Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
19632487 | Play | Wild Romantic Blues | 02:53 Tools | |
19632437 | Play | Honeybunch | 02:33 Tools | |
19632425 | Play | I'm Gonna Meet My Sweetie Now | 02:59 Tools | |
19632426 | Play | Hard to Get Gertie | 03:27 Tools | |
19632430 | Play | Mine All Mine | 02:46 Tools | |
19632435 | Play | My One And Only | 02:27 Tools | |
19632431 | Play | You Went Away too Far | 03:23 Tools | |
19632427 | Play | My Castle in Spain | 03:41 Tools | |
19632432 | Play | Mama Goes Where Papa Goes | 03:27 Tools | |
19632439 | Play | Me and the Boy Friend | 03:04 Tools | |
19632438 | Play | Honey Bunch | 02:36 Tools | |
19632433 | Play | Ida, I Do | 03:02 Tools | |
19632434 | Play | Got No Time | 03:10 Tools | |
19632436 | Play | If You Hadn't Gone Away | 02:54 Tools | |
19632428 | Play | The Blues Have Got Me | 03:22 Tools | |
19632442 | Play | Lonely Blues | 02:57 Tools | |
19632429 | Play | Ida I Do | 03:01 Tools | |
87713199 | Play | Momma Goes Where Papa Goes or Papa Don't Go Out Tonight (Recorded December 1923) | 03:26 Tools | |
19632440 | Play | Won't Be Long Before He Beongs To Me | 02:51 Tools | |
19632457 | Play | We're Back Together Again | 03:01 Tools | |
57634735 | Play | On the Sunny Side of the Street | 03:22 Tools | |
19632441 | Play | You Went Away Too Far (And Stayed | 03:26 Tools | |
19632461 | Play | If I'd Only Believed In You | 03:08 Tools | |
57634736 | Play | Going to Meet My Sweetie Now | 03:22 Tools | |
57634737 | Play | Won't be Long Before He Belongs to Me | 03:26 Tools | |
57634738 | Play | Mama loves Papa | 03:26 Tools | |
57634739 | Play | Somebody like You | 03:26 Tools | |
57634742 | Play | Lonely Blues (Recorded December 1920) | 02:45 Tools | |
57634741 | Play | Wild Romantic Blues (Recorded December 1920) | 02:45 Tools | |
19632443 | Play | Mama Loves Papa, Papa Loves Mama | 02:45 Tools | |
89587443 | Play | Got No Time (Recorded May 1925) | 02:45 Tools | |
57634740 | Play | A Mama Like You And A Papa Like Me | 02:45 Tools | |
19632469 | Play | Ida - I Do | 03:05 Tools | |
57634743 | Play | Hard-To-Get Gertie | 00:00 Tools | |
89587444 | Play | My One and Only (Recorded December 1927) | 00:00 Tools | |
57634744 | Play | Gay Love | 00:00 Tools | |
19632474 | Play | Won't Be Long Before She Belongs To Me | 00:00 Tools | |
89587445 | Play | Somebody Like You (Recorded November 1925) | 00:00 Tools | |
89587446 | Play | Mama Love Papa, Papa Loves Mama (Recorded December 1923) | 00:00 Tools |
Jane Green was a popular singer and broadway actress in the 1920s. Born Martha Jane Greene on January 2, 1897 in Kentucky, Jane was the youngest of four children - the rest were brothers. Her parents were divorced in 1905 after which her mother Belle moved the family to Los Angeles to get a fresh start. In 1911 Jane and her brother Fred became known as "Those Kentucky Kids" and entertained on Spring Street in LA. In 1916 at the age of nineteen, Jane met Jimmy Blyler who was already a successful songwriter. The team of Green and Blyler took off performing in Los Angeles, San Francisco, New York, and the Midwest. Florenz Ziegfeld signed the duo for the Broadway shows "9 O’clock Revue" and "Midnight Frolic". Jane and Jimmy were married on September 30, 1918. Jane’s recording career started in 1920 with a recording of "Wild Romantic Blues" (Pathe 020480). By now the blues were a big part of her repertoire. Also in 1920 Jane appeared on Broadway in Messrs. Shubert (Lee and J. J.) production of the twin shows (back-to-back shows in the same theater on the same night) "The Midnight Rounders of 1920" and "The Century Revue". In 1923 Jane is back on Broadway in the musical revue "Nifties of 1923" shown at the Fulton Theatre. Also of note in this production are veteran musical performers Van & Schenck and Frank Crumit. By 1925 Jane is becoming a Broadway veteran and could be seen in the seventh edition of "The Greenwich Village Follies". Jane also appeared in Broadway productions of "What’s In A Name?" (1920), "Cinderella On Broadway" (1920), and "Ed Wynn’s Grab Bag" (1924). Tragically Jimmy Blyler fell ill and died in 1924. Later that year Jane teamed up with Isham Jones and his orchestra ("I’ll See You In My Dreams"). A two-year love affair ensued resulting in Jones’ composition of "My Castle In Spain" written especially for Jane. Songwriter Walter Donaldson ("Carolina In The Morning") was also enamored with Jane but she resisted his advances. Jane travelled to London in 1925 and performed at the Piccadilly Hotel and the Kit Kat Club. Sadly, Jane did not record while in England. In the mid-1920’s Jane was at her performance and popularity peek. She appears with Nat Shilkret and his orchestra. However, things went down-hill in the late-1920’s. In 1927 she married pianist Ron Wilson. Also that year Jane was seriously injured in New York City when the taxi she was riding in struck a streetcar. Jane’s nose had been broken and this affected her vocals. In June 1928 Jane appeared in a couple of "Vitaphone Varieties" film shorts - "Singin’ The Blues" and "The Melody Girl". Husband Ron Wilson accompanies Jane on piano in both shorts. Only the audio soundtrack from "Singin’ The Blues" survives today and can be heard on the "Wild Romantic Blues" LP below. This is Jane’s last recording. The film portions of the shorts have not been found to date. Little is known of Jane’s activities during 1929 and 1930 although she was heard on the "Ship of Joy" radio program in Los Angeles in 1929. She becomes a Christian Scientist in 1930. Jane can be found in San Francisco in 1931 performing on the radio show "The Golden State Blue Monday Jamboree" on KFRC. On August 28, 1931 Jane died at the young age of 34 in her Berkeley apartment. Later obituaries note that she died of a paralytic stroke. This was not sufficiently substantiated to some observers who note the strange behavior of her husband Ron. He signed her death certificate and listed Jane’s occupation as "housewife". Martha Jane Greene rests today at Forest Lawn Cemetary’s "Columbarium of Immortality" in Glendale, California. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.