Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
90225048 | Play | Regina coeli in B-Flat Major (C. 1800) | 00:00 Tools | |
88555073 | Play | Miserere in G Minor: VIII. Sacrificium Deo | 00:00 Tools | |
82226468 | Play | Elisa: Overture | 00:00 Tools | |
82226469 | Play | Act II: Scene: Quale orror mi comprende! (Ismene) | 00:00 Tools | |
90225049 | Play | I Cherusci, Act I: Sinfonia | 00:00 Tools | |
88555074 | Play | Regina coeli in G Major | 00:00 Tools | |
82226470 | Play | Act I Scene 2: Cavatina: Quest'anima consola (Ginerva, Re, Chorus) | 00:00 Tools | |
82226471 | Play | Ouvertüre zur Oper "I virtuosi a teatro" | 00:00 Tools | |
82226472 | Play | Ouvertüre zur Oper "Il Segreto" | 00:00 Tools | |
82226473 | Play | Concerto für Fagott und Orchester | 00:00 Tools | |
82226475 | Play | Ouvertüre zur Oper "Adelasia e Aleramo" | 00:00 Tools | |
82226474 | Play | Act II: Finale: Era tua sposa (Giasone, Creonte, Egeo, Medea) | 00:00 Tools | |
82226478 | Play | Ouvertüre zu "Sisara" | 00:00 Tools | |
82226476 | Play | Sinfonia aus dem Oratorium "La Passione" | 00:00 Tools | |
82226477 | Play | Act II: Scene: Ma qual fioco rumor! (Egeo, Medea) | 00:00 Tools | |
88555075 | Play | Piano Concerto No. 1 in C Major (arr. L Bianchini and P. Barbareschi for piano and orchestra): III. Rondo-allegro | 00:00 Tools | |
82226479 | Play | Act II: Aria: Antica notte (Medea, Furies) | 00:00 Tools | |
82226480 | Play | Ginevra di Scozia, Act I: Duet: Vieni: cola t'attendo | 00:00 Tools | |
82226481 | Play | Act II: Invocation Scene: Dove mi guidi? (Ismene, Medea) | 00:00 Tools | |
82226482 | Play | Act I Scene 1: Recitative: Ah! I'impazienza mia (Re, Lurcanio) | 00:00 Tools | |
82226483 | Play | Sinfonia | 00:00 Tools | |
82226484 | Play | Act II: Duet: Se il sangue, la vita (Egeo, Medea) | 00:00 Tools | |
82226489 | Play | Ouvertüre zur Oper "Medea in Corinto" | 00:00 Tools | |
82226485 | Play | Act I Scene 1: Coro e Scena: S'apra alla gioja (Chorus) - Scene 2: Ah, padre! (Ginevra) | 00:00 Tools | |
82226486 | Play | III. Largo | 00:00 Tools | |
82226487 | Play | Act I Scene 2: Recitative: Figlia, tutto intendesti (Re, Ginevra) - Scene 3: Amica, io vedro dunque (Ginevra, Dalinda) | 00:00 Tools | |
82226488 | Play | Act II Scene 12: Aria: Grazie, nume d'amore! E alfin compito (Giasone) | 00:00 Tools | |
82226498 | Play | Il sacrifizio d'Ifigenia: Sol di morte | 00:00 Tools | |
82226490 | Play | Act I: Overture | 00:00 Tools | |
88555076 | Play | Miserere in G Minor: I. Miserere mei Deus | 00:00 Tools | |
82226491 | Play | Ouverture de l'opéra "Adelasia e Aleramo" | 00:00 Tools | |
82226492 | Play | Ginevra di Scozia, Act II: Duet: Per pieta, deh! Non lasciarmi | 00:00 Tools | |
82226493 | Play | Sinfonia und Chor "Sull' innocente figlio" aus dem Oratorium "La Passione" | 00:00 Tools | |
82226494 | Play | Appendix: Act II Scene 15: Aria: Ah! Che tento? … Oh figli miei! (Medea, Voices from Off-Stage) | 00:00 Tools | |
82226495 | Play | Act I Scene 7: Cavatina: Ecco l'Eroe, ecco il guerriero (Chorus, Ariodante) | 00:00 Tools | |
82226511 | Play | Ginevra di Scozia: Sinfonia | 00:00 Tools | |
82226496 | Play | Act I Scene 6: March | 00:00 Tools | |
88555080 | Play | Mennone e Zemira: Overture | 00:00 Tools | |
82226497 | Play | Act I Scene 6: Recitative: Figlia, gioisci: il vincitor fra poco (Re, Ginevra, Polinesso) | 00:00 Tools | |
88555078 | Play | Raùl di Créqui: Overture | 00:00 Tools | |
88555077 | Play | Cora: Cora: Overture | 00:00 Tools | |
82226499 | Play | Act I Scene 6: Scena: Egli gia vien: da lunge (Re, Ginevra, Polinesso) | 00:00 Tools | |
82226500 | Play | Act II Scene 15: Aria: Ah! Che tento? … Oh figli miei! (Medea, Distant Voices) | 00:00 Tools | |
