Ludwig Senfl

Trackimage Playbut Trackname Playbut Trackname
Ich weiss nicht 00:51 Tools
Will niemand singen 02:46 Tools
Alma redemptoris a 6: Alma redemptoris Mater a 6 02:46 Tools
Ach Elslein, liebes Elselein 02:23 Tools
Im Maien 02:04 Tools
Mit Lust tritt ich an diesen Tanz 05:57 Tools
Es hett ein Biedermann ein Weib 02:35 Tools
Quis dabit oculis 05:37 Tools
Das Gläut zu Speyr 10:02 Tools
Ach Elslein 02:02 Tools
Ich weiss nit, was er ihr verhiess 01:47 Tools
Ich stuend an einem Morgen 02:55 Tools
Ich hab' mich redlich g'halten 07:07 Tools
Carmen in la 01:33 Tools
De profundis clamavi 07:07 Tools
Ach Elslein, liebes Elselein - 1989 Remastered Version 03:02 Tools
Es taget vor dem Walde 03:02 Tools
Ach Elslein, liebes Elselein / Es taget vor dem Walde: Quodlibet: Ach Elslein, liebes Elselein / Es taget vor dem Walde 02:04 Tools
Carmen 00:52 Tools
Senfl: Ach Elslein, liebes Elselein 02:21 Tools
Vita in ligno moritur 03:49 Tools
Verbum caro factum 10:02 Tools
Das Glaut zu Speyer - 1989 Remastered Version 02:04 Tools
Fortuna ad voces musicales 02:06 Tools
Was wird es doch des Wunders noch 02:01 Tools
Ach Elslein: Ach Elslein 02:04 Tools
Carmen in Re 02:04 Tools
Laub, Gras und Blueh 02:04 Tools
Entlaubet ist der Walde 05:08 Tools
Non moriar sed vivam 03:19 Tools
Ach Elslein, liebes Elselein mein 02:34 Tools
Senfl: Das Gläut zu Speyer 01:07 Tools
L'amor, dona, ch'io te porto 01:24 Tools
Puer natus est nobis 18:23 Tools
Tourdion 02:04 Tools
So lang man macht 04:30 Tools
Virgo prudentissima 02:04 Tools
Ave Maria gratia plena 01:52 Tools
Missa paschalis: Kyrie 01:15 Tools
Ich stuend an einem Morgen (I), a 3 02:35 Tools
Missa paschalis: Gloria 04:34 Tools
Lamentatio 01:50 Tools
Mein Herz in hohen Freuden steht: No. 2. So ich sie dann freundlich gruess 01:36 Tools
Das Glaut zu Speyer - 1989 Digital Remaster 02:57 Tools
Das Glaut zu Speyer 01:30 Tools
Lust hab ich ghabt zuer Musica 01:36 Tools
Frau, ich bin euch von Herzen hold 02:05 Tools
Gaude Dei genetrix 03:56 Tools
Tandernaken (I), a 4 01:16 Tools
Ich stuend an einem Morgen (II), a 3 04:34 Tools
Dort oben auf dem Berge 02:17 Tools
Alma redemptoris Mater a 6 02:18 Tools
Veni Sancte Spiritus 02:21 Tools
Missa paschalis: Agnus Dei 02:17 Tools
Tandernaken (II), a 5 03:04 Tools
Ave rosa sine spinis, a 5 03:56 Tools
Wohl auf, wohl auf, an Bodensee 01:36 Tools
Patientiam muess ich han 03:28 Tools
Non usitata nec tenui ferar, for 4 voices 03:28 Tools
Petit, nihil me sicut antea juvat, for 4 voices 03:56 Tools
Mollis inertia cum tantam diffuderit imis, for 4 voices 03:56 Tools
Missa paschalis: Sanctus 02:17 Tools
Carmen in la, a 3 04:34 Tools
Es taget vor dem Walde, a 5 04:34 Tools
Quodlibet: Es taget - Ach Elslein 03:04 Tools
Ach Elslein, liebes Elselein - 1989 Digital Remaster 01:07 Tools
Quodlibet: Ich stuend - Fortuna 02:19 Tools
Ich stund en einem Morgen ! 02:18 Tools
Fortuna ad voces musicales a 4 03:28 Tools
L'homme arme 01:10 Tools
Gaude Dei genetrix: Virgo, tu sola 02:03 Tools
5 Salutationes, "Ave Domine Jesu Christe": Salutatio quarta 01:03 Tools
Wann ich des Morgens frueh aufsteh 01:52 Tools
Verbum caro factum est 02:06 Tools
