Johann Simon Mayr

Trackimage Playbut Trackname Playbut Trackname
Regina coeli in B-Flat Major (C. 1800) 00:00 Tools
Miserere in G Minor: VIII. Sacrificium Deo 00:00 Tools
Elisa: Overture 00:00 Tools
Act II: Scene: Quale orror mi comprende! (Ismene) 00:00 Tools
I Cherusci, Act I: Sinfonia 00:00 Tools
Regina coeli in G Major 00:00 Tools
Act I Scene 2: Cavatina: Quest'anima consola (Ginerva, Re, Chorus) 00:00 Tools
Ouvertüre zur Oper "I virtuosi a teatro" 00:00 Tools
Ouvertüre zur Oper "Il Segreto" 00:00 Tools
Concerto für Fagott und Orchester 00:00 Tools
Ouvertüre zur Oper "Adelasia e Aleramo" 00:00 Tools
Act II: Finale: Era tua sposa (Giasone, Creonte, Egeo, Medea) 00:00 Tools
Ouvertüre zu "Sisara" 00:00 Tools
Sinfonia aus dem Oratorium "La Passione" 00:00 Tools
Act II: Scene: Ma qual fioco rumor! (Egeo, Medea) 00:00 Tools
Piano Concerto No. 1 in C Major (arr. L Bianchini and P. Barbareschi for piano and orchestra): III. Rondo-allegro 00:00 Tools
Act II: Aria: Antica notte (Medea, Furies) 00:00 Tools
Ginevra di Scozia, Act I: Duet: Vieni: cola t'attendo 00:00 Tools
Act II: Invocation Scene: Dove mi guidi? (Ismene, Medea) 00:00 Tools
Act I Scene 1: Recitative: Ah! I'impazienza mia (Re, Lurcanio) 00:00 Tools
Sinfonia 00:00 Tools
Act II: Duet: Se il sangue, la vita (Egeo, Medea) 00:00 Tools
Ouvertüre zur Oper "Medea in Corinto" 00:00 Tools
Act I Scene 1: Coro e Scena: S'apra alla gioja (Chorus) - Scene 2: Ah, padre! (Ginevra) 00:00 Tools
III. Largo 00:00 Tools
Act I Scene 2: Recitative: Figlia, tutto intendesti (Re, Ginevra) - Scene 3: Amica, io vedro dunque (Ginevra, Dalinda) 00:00 Tools
Act II Scene 12: Aria: Grazie, nume d'amore! E alfin compito (Giasone) 00:00 Tools
Il sacrifizio d'Ifigenia: Sol di morte 00:00 Tools
Act I: Overture 00:00 Tools
Miserere in G Minor: I. Miserere mei Deus 00:00 Tools
Ouverture de l'opéra "Adelasia e Aleramo" 00:00 Tools
Ginevra di Scozia, Act II: Duet: Per pieta, deh! Non lasciarmi 00:00 Tools
Sinfonia und Chor "Sull' innocente figlio" aus dem Oratorium "La Passione" 00:00 Tools
Appendix: Act II Scene 15: Aria: Ah! Che tento? … Oh figli miei! (Medea, Voices from Off-Stage) 00:00 Tools
Act I Scene 7: Cavatina: Ecco l'Eroe, ecco il guerriero (Chorus, Ariodante) 00:00 Tools
Ginevra di Scozia: Sinfonia 00:00 Tools
Act I Scene 6: March 00:00 Tools
Mennone e Zemira: Overture 00:00 Tools
Act I Scene 6: Recitative: Figlia, gioisci: il vincitor fra poco (Re, Ginevra, Polinesso) 00:00 Tools
Raùl di Créqui: Overture 00:00 Tools
Cora: Cora: Overture 00:00 Tools
Act I Scene 6: Scena: Egli gia vien: da lunge (Re, Ginevra, Polinesso) 00:00 Tools
Act II Scene 15: Aria: Ah! Che tento? … Oh figli miei! (Medea, Distant Voices) 00:00 Tools
Ercole in Lidia: Overture 00:00 Tools
Act II: Aria: Ah! Che tento? (Medea) 00:00 Tools
Medea in Corinto: Chorus: Amiche cingete - Aria: Caro albergo 00:00 Tools
Act I Scene 4: Scena: Quale m'affanna e opprime (Polinesso) 00:00 Tools
Aria: Rendi il consorte amato (Zeliska) 00:00 Tools
Medea in Corinto, Act I: Di gloria all'invito 00:00 Tools
Appendix: Act II Scene 11: Duet: Ah! D'un alma generosa (Medea, Egeo) 00:00 Tools
Ginevra di Scozia: Act I: Aria: Ah! Dov'e quell'alma audace (Lurcanio) 00:00 Tools
Plenti sunt coeli 00:00 Tools
Miserere in G Minor: II. Amplius lava me, Deus 00:00 Tools
Miserere in G Minor: VI. Docebo 00:00 Tools
Arianna a Nasso: Overture 00:00 Tools
Miserere in G Minor: III. Tibi soli peccavi 00:00 Tools
Sinfonia in E-Flat Major 00:00 Tools
Gli americani, "Idalide": Overture 00:00 Tools
Miserere in G Minor: V. Averte faciam 00:00 Tools
Ouverture de l'oratorio "Sisara" 00:00 Tools
Act I Scene 1: Introduzione: Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio) 00:00 Tools
Act I Scene 8: March 00:00 Tools
Act II Scene 9: Aria: Come frenare il pianto (Polinesso) 00:00 Tools
Ginevra di Scozia: Act I: Coro e Cavatina: S'apra alla gioia (Chorus, Ginevra, Re) 00:00 Tools
Grande messa da requiem: Introitus: Requiem 00:00 Tools
Grande messa da requiem: Agnus Dei: Agnus Dei - Communio: Lux aeterna 00:00 Tools
Il segreto: Overture 00:00 Tools
Sinfonia in B-Flat Major 00:00 Tools
Ouverture de l'opéra "Il Segreto" 00:00 Tools
