Trackimage | Playbut | Trackname | Playbut | Trackname |
---|---|---|---|---|
17224712 | Play | Sans Doute | 03:20 Tools | |
17224713 | Play | The Great Apart | 04:51 Tools | |
17224714 | Play | Combray | 04:24 Tools | |
17224716 | Play | Forget The Knights of Faith | 03:07 Tools | |
17224717 | Play | A Certain Blindness | 03:10 Tools | |
17224715 | Play | To Another | 03:28 Tools | |
17224719 | Play | A Book Unto Himself | 03:35 Tools | |
17224720 | Play | In Dialogue | 03:29 Tools | |
17224759 | Play | As Long As Your Life Is Long | 02:47 Tools | |
17224721 | Play | More Awkward than Silence | 02:21 Tools | |
17224725 | Play | The Sea. A Reckless Dream | 04:22 Tools | |
17224736 | Play | But A Beat From Your Bones | 03:03 Tools | |
17224767 | Play | Cold Words, No Poem | 04:03 Tools | |
17224771 | Play | End, As In Aim | 04:18 Tools | |
17224772 | Play | And So I Tell Myself To Myself | 02:59 Tools | |
17224761 | Play | All Paths To The End | 03:13 Tools | |
56015273 | Play | Should A Word | 04:53 Tools | |
17224724 | Play | ...There Grows the Hours' Ladder to the Sun | 04:53 Tools | |
17224779 | Play | Saying As Showing | 02:51 Tools | |
17224764 | Play | Treading | 02:47 Tools | |
17224726 | Play | A Line of Flight | 04:14 Tools | |
17224728 | Play | ...Last King of the Old World | 03:23 Tools | |
17224722 | Play | ...There Grows the Hours Ladder to the Sun | 05:03 Tools | |
17224729 | Play | The City. Four Minutes Older | 04:08 Tools | |
17224727 | Play | Long Vigilance. Waking Life. | 05:08 Tools | |
17224730 | Play | Long Vigilance, Waking Life | 05:07 Tools | |
17224718 | Play | Catastrophising | 02:51 Tools | |
56015274 | Play | And So I Tell Myself | 02:51 Tools | |
56015275 | Play | Is Not Ought | 03:25 Tools | |
17224760 | Play | Is, Not Ought | 04:16 Tools | |
56015283 | Play | End As In Aim | 03:08 Tools | |
17224723 | Play | To Make Use Of Fate. To Take Care Of Time. | 03:25 Tools | |
56015277 | Play | Forget the Knights of Faith. | 03:48 Tools | |
56015276 | Play | Sans doute. | 03:48 Tools | |
56015280 | Play | A Certain Blindness. | 03:48 Tools | |
17224732 | Play | Second New | 03:48 Tools | |
56015282 | Play | In Dialogue. | 03:48 Tools | |
56015279 | Play | ...There Grows the Hours' Ladder to the Sun. | 03:48 Tools | |
56015278 | Play | The Great Apart. | 03:48 Tools | |
89508225 | Play | Four Categories | 03:48 Tools | |
89508226 | Play | Affect Effective | 03:48 Tools | |
56015281 | Play | Long Vigilance, Waking Life. | 03:48 Tools | |
56015285 | Play | A Book Unto Himself. | 03:08 Tools | |
89508227 | Play | Withstood, Withstanding | 03:08 Tools | |
56015284 | Play | The Sea. A Reckless Dream. | 03:08 Tools | |
89508228 | Play | scattered islands of a shattered idea | 03:08 Tools | |
89508229 | Play | Wear a Name | 03:08 Tools | |
56015286 | Play | To Another. | 03:25 Tools | |
89508230 | Play | A Dream To Sleep | 03:25 Tools | |
89508231 | Play | Past Present Habits | 03:25 Tools | |
17224735 | Play | Closer | 03:08 Tools | |
89508232 | Play | For Solatium | 03:08 Tools | |
17224731 | Play | To Make Use Of Fate. To Take Care Of Time | 03:25 Tools | |
89508233 | Play | Throw Out Thoughts | 03:25 Tools | |
17224740 | Play | Roads | 03:13 Tools | |
17224734 | Play | Sacred | 02:52 Tools | |
17224768 | Play | Celebration | 03:09 Tools | |
17224774 | Play | 02 - The City. Four Minutes Older | 04:09 Tools | |
17224776 | Play | 07 - The Great Apart | 04:52 Tools | |
89508234 | Play | The Sea A Reckless Dream | 04:52 Tools | |
89508235 | Play | Long Vigilance Waking Life | 04:52 Tools | |
17224775 | Play | Today | 04:55 Tools | |
17224744 | Play | 05 - Combray | 04:24 Tools | |
17224737 | Play | ...There Grows The Hours' Ladd | 04:53 Tools | |
56015287 | Play | 06 - Sans Doute | 04:53 Tools | |
89508236 | Play | The Weary Debts * | 04:53 Tools | |
89508237 | Play | The Weary Debts | 04:53 Tools | |
17224762 | Play | Bauhaus | 00:00 Tools | |
17224751 | Play | Viktor Frankl vs the World | 01:52 Tools | |
17224741 | Play | The Sea, A Wreckless Dream | 04:22 Tools | |
17224758 | Play | Post Diana Emotional Literacy | 03:49 Tools | |
56015289 | Play | 02 - Viktor Frankl vs the World | 03:49 Tools | |
56015288 | Play | 03 - Post Diana Emotional Literacy | 03:49 Tools | |
17224781 | Play | ... | 03:35 Tools | |
17224738 | Play | To Make Use Of Fate. To Take C | 03:25 Tools | |
17224778 | Play | mp3.com | 02:39 Tools | |
56015290 | Play | 04 - mp3.com | 02:39 Tools | |
89508238 | Play | To make use of fate, to take care of time | 02:39 Tools | |
87596271 | Play | To Make Use Of Fate, To Take Care Of Time. | 02:39 Tools | |
87596272 | Play | The Sea.A Reckless Dream | 02:39 Tools | |
89508239 | Play | Kaddish - To Make Use of Fate, To Take Care of Time. | 02:39 Tools | |
89508240 | Play | Kaddish - Catastrophising. | 02:39 Tools | |
56015291 | Play | Kaddish | 02:39 Tools |
Kaddish are a screamo band from Dundee, a city on the North East coast of Scotland. United Kingdom Collectively, they are Chris, Mark, John and Dom. Kaddish have been a band for a very long time. It is in the past few years, however, that they have been at their most active, releasing a seven song demo, a split 7” with Battle of Wolf 359 (2008), and, most recently, a ten song LP (2010). Kaddish released their LP with the support of four UK based labels: Parade of Spectres, Autumn Jams, Internationale, and This One’s for the Crew. Inside the LP they include song explanations and an essay on some of the issues that motivate their thinking as a band. It is a matter of recorded fact that Kaddish intend these words as an invitation to dialogue. Infrequently, Kaddish can be found manipulating the third person in an attempt to subvert the rules of websites that alienate them from the means of direct expression. It is reputed that they understand the necessity for such rules, but that they view them as part of a wider insidious tendency to convert human relations into impersonal data transfers. Kaddish do not, however, have any problem with people freely downloading their music. Rather, they would simply like to suggest that the tendency towards impersonal data transfer be viewed as means, and not as an end. That way, direct contact is made through impersonal means, and the subversion becomes all the purer for it. If you’d like to make contact with Kaddish, they can be found at: www.myspace.com/kaddishuk Read more on Last.fm. User-contributed text is available under the Creative Commons By-SA License; additional terms may apply.