Carmen, a 4 02:19 Tools
Ave Maria...virgo serena, a 6 04:34 Tools
Lamentatio, a 4 02:43 Tools
Elslein, lieb(st)es Elselein (in 4 versions, last by Senfl) 03:05 Tools
Von edler Art 02:35 Tools
5 Salutationes, "Ave Domine Jesu Christe": Salutatio secunda 01:07 Tools
Was wird es doch des Wunders noch, a 7 01:07 Tools
5 Salutationes, "Ave Domine Jesu Christe": Salutatio prima 01:07 Tools
5 Salutationes, "Ave Domine Jesu Christe": Salutatio quinta 01:07 Tools
Popule meus quid feci: Secunda pars 02:05 Tools
Ave Maria gratia plena: Ave cera humilitas 01:07 Tools
Die Brunnlein, die da fliessen 01:36 Tools
Mein Vleis und Mue 01:41 Tools
Was ist die Welt? 03:23 Tools
Requiem aeternam dona eis Domine 01:52 Tools
Sich Hat Ein' Neue Sach' Aufdraht 01:25 Tools
Was wird es doch des Wunders noch, a 5 02:17 Tools
Et filius datus est nobis 02:03 Tools
Passamezzo And Sprung a 6 02:07 Tools
5 Salutationes, "Ave Domine Jesu Christe": Salutatio tertia 01:07 Tools
Popule meus quid feci: Tertia pars 02:35 Tools
Popule meus quid feci: Prima pars 02:05 Tools
Laudate a 6 01:30 Tools
Virga jesse floruit: Jam patet in virgine 05:00 Tools
Virga jesse floruit 05:00 Tools
Senfl: Das Gläut zu Speyer (Vocal Version) 02:08 Tools
Laetabundus exultet fidelis a 6 08:16 Tools
Popule meus quid feci: Quinta pars 02:05 Tools
Popule meus quid feci: Quarta pars 00:54 Tools
Tandernaken 02:21 Tools
Virgo verbo conceipt a 6 01:52 Tools
Propinan de Melyor 01:22 Tools
Non moriar, sed vivam 02:57 Tools
Wiewohl Viel Herter Ördern Sind 02:21 Tools
Albrecht mirs schwer 02:43 Tools
Es wollt ein Maidlein Wasser holn 02:05 Tools
Es wollt ein Frau zuem Weine gahn 01:03 Tools
Senfl: Ich armes Käuzlein kleine 01:03 Tools
O Du Armer Judas 02:35 Tools
Lamentanza And Sprung a 6 01:16 Tools
Ach Elsein, liebes Elselein mein 01:16 Tools
Das G'läut zu Speyer 01:16 Tools
Patientiam muess ich hen. Patientia: Mein Fleiss und Mueh 04:34 Tools
Das Lang 02:57 Tools
Tandernack quinque 01:07 Tools
Gross Weh ich leid 03:19 Tools
Quodlibet: Ach Elslein, liebes Elselein / Es taget vor dem Walde 03:56 Tools
Dit le Bourgignon 01:15 Tools
Ich armes Maidlein klag mich sehr 01:15 Tools
Ich Wiess Nit 00:54 Tools
Das Geläut zu Speyer (1) 02:08 Tools
Senfl: Ich klag den Tag 02:08 Tools
Von edler Art spieb ich in Bart 02:25 Tools
Ich weiss nicht, was er ihr Verheiss, for voices 04:34 Tools
Was wird es doch des Wunders noch (Arr. for Voices & Chamber Ensemble) 05:00 Tools
Lust hab ich g'habt zur Musica (Arr. for Voice & Chamber Ensemble) 02:08 Tools
Das G'laeut zu Speyer 01:07 Tools
Ewiger Gott 02:37 Tools
Ich klag' den Tag und alle Stund 02:27 Tools
Spiel Orgel Spiel : Classical and Folk Music for Organ : V. Mit Lust will ich ausreiten 01:20 Tools
Ich Weiss Nit 01:19 Tools
Ach Elslein, liebes Elslein mein 03:04 Tools
Das Gläut zu Speyer 02:25 Tools
Was wird es doch 02:25 Tools
Es hett ein bidermann 05:00 Tools
Taundernaken 03:10 Tools
Elslein Liebstes Elslein mein 01:56 Tools
Was wird es doch des wunders noch (a 7) 03:10 Tools
Gloria 03:19 Tools
Ave Maria 05:00 Tools
Ich Stuend An Einem Morgen For 4 Voices 05:00 Tools
Das G’läut zu Speyer 03:04 Tools
