humilitas | 01:07 Tools | |
55633181 | Play | Die Brunnlein, die da fliessen | 01:36 Tools | |
16788244 | Play | Mein Vleis und Mue | 01:41 Tools | |
16788228 | Play | Was ist die Welt? | 03:23 Tools | |
16788177 | Play | Requiem aeternam dona eis Domine | 01:52 Tools | |
16788186 | Play | Sich Hat Ein' Neue Sach' Aufdraht | 01:25 Tools | |
55633209 | Play | Was wird es doch des Wunders noch, a 5 | 02:17 Tools | |
55633219 | Play | Et filius datus est nobis | 02:03 Tools | |
16788192 | Play | Passamezzo And Sprung a 6 | 02:07 Tools | |
55633231 | Play | 5 Salutationes, "Ave Domine Jesu Christe": Salutatio tertia | 01:07 Tools | |
87572699 | Play | Popule meus quid feci: Tertia pars | 02:35 Tools | |
55633241 | Play | Popule meus quid feci: Prima pars | 02:05 Tools | |
16788284 | Play | Laudate a 6 | 01:30 Tools | |
55633235 | Play | Virga jesse floruit: Jam patet in virgine | 05:00 Tools | |
89491524 | Play | Virga jesse floruit | 05:00 Tools | |
87572709 | Play | Senfl: Das Gläut zu Speyer (Vocal Version) | 02:08 Tools | |
16788187 | Play | Laetabundus exultet fidelis a 6 | 08:16 Tools | |
55633238 | Play | Popule meus quid feci: Quinta pars | 02:05 Tools | |
87572701 | Play | Popule meus quid feci: Quarta pars | 00:54 Tools | |
16788211 | Play | Tandernaken | 02:21 Tools | |
16788207 | Play | Virgo verbo conceipt a 6 | 01:52 Tools | |
16788219 | Play | Propinan de Melyor | 01:22 Tools | |
87572720 | Play | Non moriar, sed vivam | 02:57 Tools | |
16788209 | Play | Wiewohl Viel Herter Ördern Sind | 02:21 Tools | |
16788223 | Play | Albrecht mirs schwer | 02:43 Tools | |
16788232 | Play | Es wollt ein Maidlein Wasser holn | 02:05 Tools | |
16788314 | Play | Es wollt ein Frau zuem Weine gahn | 01:03 Tools | |
89491525 | Play | Senfl: Ich armes Käuzlein kleine | 01:03 Tools | |
55633187 | Play | O Du Armer Judas | 02:35 Tools | |
16788224 | Play | Lamentanza And Sprung a 6 | 01:16 Tools | |
55633188 | Play | Ach Elsein, liebes Elselein mein | 01:16 Tools | |
55633190 | Play | Das G'läut zu Speyer | 01:16 Tools | |
16788290 | Play | Patientiam muess ich hen. Patientia: Mein Fleiss und Mueh | 04:34 Tools | |
87572721 | Play | Das Lang | 02:57 Tools | |
87572713 | Play | Tandernack quinque | 01:07 Tools | |
16788197 | Play | Gross Weh ich leid | 03:19 Tools | |
55633194 | Play | Quodlibet: Ach Elslein, liebes Elselein / Es taget vor dem Walde | 03:56 Tools | |
16788293 | Play | Dit le Bourgignon | 01:15 Tools | |
55633195 | Play | Ich armes Maidlein klag mich sehr | 01:15 Tools | |
16788226 | Play | Ich Wiess Nit | 00:54 Tools | |
87572706 | Play | Das Geläut zu Speyer (1) | 02:08 Tools | |
89491526 | Play | Senfl: Ich klag den Tag | 02:08 Tools | |
55633215 | Play | Von edler Art spieb ich in Bart | 02:25 Tools | |
55633202 | Play | Ich weiss nicht, was er ihr Verheiss, for voices | 04:34 Tools | |
87572728 | Play | Was wird es doch des Wunders noch (Arr. for Voices & Chamber Ensemble) | 05:00 Tools | |
87572708 | Play | Lust hab ich g'habt zur Musica (Arr. for Voice & Chamber Ensemble) | 02:08 Tools | |
16788315 | Play | Das G'laeut zu Speyer | 01:07 Tools | |
16788312 | Play | Ewiger Gott | 02:37 Tools | |
16788221 | Play | Ich klag' den Tag und alle Stund | 02:27 Tools | |
16788191 | Play | Spiel Orgel Spiel : Classical and Folk Music for Organ : V. Mit Lust will ich ausreiten | 01:20 Tools | |
16788188 | Play | Ich Weiss Nit | 01:19 Tools | |
16788208 | Play | Ach Elslein, liebes Elslein mein | 03:04 Tools | |
87572704 | Play | Das Gläut zu Speyer | 02:25 Tools | |
87572705 | Play | Was wird es doch | 02:25 Tools | |
87572714 | Play | Es hett ein bidermann | 05:00 Tools | |
16788289 | Play | Taundernaken | 03:10 Tools | |
16788253 | Play | Elslein Liebstes Elslein mein | 01:56 Tools | |
