Hannah Fury

Trackimage Playbut Trackname Playbut Trackname
No Man Alive 03:34 Tools
Meathook 02:15 Tools
Girls That Glitter Love The Dark 00:00 Tools
Don't Be Scared 00:00 Tools
Never Look Back 02:16 Tools
It Was Her House That Killed Nessarose 02:43 Tools
Beware The Touch 00:00 Tools
Love Today 00:00 Tools
Carousel 00:00 Tools
The Vampire Waltz 08:29 Tools
The Apple 00:00 Tools
Defenestration 00:00 Tools
Away 00:00 Tools
Not Like You 00:00 Tools
You Don't Leave A Trace 00:00 Tools
Where The Wounds Are 00:00 Tools
You Had Me 00:00 Tools
Carnival Justice (The Gloves Are Off) Part II 00:00 Tools
Of Longing And Otherness 00:00 Tools
Status 00:00 Tools
I Can't Let You In 00:00 Tools
Let It Show 02:30 Tools
Of Longing 01:14 Tools
Sweet Heart 00:00 Tools
All Is Not Well 00:00 Tools
And Your Little Dog Too 00:00 Tools
The Necklace of Marie Antoinette 00:00 Tools
Scars 00:00 Tools
Untitled 00:00 Tools
Bonus Track 00:00 Tools
Idaho 00:00 Tools
The Last Piece of Cake 00:00 Tools
Eat the Dirt 00:00 Tools
Carnival Justice (The Gloves A 00:00 Tools
Je T'aime 00:00 Tools
You Showed Me 00:00 Tools
Angels & Absinthe 00:00 Tools
My Next Victim 00:00 Tools
A Latch to Open 00:00 Tools
True Love Will Find You in the End 00:00 Tools
The Winner Takes It All 00:00 Tools
The Metro 00:00 Tools
Someone Speaks Softly 00:00 Tools
Flying 00:00 Tools
Never Come Down Again 00:00 Tools
[untitled] 00:00 Tools
Carnival Justice 00:00 Tools
Carnival Justice (The Gloves Are Off) 00:00 Tools
Carnival Justice (The Gloves Are Off - Part II) 00:00 Tools
The Vampire Waltz / Hannah Fury 00:00 Tools
Scarborough Fair 00:00 Tools
Carnival Justice (The Gloves Are Off -- Part II) 00:00 Tools
Away / Hannah Fury 00:00 Tools
Carnival Justice (The Gloves Are Off), Part II 00:00 Tools
Not Sad 00:00 Tools
I Can't Let You In (Album Version) 00:00 Tools
Carnival Justice (The Gloves Are Off), Pt. 2 00:00 Tools
Of Longing And Otherness (Album Version) 00:00 Tools
Carnival Justice (The Gloves Are Off Part ii) 00:00 Tools
Necklace 00:00 Tools
The Necklace 00:00 Tools
No man alive (reprise) 00:00 Tools
The Necklace Of MA 00:00 Tools
Hannah Fury - Meathook 00:00 Tools
Carnival Justice (The Gloves Are Off) (Part II) 00:00 Tools
hannah fury - away 00:00 Tools
IWHHTKNessarose 00:00 Tools
GirlsThatGlitter 00:00 Tools
CarnivalJustice 00:00 Tools
The Necklace of Marie-Antoinette 00:00 Tools
It Was Her House That Killed Nessa rose 00:00 Tools
Scarborough 00:00 Tools
Scars_HannahFury 00:00 Tools
TheNecklaceOfMA_HannahFury 00:00 Tools
Hannah Fury - Love Today 00:00 Tools
Carnival Justice II (The Gloves Are Off) 00:00 Tools
Nessarose 00:00 Tools
Carnival Justice (The Gloves Are Off) Pt 2 00:00 Tools
Hannah Fury 00:00 Tools
Sweetheart 00:00 Tools
ItWasHerHouseThatKilled 00:00 Tools
I Can´t Let You In 00:00 Tools
ā€ˇThrough The Gash 00:00 Tools
Hannah Fury - The Vampire Waltz 00:00 Tools
TheNecklaceOfMA 00:00 Tools
Carnival Justice II (The Gloves Are Off) 00:00 Tools
It is for the best 00:00 Tools
Carnival Justice (The gloves are off) part 2 00:00 Tools
GirlsThat Glitter 00:00 Tools
GirlsThatGlitter_HannahFury 00:00 Tools
CarnivalJustice_HannahFury 00:00 Tools
Hannah Fury - It Was Her House That Killed Nessarose 00:00 Tools
Hannah Fury - Girls That Glitter Love the Dark 00:00 Tools
Of Longing & Otherness 00:00 Tools
My Next Victim [Subterfuge] 2006 00:00 Tools
Meathook_HannahFury 00:00 Tools
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Hannah Fury has been called a "parasol-wielding OutKast" (The Mick) and her music has been described as "unnerving yet simultaneously beautiful" (Pop Matters), "sensitive and imaginative, uniquely vengeful and confiding" (Wears the Trousers) and "beautifully warped" (The Big Takeover). Hannah says she hopes her music sounds like "a carousel in deep, warped space or a carnival under water -- something dense and ferocious with thin, shimmery tendrils shooting out from it in all directions." Hannah has been writing music since her second year of high school and also began teaching herself to play piano during that time. She continued to write for several years before building a studio and recording