Guther

Trackimage Playbut Trackname Playbut Trackname
Taglieben 03:54 Tools
statements 00:00 Tools
the other day 00:00 Tools
still in this town 00:00 Tools
afraid 00:00 Tools
boys do not think 00:00 Tools
no need to mention 00:00 Tools
Personal Confusion 00:00 Tools
who was first 00:00 Tools
You 00:00 Tools
throwing thoughts 00:00 Tools
trick or treat. 00:00 Tools
Trouble You Cause 00:00 Tools
a brief encounter 00:00 Tools
We Walk 00:00 Tools
many frames 00:00 Tools
many frames per moment 00:00 Tools
Complaint 00:00 Tools
What She Felt 00:00 Tools
two minds in between 00:00 Tools
Deepest Blue 00:00 Tools
trick or treat 00:00 Tools
New Science 00:00 Tools
even when it`s not 00:00 Tools
even when it's not 00:00 Tools
Glide 00:00 Tools
trouble ou cause 00:00 Tools
Glide (Chris Knox) 00:00 Tools
Even When It´s Not 00:00 Tools
Magic 00:00 Tools
No Need To Mention (one day diary Remix) 00:00 Tools
Ding Dong Song 00:00 Tools
Even When It's Not (Lullatone Remix) 00:00 Tools
Boys Do Not Think (Gutevolk Remix) 00:00 Tools
Trouble You Cause (Eberg Remix) 00:00 Tools
Still In This Town (number0 Remix) 00:00 Tools
Taglieben (Faded Paper Figures Remix) 00:00 Tools
Statements (Ametsub Remix) 00:00 Tools
Personal Confusion (Miyauchi Yūri Remix) 00:00 Tools
Tagliieben 00:00 Tools
New Science [#] 00:00 Tools
Other Day 00:00 Tools
Even When It’s Not 00:00 Tools
01 the other day 00:00 Tools
Guther - Sundet - Statements 00:00 Tools
02 Boys Do Not Think 00:00 Tools
Glide (Chris Knox Cover) 00:00 Tools
Guther - The Other Day 00:00 Tools
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If one squints into the sunset, contours get blurred. Things come to an end and begin in a different manner. Fugitive points of light play their game with the retina. If one squints into the sunset, one doesn’t see clearly. And still one sees good. Sundet knows a lot of sunsets, though. Julia Guther and Berend Intelmann have watched them, into the Havel and the Baltic Sea, on Swedens southern coast where first the ideas and in the following summer the recordings for Sundet were brought together. Patrick Arp and Katie Zahn have helped with that, the first by means of the guitar,the latter by means of the flute. Norman Nitzsche has mixed the record together with Berend Intelmann. This second album by Guther has been created between the places, or to say it more precisely: in different places. In the Swedish summer house, in a former broadcast studio in Berlin-Köpenick and in a living room in Hamburg with a view to the garden. Thats maybe why the title Sundet fits as well. The sound between the coast and a close island, the space between two places, between here and there. Within the sound, waters are calm, waves are flat. Sometimes however, in rough November nights, the sound is a bleak place, too. And sometimes the single soundtracks form a scummy crest. Guitars and even more guitars, sinking voices, a powerful drum set, the HiHat wide open. Murmuring noise. Before and hereafter Sundet is a more light-footed, a slightly melancholic companion. Guther play pop music, British pop music in some respect. Every now and then fragile, in a state of suspense, run through by small and big melodies. At the beginning Still in this town: an airy, breathing track. A little later there is Many frames per moment consisting of handclaps, hook-lines, a fine tension until its final euphoria. At last there is Two minds in between: warm, waiting, a soft, precise tact, a soft, present voice. If one squints into the sunset, the contours get blurred. Julia Guthers voice emerges from sound-spirals. Flutes, electronic bits and pieces, a harmonica, appearing and staying even if they have already disappeared. Bass lines and guitar pickings interweave in a friendly way. All that is there appears only together. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.