88555082 | Play | Ercole in Lidia: Overture | 00:00 Tools | |
82226501 | Play | Act II: Aria: Ah! Che tento? (Medea) | 00:00 Tools | |
82226509 | Play | Medea in Corinto: Chorus: Amiche cingete - Aria: Caro albergo | 00:00 Tools | |
82226502 | Play | Act I Scene 4: Scena: Quale m'affanna e opprime (Polinesso) | 00:00 Tools | |
82226503 | Play | Aria: Rendi il consorte amato (Zeliska) | 00:00 Tools | |
82226504 | Play | Medea in Corinto, Act I: Di gloria all'invito | 00:00 Tools | |
82226505 | Play | Appendix: Act II Scene 11: Duet: Ah! D'un alma generosa (Medea, Egeo) | 00:00 Tools | |
82226519 | Play | Ginevra di Scozia: Act I: Aria: Ah! Dov'e quell'alma audace (Lurcanio) | 00:00 Tools | |
82226506 | Play | Plenti sunt coeli | 00:00 Tools | |
88555079 | Play | Miserere in G Minor: II. Amplius lava me, Deus | 00:00 Tools | |
88555085 | Play | Miserere in G Minor: VI. Docebo | 00:00 Tools | |
88555088 | Play | Arianna a Nasso: Overture | 00:00 Tools | |
88555081 | Play | Miserere in G Minor: III. Tibi soli peccavi | 00:00 Tools | |
88555083 | Play | Sinfonia in E-Flat Major | 00:00 Tools | |
88555084 | Play | Gli americani, "Idalide": Overture | 00:00 Tools | |
88555086 | Play | Miserere in G Minor: V. Averte faciam | 00:00 Tools | |
82226517 | Play | Ouverture de l'oratorio "Sisara" | 00:00 Tools | |
82226507 | Play | Act I Scene 1: Introduzione: Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio) | 00:00 Tools | |
82226508 | Play | Act I Scene 8: March | 00:00 Tools | |
82226510 | Play | Act II Scene 9: Aria: Come frenare il pianto (Polinesso) | 00:00 Tools | |
82226530 | Play | Ginevra di Scozia: Act I: Coro e Cavatina: S'apra alla gioia (Chorus, Ginevra, Re) | 00:00 Tools | |
82226531 | Play | Grande messa da requiem: Introitus: Requiem | 00:00 Tools | |
90225050 | Play | Grande messa da requiem: Agnus Dei: Agnus Dei - Communio: Lux aeterna | 00:00 Tools | |
88555089 | Play | Il segreto: Overture | 00:00 Tools | |
88555090 | Play | Sinfonia in B-Flat Major | 00:00 Tools | |
82226512 | Play | Ouverture de l'opéra "Il Segreto" | 00:00 Tools | |
82226513 | Play | Act I: Cavatina: Sommi Dei, che I giuramenti (Medea) | 00:00 Tools | |
82226514 | Play | Act I Scene 4: Cavatina: Se pietoso, Amor, tu sei (Polinesso) | 00:00 Tools | |
82226515 | Play | Trio Concertante for 3 Violins and Orchestra in A minor | 00:00 Tools | |
82226516 | Play | Act II: Scene: Ismene … o cara Ismene! (Medea) | 00:00 Tools | |
82226518 | Play | Flammis ne urar | 00:00 Tools | |
90225051 | Play | Ginevra di Scozia: Act I: March | 00:00 Tools | |
88555087 | Play | Grande messa da requiem: Kyrie: Kyrie eleison | 00:00 Tools | |
82226532 | Play | Ouverture de l'opéra "I virtuosi a teatro" | 00:00 Tools | |
90225052 | Play | Piano Concerto No. 1 in C Major: II. Andante grazioso | 00:00 Tools | |
82226520 | Play | Ouverture dall'opera "I virtuosi a teatro" | 00:00 Tools | |
88555094 | Play | La passione: La Passione: Overture | 00:00 Tools | |
88555091 | Play | Miserere in G Minor: IV. Asperges me | 00:00 Tools | |
88555092 | Play | Miserere in G Minor: VII. Domine, labia mea | 00:00 Tools | |
88555098 | Play | Lauso e Lidia: Overture | 00:00 Tools | |
82226521 | Play | III. Rondo | 00:00 Tools | |
82226537 | Play | Concerto pour basson et orchestre | 00:00 Tools | |
82226522 | Play | Appendix: Act II Scene 15: Aria: Ismene … o cara Ismene! (Medea, Ismene, Distant Voices) | 00:00 Tools | |
82226523 | Play | Act II Scene 14: Ebbene, Evandro? (Tideo, Evandro) | 00:00 Tools | |
82226524 | Play | Act II Scene 10: Aria: I dolci contenti (Egeo) | 00:00 Tools | |