her debut EP, Soul Poison (1998). Since then, Hannah's output has been erratic in quantity but consistent in quality. She has released two full-length albums as well as a handful of singles and EPs, all receiving high praise from the music press. Hannah's now-out-of-print album The Thing That Feels (2000) featured several songs inspired by Gregory Maguire's novel Wicked: The Life and Times of the Wicked Witch of the West. (Pre-dating the Broadway musical by several years.) The Thing That Feels also included "The Vampire Waltz," which is the first song Hannah ever wrote, as well as other songs all linked by the theme revealed in the title. A few years later, as a result of a generous donation by an anonymous listener, Hannah made a video for her song "Carnival Justice (The Gloves Are Off) Part II." The video, directed by Chris Ohlson, featured puppets created by renowned Ohio artist, puppetmaster and sculptor Scott Radke. The video appeared on the Subterfuge EP (2005). Hannah's covers of other artists' songs have also been well-received. The Meathook EP (2001) featured what one reviewer called a "soul-shredded" version of ABBA's "The Winner Takes It All," as well as Hannah's versions of Berlin's "The Metro" and Daniel Johnston's "True Love WIll Find You in the End." Hannah also collaborated with The Synthetic Dream Foundation to create "Trapeze" -- the music was composed by TSDF, with vocals, lyrics and vocal melody by Hannah. Hannah's most recent release is Through the Gash (2007), an album that has been called "a masterwork in minimalism and stark beauty" (Absolute Punk) and "seductive and breathtaking from the start" (Gothic Beauty). Hannah writes, produces, engineers, and performs everything on her CDs. And, contrary to popular opinion, she uses no sequencing whatsoever. With the exception of drum tracks, all of the instruments and vocals are recorded and layered in real time, not looped or electronically generated or duplicated. Even the drum tracks, which are programmed using a drum machine, are painstakingly hand-altered, with some beats being dropped and others reversed in entirely specific ways. Hannah is known for her intensely layered production and complex vocal arrangements. Her vocals, which have been likened to "wraiths filling the screen of a Tim Burton film" (High Bias), often move from clearly sung phrases and high, tremulous keening to whispered and spoken words, to vicious hisses and screams -- sometimes within the confines of a single song. The subjects and lyrics in Hannah's songs have a tendency to be obscure and metaphorical, often causing listeners to mistake her work for being fictional. In fact, Hannah classifies her music as entirely autobiographical, although not overtly so, and insists that it is actually magical realism, not fantasy, and definitely not theater. Hannah has said that she uses music to transform troubling feelings and experiences into something positive and hopeful, and that writing has served as a mechanism to work through and mend things in her life. It may take careful listening to hear all the various layers of sound and meaning, but devout listeners consistently claim that it is worth the trouble. Hannah loves flowers, rap music and snow days, and is often distracted by bright and/or shiny objects and the perceived scarcity of cotton candy, but she says that the only thing that actually inspires her to create music is love. Hannah has been interviewed here: http://www.muruch.com/2007/08/interview-hannah-fury.html http://www.adequacy.net/2008/05/interview-with-hannah-fury/ http://www.mellowtraumatic.com/images/the_mick_40_hfury_excerpt.pdf http://vmunderground2.podomatic.com/entry/2007-08-21T00_31_49-07_00 Hannah's offical web sites are http://www.mellowtraumatic.com, http://www.antoinettesrevenge.com, and her MySpace page http://www.myspace.com/hannahfury Hannah's Bandcamp page, with a name-your-price download of her 2015 single 'Not Sad' https://hannahfury.bandcamp.com For more "information," go to: http://www.mellowtraumatic.com/diversions_HannahBio.html Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.