Act I: Cavatina: Sommi Dei, che I giuramenti (Medea) 00:00 Tools
Act I Scene 4: Cavatina: Se pietoso, Amor, tu sei (Polinesso) 00:00 Tools
Trio Concertante for 3 Violins and Orchestra in A minor 00:00 Tools
Act II: Scene: Ismene … o cara Ismene! (Medea) 00:00 Tools
Flammis ne urar 00:00 Tools
Ginevra di Scozia: Act I: March 00:00 Tools
Grande messa da requiem: Kyrie: Kyrie eleison 00:00 Tools
Ouverture de l'opéra "I virtuosi a teatro" 00:00 Tools
Piano Concerto No. 1 in C Major: II. Andante grazioso 00:00 Tools
Ouverture dall'opera "I virtuosi a teatro" 00:00 Tools
La passione: La Passione: Overture 00:00 Tools
Miserere in G Minor: IV. Asperges me 00:00 Tools
Miserere in G Minor: VII. Domine, labia mea 00:00 Tools
Lauso e Lidia: Overture 00:00 Tools
III. Rondo 00:00 Tools
Concerto pour basson et orchestre 00:00 Tools
Appendix: Act II Scene 15: Aria: Ismene … o cara Ismene! (Medea, Ismene, Distant Voices) 00:00 Tools
Act II Scene 14: Ebbene, Evandro? (Tideo, Evandro) 00:00 Tools
Act II Scene 10: Aria: I dolci contenti (Egeo) 00:00 Tools
Act I: Stretta: Scendi Imene (Medea, Egeo, Creusa, Giasone, Creonte) 00:00 Tools
Act II Scene 17: Finale Secondo: Era tua sposa: ah! Trucida (Corinthians, Giasone, Creonte) - Scene 18: Ah! Signor … (Giasone, Creonte) - Scene 19: Gran periglio … (Evandro, Tideo) - Last Scene: Dov'e Medea? (Egeo, Creonte, Giasone, The Others, Medea) 00:00 Tools
Quis est homo 00:00 Tools
Appendix: Act I Scene 3: Aria: Di gloria all'invito (Giasone, Corinthians, Handmaidens) 00:00 Tools
Act I Scene 7: Recitative: Sire, vincemmo, Mai piu bella e intera (Ariodante, Re, Ginevra, Polinesso, Lurcanio) 00:00 Tools
II. Andantino 00:00 Tools
Ouverture a "Sisara" 00:00 Tools
I. Allegro 00:00 Tools
Stabat Mater 00:00 Tools
Missa in C Minor: XIV. Agnus Dei 00:00 Tools
Missa in C Minor: IV. Qui tollis peccata mundi 00:00 Tools
Ginevra di Scozia: Act I: Introduzione: Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio) 00:00 Tools
Grande messa da requiem: Kyrie: Christe eleison 00:00 Tools
Ginevra di Scozia: Act I: Introduzione: Deh! Proteggi, o Ciel clemente (Chorus, Re, Lurcanio) 00:00 Tools
Miserere in G Minor: X. Tunc acceptabis 00:00 Tools
Miserere in G Minor: IX. Benigne fac 00:00 Tools
Grande messa da requiem: Introitus: Te decet 00:00 Tools
Part I: Aria: Non amplius tormentum (Anna) 00:00 Tools
Sinfonia de l'oratorio "La Passione" 00:00 Tools
La rosa bianca e la rosa rossa: Trio: Dov'e la destra? Infida! 00:00 Tools
Terzetto: Io sono allegro (Zeliska, Peters, Floreska) 00:00 Tools
Ouverture dall'opera "Adelasia e Aleramo" 00:00 Tools
Te gloriosus 00:00 Tools
Act II Scene 12: Aria: Amor, per te penai (Giasone, Voices from Within) - Scene 13: Che perfidia! (Corinthians, Handmaidens, Giasone, All) 00:00 Tools
  • 5,245
    plays
  • 908
    listners
  • 5245
    top track count

Johann(es) Simon Mayr (also spelled Majer, Mayer, Maier), also known in Italian as Giovanni Simone Mayr or Simone Mayr (14 June 1763 – 2 December 1845) was a German composer. He was born in Mendorf near Altmannstein, Landkreis Eichstätt, Bavaria, and studied theology at the University of Ingolstadt, continuing his studies in Italy from 1787. He was closely associated with the Bavarian Illuminati of Adam Weishaupt while a student in Ingolstadt, and the ideals of the French Enlightenment were a strong influence on his philosophy as a musician as corroborated by his famed Zibaldone or "Notebooks" compiled toward the end of his career. Shortly thereafter, he took music lessons with Carlo Lenzi, and later with Ferdinando Bertoni. He moved to Bergamo in 1802 and was appointed maestro di cappella at the Cathedral of Bergamo, succeeding his old teacher Lenzi. He held the post until his death, and became a central figure in the city's musical life, organizing concerts and introducing Ludwig van Beethoven's music there. He was music teacher to Gaetano Donizetti. By the end of his life, he was blind. He died in Bergamo and is buried in the Basilica di Santa Maria Maggiore there, just in front of the tomb of his famous pupil. Mayr's astonishing list of works, among which are almost seventy operas, are rarely performed today. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.