82226525 | Play | Act I: Stretta: Scendi Imene (Medea, Egeo, Creusa, Giasone, Creonte) | 00:00 Tools | |
82226526 | Play | Act II Scene 17: Finale Secondo: Era tua sposa: ah! Trucida (Corinthians, Giasone, Creonte) - Scene 18: Ah! Signor … (Giasone, Creonte) - Scene 19: Gran periglio … (Evandro, Tideo) - Last Scene: Dov'e Medea? (Egeo, Creonte, Giasone, The Others, Medea) | 00:00 Tools | |
82226527 | Play | Quis est homo | 00:00 Tools | |
82226528 | Play | Appendix: Act I Scene 3: Aria: Di gloria all'invito (Giasone, Corinthians, Handmaidens) | 00:00 Tools | |
82226529 | Play | Act I Scene 7: Recitative: Sire, vincemmo, Mai piu bella e intera (Ariodante, Re, Ginevra, Polinesso, Lurcanio) | 00:00 Tools | |
82226533 | Play | II. Andantino | 00:00 Tools | |
82226534 | Play | Ouverture a "Sisara" | 00:00 Tools | |
82226535 | Play | I. Allegro | 00:00 Tools | |
90225053 | Play | Stabat Mater | 00:00 Tools | |
90225054 | Play | Missa in C Minor: XIV. Agnus Dei | 00:00 Tools | |
90225055 | Play | Missa in C Minor: IV. Qui tollis peccata mundi | 00:00 Tools | |
90225056 | Play | Ginevra di Scozia: Act I: Introduzione: Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio) | 00:00 Tools | |
88555093 | Play | Grande messa da requiem: Kyrie: Christe eleison | 00:00 Tools | |
90225057 | Play | Ginevra di Scozia: Act I: Introduzione: Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio) | 00:00 Tools | |
88555095 | Play | Miserere in G Minor: X. Tunc acceptabis | 00:00 Tools | |
88555096 | Play | Miserere in G Minor: IX. Benigne fac | 00:00 Tools | |
88555097 | Play | Grande messa da requiem: Introitus: Te decet | 00:00 Tools | |
82226536 | Play | Part I: Aria: Non amplius tormentum (Anna) | 00:00 Tools | |
82226540 | Play | Sinfonia de l'oratorio "La Passione" | 00:00 Tools | |
88555099 | Play | La rosa bianca e la rosa rossa: Trio: Dov'e la destra? Infida! | 00:00 Tools | |
82226538 | Play | Terzetto: Io sono allegro (Zeliska, Peters, Floreska) | 00:00 Tools | |
82226539 | Play | Ouverture dall'opera "Adelasia e Aleramo" | 00:00 Tools | |
82226541 | Play | Te gloriosus | 00:00 Tools | |
82226542 | Play | Act II Scene 12: Aria: Amor, per te penai (Giasone, Voices from Within) - Scene 13: Che perfidia! (Corinthians, Handmaidens, Giasone, All) | 00:00 Tools |
Johann(es) Simon Mayr (also spelled Majer, Mayer, Maier), also known in Italian as Giovanni Simone Mayr or Simone Mayr (14 June 1763 – 2 December 1845) was a German composer. He was born in Mendorf near Altmannstein, Landkreis Eichstätt, Bavaria, and studied theology at the University of Ingolstadt, continuing his studies in Italy from 1787. He was closely associated with the Bavarian Illuminati of Adam Weishaupt while a student in Ingolstadt, and the ideals of the French Enlightenment were a strong influence on his philosophy as a musician as corroborated by his famed Zibaldone or "Notebooks" compiled toward the end of his career. Shortly thereafter, he took music lessons with Carlo Lenzi, and later with Ferdinando Bertoni. He moved to Bergamo in 1802 and was appointed maestro di cappella at the Cathedral of Bergamo, succeeding his old teacher Lenzi. He held the post until his death, and became a central figure in the city's musical life, organizing concerts and introducing Ludwig van Beethoven's music there. He was music teacher to Gaetano Donizetti. By the end of his life, he was blind. He died in Bergamo and is buried in the Basilica di Santa Maria Maggiore there, just in front of the tomb of his famous pupil. Mayr's astonishing list of works, among which are almost seventy operas, are rarely performed today. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.