Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
38800751 | Play | Fusion | 00:00 Tools | |
38800752 | Play | In the Present | 00:00 Tools | |
38800753 | Play | Back to the Essentials | 00:00 Tools | |
38800754 | Play | Inside My Cave | 00:00 Tools | |
38800755 | Play | Non Merci | 00:00 Tools | |
38800756 | Play | Healing Process | 00:00 Tools | |
38800757 | Play | Addicted | 00:00 Tools | |
38800758 | Play | September | 00:00 Tools | |
38800759 | Play | Precious Moment | 00:00 Tools | |
38800760 | Play | Ambiguity | 00:00 Tools | |
38800761 | Play | Keep Our Heaven | 00:00 Tools | |
38800762 | Play | My Happyland | 00:00 Tools | |
38800763 | Play | Never-Ending Tale | 00:00 Tools | |
38800764 | Play | The Weapon in My Self | 00:00 Tools | |
38800765 | Play | The Angel You Love... The Angel You Hate | 00:00 Tools | |
38800766 | Play | Great Men's Work | 00:00 Tools | |
38800768 | Play | the strench of my hate | 00:00 Tools | |
38800767 | Play | Break | 00:00 Tools | |
38800769 | Play | Uncomprehension | 00:00 Tools | |
38800770 | Play | A Summer Breeze | 00:00 Tools | |
38800771 | Play | Free... Are You | 00:00 Tools | |
38800772 | Play | Girl/Woman | 00:00 Tools | |
38800773 | Play | Free... Are You? | 00:00 Tools | |
38800774 | Play | The Angel You Love, The Angel You Hate | 00:00 Tools | |
38800777 | Play | 'Don't Go Fight...' | 00:00 Tools | |
38800775 | Play | The Angel You Love/Hate | 00:00 Tools | |
38800776 | Play | The Angel you Love...the Angel | 00:00 Tools | |
38800778 | Play | CELTIC | 00:00 Tools | |
38800779 | Play | Passport Please | 00:00 Tools | |
38800780 | Play | The Angel you Love...the Angel you Hate | 00:00 Tools | |
38800781 | Play | Lucie After War | 00:00 Tools | |
38800782 | Play | FLY | 00:00 Tools | |
38800783 | Play | Rob My Soul | 00:00 Tools | |
38800797 | Play | Face Your Demons | 00:00 Tools | |
38800784 | Play | The Angel You Love, The Angel | 00:00 Tools | |
38800785 | Play | Slow Down Time | 00:00 Tools | |
38800787 | Play | Marching Towards Dawn | 00:00 Tools | |
38800786 | Play | mad-max.nnm.ru_Non Merci | 00:00 Tools | |
38800789 | Play | So what?! | 00:00 Tools | |
38800790 | Play | From Pink to Black | 00:00 Tools | |
38800788 | Play | Marching Towards Dawn (Intro) | 00:00 Tools | |
38800794 | Play | Into the Sea | 00:00 Tools | |
38800796 | Play | Your Way | 00:00 Tools | |
38800793 | Play | Frozen Path | 00:00 Tools | |
38800798 | Play | Angel Made Temptress | 00:00 Tools | |
88286984 | Play | Deadly Together | 00:00 Tools | |
38800791 | Play | The Angel You Love... The Angel | 00:00 Tools | |
38800800 | Play | Cure | 00:00 Tools | |
38800801 | Play | Polynia | 00:00 Tools | |
38800805 | Play | Protect You | 00:00 Tools | |
38800804 | Play | Male / Female Balance | 00:00 Tools | |
38800792 | Play | At a +-Roads | 00:00 Tools | |
38800795 | Play | At A Crossroads | 00:00 Tools | |
38800802 | Play | The Angel You Love The Angel You Hate | 00:00 Tools | |
38800803 | Play | The Angel You Love... The Ange | 00:00 Tools | |
89977099 | Play | Soulmates | 00:00 Tools | |
89977100 | Play | At a Cross-Roads | 00:00 Tools | |
38800809 | Play | Girl / Woman | 00:00 Tools | |
38800806 | Play | The Angel You love,The Angel You Hate | 00:00 Tools | |
89977101 | Play | Ambiguïty | 00:00 Tools | |
38800808 | Play | At A +- Roads | 00:00 Tools | |
38800812 | Play | To MRS. D - B-Side Version | 00:00 Tools | |
38800807 | Play | The Angel You Love/The Angel You Hate | 00:00 Tools | |
38800817 | Play | The Apprentice - B-Side Version | 00:00 Tools | |
38800816 | Play | Unite the Opposites Inside One Album (Spoken Word Track) | 00:00 Tools | |
88286985 | Play | Male Female Balance | 00:00 Tools | |
88286986 | Play | Push the Demon Away - Spoken Word Track | 00:00 Tools | |
38800810 | Play | At A +Roads | 00:00 Tools | |
38800811 | Play | 10. Break. | 00:00 Tools | |
89977102 | Play | Frozen Path (Finnvox Version) | 00:00 Tools | |
38800813 | Play | So What | 00:00 Tools | |
38800814 | Play | Non Merci [Album Version] | 00:00 Tools | |
38800815 | Play | Fusion [Album Version] | 00:00 Tools | |
89977103 | Play | Male/Female Balance | 00:00 Tools | |
89977104 | Play | To MRS. D (B-Side Version) | 00:00 Tools | |
38800818 | Play | The Weapon in Myself | 00:00 Tools | |
88286987 | Play | At A+- Roads | 00:00 Tools | |
38800819 | Play | Eilera - 02 - Never-Ending Tale | 00:00 Tools |
‘Precious Moment' was composed as an introduction to a future album… As it successfully passed the tests of press, internet promotion via myspace mainly, and sales, it led to the opportunity for Eilera to write its follower…The new album was composed and written between May and December 2005. In March 2006, the drums and bass were recorded at Finnvox studio, Helsinki, with Antti Lehtinen on drums again, and Tommi Saarikivii on bass. The main difference here? There was no producer this time. Indeed, this would be one of the main characteristics of this album: Eilera would produce her own album. Back home, Eilera, together with her work partner of all times Loïc Tézénas, will record all guitars –with Loïc on guitar-, as well as the fiddle lines, and vocals. (added guitars in studio later on) On fiddle was a newcomer this time: Tony Canton, a talented musician who lives in the centre of France, and who brought the Celtic fiddle lines. The last two studio sessions happened in December 2006. First Hip Studio, with two familiar faces to back Eilera and Loïc up: Hiili Hiilesmaa's and Juha Heininen's. This is where the recording of strings-ensemble was done, with Max Lilja back on cello. Then? Back to Finnvox for the final mix and mastering. Hiili added his personal touch to the final sound of the album, and Mika Jussila -another familiar man-of-the-situation- to the mastering. All in all, this album will confirm the main themes in Eilera's work: balance between Strength and Frailty, Ambiguity, closeness to Nature, the roots of these 'precious moments' in life. And her two obsessions of all times: Freedom and Beauty. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.