55633205 | Play | Was wird es doch des wunders noch (a 7) | 03:10 Tools | |
55633206 | Play | Gloria | 03:19 Tools | |
87572717 | Play | Ave Maria | 05:00 Tools | |
89491527 | Play | Ich Stuend An Einem Morgen For 4 Voices | 05:00 Tools | |
87572702 | Play | Das G’läut zu Speyer | 03:04 Tools | |
87572718 | Play | Ich weiß nit, was er ihr verhieß | 05:00 Tools | |
16788252 | Play | Inviolata a 6 | 02:12 Tools | |
87572703 | Play | Senfl: Ach Elslein, liebes Elselein - 1989 Digital Remaster | 02:12 Tools | |
55633210 | Play | Erbarm dich mein, o Herre Gott a 6 | 02:12 Tools | |
87572724 | Play | Nisi Dominus aedificavent | 05:00 Tools | |
16788239 | Play | Ich weiß nicht was er ihr verhieß | 01:01 Tools | |
16788218 | Play | Ich stund en einem Morgen I | 02:19 Tools | |
89491528 | Play | Ich weiss nicht was er ihr verhiess | 02:19 Tools | |
87572712 | Play | Ungnad' begehr' ich nit von ihr | 03:03 Tools | |
89491529 | Play | Elslein, liebes Elslein | 03:03 Tools | |
89491530 | Play | Senfl: Frau, ich bin euch von Herzen hold | 03:03 Tools | |
55633221 | Play | Es hett ein Bidermann ein Weib | 02:08 Tools | |
89491531 | Play | Laudate Dominum omnes gentes | 02:08 Tools | |
16788200 | Play | Ich stund en einem Morgen II | 02:25 Tools | |
89491532 | Play | Ich stund an einem Morgen a 3 No. 2 | 02:25 Tools | |
87572710 | Play | Ave rosa sine spinis | 02:08 Tools | |
87572716 | Play | Gottes Namen fahren wir | 05:00 Tools | |
55633216 | Play | Patientiam meuß ich han (a 4) | 02:37 Tools | |
55633217 | Play | Was Wird Es Doch Des Wunders Noch (A 5) | 02:37 Tools | |
55633218 | Play | Patientiam meuß ich han (a 5) | 01:56 Tools | |
16788276 | Play | Beatam me dicent a 6 | 02:13 Tools | |
16788210 | Play | Hoc largire a 6 | 02:03 Tools | |
87572722 | Play | Meniger stellt nach Geld | 02:57 Tools | |
16788250 | Play | Mit Lust tret ich an diesen Tanz | 01:07 Tools | |
16788262 | Play | Unsaglich Schmerz | 04:12 Tools | |
16788283 | Play | Unsäglich Schmerz | 05:00 Tools | |
16788241 | Play | Mit Lust | 02:08 Tools | |
89491533 | Play | Kein Höhers lebt noch schwebt | 02:08 Tools | |
89491534 | Play | Ich stund an einem Morgen a 3 No. 1 | 02:08 Tools | |
55633222 | Play | T'andernaken A 4 | 02:08 Tools | |
89491535 | Play | Ich stund an einem Morgen (Arr. for Voice & Chamber Ensemble) | 02:08 Tools | |
87572707 | Play | Missa Nisi Dominus Aedificaverit Domum: I. Kyrie | 02:08 Tools | |
16788278 | Play | Inviolata a 12 | 02:57 Tools | |
55633223 | Play | Was wird es doch des wunders noch (a 7 reprise) | 02:57 Tools | |
87572711 | Play | Senfl: Das Glaut zu Speyer - 1989 Digital Remaster | 02:57 Tools | |
89491536 | Play | Missa super Nisi Dominus: Sanctus | 02:57 Tools | |
87572725 | Play | Missa super Nisi Dominus: Agnus Dei | 05:00 Tools | |
16788229 | Play | Obo so geb' der Mann ein Pfenning | 01:32 Tools | |
16788254 | Play | Ich stund an einem morgen | 03:03 Tools | |
55633226 | Play | Ein maidlein zue dem brunner gieng | 01:07 Tools | |
55633237 | Play | Ich weiss nit, was er ihr verhiess a 5 | 05:00 Tools | |
87572715 | Play | Missa Nisi Dominus Aedificaverit Domum: II. Gloria | 05:00 Tools | |
89491537 | Play | Patiencia | 05:00 Tools | |
87572719 | Play | Kunnt ich, schöns reines wertes Weib | 05:00 Tools | |
55633225 | Play | Unnfall wen ist deins wesens gnueg | 02:57 Tools | |
89491538 | Play | Motet: "Mit Lust thät ich ausreiten..." | 02:57 Tools | |
89491539 | Play | Missa super Nisi Dominus: Kyrie | 02:57 Tools | |
89491540 | Play | Missa super Nisi Dominus: Credo | 02:57 Tools | |
89491541 | Play | Ecce quam bonum | 02:57 Tools | |
16788286 | Play | In pace in idipsum | 03:08 Tools | |
87572723 | Play | Zwischen Berg und Tiefem Tal | 03:08 Tools | |
87572726 | Play | Was wird es doch des wunders noch à 5 | 05:00 Tools | |