Ich weiß nit, was er ihr verhieß 05:00 Tools
Inviolata a 6 02:12 Tools
Senfl: Ach Elslein, liebes Elselein - 1989 Digital Remaster 02:12 Tools
Erbarm dich mein, o Herre Gott a 6 02:12 Tools
Nisi Dominus aedificavent 05:00 Tools
Ich weiß nicht was er ihr verhieß 01:01 Tools
Ich stund en einem Morgen I 02:19 Tools
Ich weiss nicht was er ihr verhiess 02:19 Tools
Ungnad' begehr' ich nit von ihr 03:03 Tools
Elslein, liebes Elslein 03:03 Tools
Senfl: Frau, ich bin euch von Herzen hold 03:03 Tools
Es hett ein Bidermann ein Weib 02:08 Tools
Laudate Dominum omnes gentes 02:08 Tools
Ich stund en einem Morgen II 02:25 Tools
Ich stund an einem Morgen a 3 No. 2 02:25 Tools
Ave rosa sine spinis 02:08 Tools
Gottes Namen fahren wir 05:00 Tools
Patientiam meuß ich han (a 4) 02:37 Tools
Was Wird Es Doch Des Wunders Noch (A 5) 02:37 Tools
Patientiam meuß ich han (a 5) 01:56 Tools
Beatam me dicent a 6 02:13 Tools
Hoc largire a 6 02:03 Tools
Meniger stellt nach Geld 02:57 Tools
Mit Lust tret ich an diesen Tanz 01:07 Tools
Unsaglich Schmerz 04:12 Tools
Unsäglich Schmerz 05:00 Tools
Mit Lust 02:08 Tools
Kein Höhers lebt noch schwebt 02:08 Tools
Ich stund an einem Morgen a 3 No. 1 02:08 Tools
T'andernaken A 4 02:08 Tools
Ich stund an einem Morgen (Arr. for Voice & Chamber Ensemble) 02:08 Tools
Missa Nisi Dominus Aedificaverit Domum: I. Kyrie 02:08 Tools
Inviolata a 12 02:57 Tools
Was wird es doch des wunders noch (a 7 reprise) 02:57 Tools
Senfl: Das Glaut zu Speyer - 1989 Digital Remaster 02:57 Tools
Missa super Nisi Dominus: Sanctus 02:57 Tools
Missa super Nisi Dominus: Agnus Dei 05:00 Tools
Obo so geb' der Mann ein Pfenning 01:32 Tools
Ich stund an einem morgen 03:03 Tools
Ein maidlein zue dem brunner gieng 01:07 Tools
Ich weiss nit, was er ihr verhiess a 5 05:00 Tools
Missa Nisi Dominus Aedificaverit Domum: II. Gloria 05:00 Tools
Patiencia 05:00 Tools
Kunnt ich, schöns reines wertes Weib 05:00 Tools
Unnfall wen ist deins wesens gnueg 02:57 Tools
Motet: "Mit Lust thät ich ausreiten..." 02:57 Tools
Missa super Nisi Dominus: Kyrie 02:57 Tools
Missa super Nisi Dominus: Credo 02:57 Tools
Ecce quam bonum 02:57 Tools
In pace in idipsum 03:08 Tools
Zwischen Berg und Tiefem Tal 03:08 Tools
Was wird es doch des wunders noch à 5 05:00 Tools
Oho, so geb' der Mann 05:00 Tools
Mit Lust tritt ich an diesen Tanz a 6 05:00 Tools
Carmen in La (I) 05:00 Tools
Wiewohl viel herter Örden sind (Schmählied auf das Leben bei Hof) 05:00 Tools
Also Heilig Ist Der Tag 02:05 Tools
Virgoo prudentissima 02:05 Tools
Resonet in laudibus a 6 02:03 Tools
Im Mayen hört man die Hanen kraien 02:03 Tools
Chiara luce 02:03 Tools
  • 26,718
    plays
  • 5,165
    listners
  • 26718
    top track count

