Jeph Jerman

Trackimage Playbut Trackname Playbut Trackname
Albuquerque Hotel Room 00:00 Tools
4 7 08 00:00 Tools
NYC Subway 00:00 Tools
NO WORDS 00:00 Tools
Untitled 00:00 Tools
Southeast, Quite Away from the Highway 00:00 Tools
As 2 00:00 Tools
Next to Highway on the West Side 00:00 Tools
The Second Attention 00:00 Tools
Grackles 00:00 Tools
Sugar Bowl 00:00 Tools
Shaketable (simple) 00:00 Tools
11:07 00:00 Tools
Half a Mile West of the Highway, Wire Draped over Barbed Wire Fence 00:00 Tools
Hindsight 00:00 Tools
A Bit Farther West, Along the Ground 00:00 Tools
8:20 00:00 Tools
Wire Device Fastened to Two Wires, Halfway to the Next Pole 00:00 Tools
25:06 00:00 Tools
Shaketable (complex) 00:00 Tools
Macro 00:00 Tools
Striaton 00:00 Tools
9 00:00 Tools
Walking 00:00 Tools
SPUN 00:00 Tools
Arrow 00:00 Tools
Prayer 00:00 Tools
Lampost 00:00 Tools
Circumlocution 00:00 Tools
Tactus 00:00 Tools
Metal in rain 00:00 Tools
putting the rabbit down 00:00 Tools
Chicken wire in rain 00:00 Tools
Well 00:00 Tools
Magnification 2 00:00 Tools
Barbed wire and scrap metal 00:00 Tools
Train car 00:00 Tools
Tumbleweed 00:00 Tools
Tandem 00:00 Tools
Magnification 1 00:00 Tools
Clarkdale Slag Heap 00:00 Tools
Motor/Bone set 00:00 Tools
Magnification 3 00:00 Tools
Snares 00:00 Tools
Incindiary (Live) 00:00 Tools
Spindles (LIve) 00:00 Tools
Mine shaft 00:00 Tools
Lithiary 00:00 Tools
X2 (Live) 00:00 Tools
Window Amps 00:00 Tools
Composite pools 00:00 Tools
Imbrication 00:00 Tools
mammatus 00:00 Tools
tree w/rain + wind 00:00 Tools
'9' for Patrick Farmer and Sarah Hughes 00:00 Tools
<untitled> 00:00 Tools
relic density 00:00 Tools
Amplified Soup 00:00 Tools
in situ 00:00 Tools
talus 00:00 Tools
4 Track Composite of Various Mics/Amps Bringing Outside Sounds Into the Studio 00:00 Tools
Metal Bedframe In Shed 00:00 Tools
Carpenter Bee In Agave Stalk 00:00 Tools
Lithiary Redux 00:00 Tools
Desert Windmill 00:00 Tools
Amplified Cooking 00:00 Tools
Two Amplified Long Strings 00:00 Tools
Soundhouse Sunset 00:00 Tools
Baby Monitor on Front Porch Broadcasting to Studio 00:00 Tools
Ceremonial Cave Kiva 00:00 Tools
Winterist A 00:00 Tools
bight 00:00 Tools
Contact mic recording of woven cane sunshade 00:00 Tools
Cicadas 00:00 Tools
in tombs 00:00 Tools
'Ceremonial cave' kiva 00:00 Tools
Amplified Water Heater 00:00 Tools
Windows Amp / Chores 2 00:00 Tools
Contact Mics Affixed to Plants in the Rain Connected to Amps Inside Studio 00:00 Tools
Metal Drift 00:00 Tools
Vinyl 3 00:00 Tools
Spring 00:00 Tools
01) Spring 00:00 Tools
Vinyl 2 00:00 Tools
Vinyl 1 00:00 Tools
harvester ants 00:00 Tools
Listening Chair 00:00 Tools
Linguala 00:00 Tools
50' 00:00 Tools
Listening Chair 3 00:00 Tools
Mam-A-Gah 00:00 Tools
Vinyl 4 00:00 Tools
01 - untitled 00:00 Tools
Bones 00:00 Tools
Night Insects Through Amp 00:00 Tools
Four Drivers Part 1 00:00 Tools
Untitled 1 00:00 Tools
01- window amps 00:00 Tools
Clothesline In Wind - Mono 00:00 Tools
Dying Moth 00:00 Tools
Creosote Grasshoppers 00:00 Tools
Birds, Wind, Cicadas 00:00 Tools
Yard Installation (Amplified Cane & Fence) 00:00 Tools
Roadwork 00:00 Tools
grey (w/detail) 00:00 Tools
02- amplified soup 00:00 Tools
Tree With Rain And Wind 00:00 Tools
Fuck Heartache 00:00 Tools
03- window amp/ chores 2 00:00 Tools
Qualia 00:00 Tools
Untitled 2 00:00 Tools
Mam-A-Qah 00:00 Tools
14'02" 00:00 Tools
Insects in Bamboo 00:00 Tools
Winterist B 00:00 Tools
Harvester Ants - March 24th, 2001 00:00 Tools
Bees In Rock Hive 00:00 Tools
Beewater One 00:00 Tools
Vibration 00:00 Tools
Four Drivers Part 2 00:00 Tools
12 NYC Subway 00:00 Tools
14'29" 00:00 Tools
Interview 00:00 Tools
Untitled 4 00:00 Tools
Untitled 3 00:00 Tools
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NOISE project.... "In 1986 I began recording and performing under the name Hands To. Most of the early soundwork was sampler and tape loop based, though over the course of ten years it evolved into using environmental recordings with very little to no manipulation or electronic processing. In 1996 in Seattle I embarked upon a weekly series of concerts at Anomalous Records which brought me into contact with the city's improvised music community. For the next three years I played with anyone who would have me. During this time I began giving solo performances using only natural found objects (stones, shells, bones, driftwood, pine cones, etc), as soundmakers, a practice which continues to today. Eventually I stopped using the name Hands To. In 1999, the Animist Orchestra was founded. The AO focuses on making music that hopefully bypasses our individual egos. Most of my previous work could be interpreted as being 'idea-based'. I find that most of my work nowadays is sound-based. I believe this is due to my growing interest in listening, in what happens when one listens, and my concomitant disinterest in contextualizing sound." - Jeph Jerman http://www.discogs.com/artist/Jeph+Jerman http://www.timesquotidian.com/2011/09/05/listen/ http://www.kaon.org/jeph_jerman/index.php https://soundcloud.com/jeph-jerman http://www.23five.org/archives/jephjerman.html http://windsmeasurerecordings.net/ap/jj.html http://archive.org/search.php?query=creator%3A%22Jeph%20Jerman%22 Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.