87572729 | Play | Oho, so geb' der Mann | 05:00 Tools | |
87572727 | Play | Mit Lust tritt ich an diesen Tanz a 6 | 05:00 Tools | |
89491542 | Play | Carmen in La (I) | 05:00 Tools | |
87572730 | Play | Wiewohl viel herter Örden sind (Schmählied auf das Leben bei Hof) | 05:00 Tools | |
55633239 | Play | Also Heilig Ist Der Tag | 02:05 Tools | |
55633242 | Play | Virgoo prudentissima | 02:05 Tools | |
16788292 | Play | Resonet in laudibus a 6 | 02:03 Tools | |
55633244 | Play | Im Mayen hört man die Hanen kraien | 02:03 Tools | |
87572731 | Play | Chiara luce | 02:03 Tools |
Ludwig Senfl (born around 1486, died between 2 December 1542 and 10 August 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. Senfl was probably born in Basle around 1486, and lived in Zürich from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in Augsburg. Apart from one brief visit in 1504 he appears never again to have lived in Switzerland. In 1497 he followed the Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal training for the priesthood. During this period he studied with Heinrich Isaac, serving as his copyist by 1509; he is known to have copied much of the older composer's Choralis constantinus, an enormous work which he was later to complete after Isaac's death. After a trip to Italy sometime between 1508 and 1510, Senfl returned to the Hofkapelle; the Emperor appointed him to fill Isaac's position as court composer when Isaac died in 1517. In 1518 Senfl lost a toe in a hunting accident; evidently the injury disabled him for up to a year. When the Emperor died in 1519, Senfl was out of a job, and his circumstances altered for the worse: Charles V dismissed most of Maximilian's musicians, and even refused to pay Senfl the annual stipend which had been promised to him in the event of the emperor's death. During the next few years he traveled widely, mainly job-seeking, but he was also active as a composer. He is known to have attended the Diet of Worms in 1521, and, while he never officially became a Protestant, his sympathies evidently were with Luther, and he was later examined by the Inquisition and voluntarily gave up his priesthood. Senfl carried on an extensive correspondence both with Lutheran Duke Albrecht of Prussia and with Martin Luther himself, beginning in 1530. Eventually Senfl acquired a post in Munich, a place which had high musical standards, a strong need for new music, and which was relatively tolerant of those with Protestant sympathies; he was to remain there for the rest of his life. By 1540 he was ill, judging from his correspondence with Duke Albrecht, and he probably died in early 1543. Senfl was an eclectic composer, at home both in the worlds of sacred and secular music, and he modeled his style carefully on models provided by the Franco-Flemish composers of the previous generation, especially Josquin Desprez. In particular, he was a gifted melodist, and his lines are warmly lyrical; his music remained popular and influential in Germany through the 17th century. His sacred music includes masses, motets, vespers settings, and a Magnificat. Technically his music has many archaic features, such as the use of cantus firmus technique, which was more in vogue in the 15th century; he even occasionally employs isorhythm. However he also has a typically Germanic liking for singable melodic passages in parallel imperfect intervals (3rds and 6ths). Senfl also wrote numerous German lieder, most of them secular (the handful on sacred texts were written for Duke Albrecht of Prussia). They vary widely in character, from extremely simple settings of a cantus firmus to contrapuntal tours-de-force such as elaborate canons and quodlibets. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.