Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
82785164 | Play | Andante grazioso aus der Sinfonia concertante B-Dur | 00:00 Tools | |
82785165 | Play | Polacca aus dem Flötenkonzert Nr. 2 d-moll | 00:00 Tools | |
82785166 | Play | Allegro moderato aus der Sinfonia Concertante B-Dur | 00:00 Tools | |
82785169 | Play | 1. Satz aus dem Oboenkonzert Nr. 2 F-Dur | 00:00 Tools | |
82785167 | Play | Sinfonia | 00:00 Tools | |
82785168 | Play | Romance und Rondo aus dem Oboenkonzert Nr.2 F-Dur | 00:00 Tools | |
82785170 | Play | Romance und Rondo aus dem Oboenkonzert Nr. 2 F-Dur | 00:00 Tools | |
82785171 | Play | Il ratto di Proserpina, Act I: Trio: Mi lasci, o madre amata | 00:00 Tools | |
82785172 | Play | II. Romance | 00:00 Tools | |
82785173 | Play | Zaira, Act II: Aria: Sommo Dio, che in sen mi vedi | 00:00 Tools | |
82785174 | Play | Act II No. 13: Recitativo: Mora l'empio; mora. (People, Seide, Maometto, Palmira) | 00:00 Tools | |
82785175 | Play | III. Polacca | 00:00 Tools | |
82785176 | Play | Act II No. 12: Gran scena: In questo luogo orrendo (Seide, Palmira) | 00:00 Tools | |
82785177 | Play | I. Allegro | 00:00 Tools | |
82785180 | Play | La grotta de Calipso: Jagerchor | 00:00 Tools | |
82785178 | Play | 1.Satz aus dem Oboenkonzert Nr.2 F-Dur | 00:00 Tools | |
82785179 | Play | Act I No. 4: Recitativo e duetto: Ah! Quali accenti di minaccia (Palmira, Seide, Omar) | 00:00 Tools | |
82785182 | Play | Flute Concerto No. 1 in D minor | 00:00 Tools | |
82785181 | Play | II. Adagio | 00:00 Tools | |
82785185 | Play | Flute Concerto No. 2 In D Minor: I. Allegro | 00:00 Tools | |
82785186 | Play | Flute Concerto No. 2 In D Minor: II. Adagio | 00:00 Tools | |
82785183 | Play | III. Rondo | 00:00 Tools | |
82785184 | Play | Act I No. 7: Scena dopo il duetto: Inesorabil vecchio! (Maometot, Omar) | 00:00 Tools | |
90242702 | Play | Bassoon Concertino in C Minor | 00:00 Tools | |
82785187 | Play | Act II No. 14: Finale: Ognun tremi; a me si prostri e creda. (Maometto, People) | 00:00 Tools | |
82785188 | Play | Act I No. 1: Introduzione: Possenti Dei d'Arabia (People, Priests, Zopiro, Fanor) | 00:00 Tools | |
82785189 | Play | Act I No. 8: Quartetto nel finale: Lascia che un bacio imprima (Palmira,...) / Scena ultima: Fermate! L'inganno in pria mirate (Zopiro,...) | 00:00 Tools | |
82785190 | Play | Act II No. 13: Aria: Aggiungi colpe a colpe (Palmira, Maometto, Chorus) | 00:00 Tools | |
82785191 | Play | Act I No. 6: Quartetta: Ah! Qual minaccia e sdegno (Palmira, Seide, Maometto, Omar) / Recitativo: E udrai Maometto? (Fanor, Zopiro) | 00:00 Tools | |
82785192 | Play | Act I No. 7: Duetto: In te punir domani (Maometto, Zopiro, Omar) | 00:00 Tools | |
82785193 | Play | Act II No. 10: Recitativo e duetto: Giovane avventurato! (Maometto, Seide) | 00:00 Tools | |
82785194 | Play | Act I No. 5: Coro: La citta che a te si schiude (Chorus of Soldiers, People) | 00:00 Tools | |
82785195 | Play | Act I No. 2: Recitativo dopo la cavatina: D'un tiranno in potere (Zopiro, Palmira, Fanor, Omar) | 00:00 Tools | |
90242703 | Play | Septet in E-Flat Major, Op. 10: II. Andantino | 00:00 Tools | |
82785196 | Play | Act I No. 3: Duetto: Cedi: e la sua vendetta (Omar, Zopiro) | 00:00 Tools | |