Ludwig Senfl (born around 1486, died between 2 December 1542 and 10 August 1543) was a Swiss composer of the Renaissance, active in Germany. He was the most famous pupil of Heinrich Isaac, was music director to the court of Maximilian I, Holy Roman Emperor, and was an influential figure in the development of the Franco-Flemish polyphonic style in Germany. Senfl was probably born in Basle around 1486, and lived in Zürich from 1488 until 1496, when he joined the choir of the Hofkapelle of Emperor Maximilian I in Augsburg. Apart from one brief visit in 1504 he appears never again to have lived in Switzerland. In 1497 he followed the Hofkapelle to Vienna, and between 1500 and 1504 he probably studied in Vienna for three years, the standard practice for choirboys whose voices had broken, as part of the normal training for the priesthood. During this period he studied with Heinrich Isaac, serving as his copyist by 1509; he is known to have copied much of the older composer's Choralis constantinus, an enormous work which he was later to complete after Isaac's death. After a trip to Italy sometime between 1508 and 1510, Senfl returned to the Hofkapelle; the Emperor appointed him to fill Isaac's position as court composer when Isaac died in 1517. In 1518 Senfl lost a toe in a hunting accident; evidently the injury disabled him for up to a year. When the Emperor died in 1519, Senfl was out of a job, and his circumstances altered for the worse: Charles V dismissed most of Maximilian's musicians, and even refused to pay Senfl the annual stipend which had been promised to him in the event of the emperor's death. During the next few years he traveled widely, mainly job-seeking, but he was also active as a composer. He is known to have attended the Diet of Worms in 1521, and, while he never officially became a Protestant, his sympathies evidently were with Luther, and he was later examined by the Inquisition and voluntarily gave up his priesthood. Senfl carried on an extensive correspondence both with Lutheran Duke Albrecht of Prussia and with Martin Luther himself, beginning in 1530. Eventually Senfl acquired a post in Munich, a place which had high musical standards, a strong need for new music, and which was relatively tolerant of those with Protestant sympathies; he was to remain there for the rest of his life. By 1540 he was ill, judging from his correspondence with Duke Albrecht, and he probably died in early 1543. Senfl was an eclectic composer, at home both in the worlds of sacred and secular music, and he modeled his style carefully on models provided by the Franco-Flemish composers of the previous generation, especially Josquin Desprez. In particular, he was a gifted melodist, and his lines are warmly lyrical; his music remained popular and influential in Germany through the 17th century. His sacred music includes masses, motets, vespers settings, and a Magnificat. Technically his music has many archaic features, such as the use of cantus firmus technique, which was more in vogue in the 15th century; he even occasionally employs isorhythm. However he also has a typically Germanic liking for singable melodic passages in parallel imperfect intervals (3rds and 6ths). Senfl also wrote numerous German lieder, most of them secular (the handful on sacred texts were written for Duke Albrecht of Prussia). They vary widely in character, from extremely simple settings of a cantus firmus to contrapuntal tours-de-force such as elaborate canons and quodlibets. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.