82785197 | Play | Act II No. 12: Terzetto: Dei che piangendo imploro (Zopiro, Seide, Palmira, Fanor) | 00:00 Tools | |
82785198 | Play | Act II No. 12: Recitativo dopo il quintetto: Donde avvien mai ch'io tremo (Maometto, Omar) | 00:00 Tools | |
82785199 | Play | Zaire: Aria: Sommo Dio, che in sen mi vedi | 00:00 Tools | |
90242704 | Play | Oboe Concerto No. 2 in F Major: I. Allegro | 00:00 Tools | |
90242705 | Play | Bassoon Concertino in C Minor: I. Allegro moderato | 00:00 Tools | |
90242706 | Play | Flute Concerto No. 2 In D Minor: III. Polacca | 00:00 Tools | |
90242707 | Play | Bassoon Concertino in C Minor: II. Adagio | 00:00 Tools | |
90242708 | Play | Bassoon Concertino in C Minor: III. Tempo Primo | 00:00 Tools | |
82785206 | Play | Andante grazioso de la symphonie concertante en si bémol majeur | 00:00 Tools | |
82785200 | Play | Act I No. 5: Scena ed aria: Popolo generoso, antichi amici (Maometto, Chorus) | 00:00 Tools | |
82785201 | Play | Allegro moderato de la symphonie concertante en si bémol majeur | 00:00 Tools | |
82785202 | Play | Act II No. 9: Introduzione: Prima, che giunto sia (Omar, Chorus, Maometto) | 00:00 Tools | |
82785203 | Play | Act II No. 12: Quintetto: I figli miei...che intendo? (Zopiro, Seide, Palmira, Fanor, Omar, Chorus) | 00:00 Tools | |
82785204 | Play | Act I No. 2: Coro e cavatina: Quel bel ciglio ritorni sereno (Chorus, Palmira) | 00:00 Tools | |
82785205 | Play | Act I No. 8: Finale: Come salvar la patria (Councillors, Fanor, Maometto) | 00:00 Tools | |
82785207 | Play | Act II No. 13: Recitativo: Felice! ...Oh! Mostro del mio sangue tinto! (Palmira, Maometto, Omar) | 00:00 Tools | |
82785208 | Play | Act I No. 5: Scena dopo la cavatina: Ite, invitti guerrieri (Maometto, Seide, Palmira) | 00:00 Tools |
Peter Winter (baptized 28 August 1754 – 17 October 1825) was a German opera composer who followed Mozart and preceded Weber, acting a bridge between the two in the development of German opera. (His name is sometimes given as Peter von Winter.) Winter was born at Mannheim. A child prodigy on the violin, he played in the Mannheim court orchestra. He studied with Salieri in Vienna. Moving to Munich in 1778, he became director of the court theatre at which point he started to write stage works, at first ballets and melodramas. He became Vice-Kapellmeister in Munich in 1787 and Kapellmeister in 1798, a title he kept for the rest of his life. Of more than thirty operas written by Winter between 1778 and 1820 very few were unsuccessful. His most popular work, Das unterbrochene Opferfest, was produced in 1796 at Vienna, where in 1797-1798 he composed Die Pyramiden von Babylon and Das Labyrinth, both written for him by Emanuel Schikaneder, in continuation of the story of Mozarts Die Zauberflöte. He returned to Munich in 1798. Five years later he visited London, where he produced La grotta di Calipso in 1803, Il ratto di Proserpina in 1804, and Zaira in 1805, with great success. Maometto (1817) is probably his most famous opera, still performed sometimes and it exists in an excellent recording in CD. His last opera, Der Sänger und der Schneider, was produced in 1820 at Munich, where he died. Besides his dramatic works he composed concertos for wind and orchestra and some sacred music, including 26 masses. Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.